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Elizabeth Partridge - Seen and Unseen: What Dorothea Lange, Toyo Miyatake, and Ansel Adamss Photographs Reveal About the Japanese American Incarceration

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Seen and Unseen: What Dorothea Lange, Toyo Miyatake, and Ansel Adamss Photographs Reveal About the Japanese American Incarceration: summary, description and annotation

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This important work of nonfiction features powerful images of the Japanese American incarceration captured by three photographersDorothea Lange, Toyo Miyatake, and Ansel Adamsalong with firsthand accounts of this grave moment in history.
Three months after Japan attacked Pearl Harbor in 1941, US President Franklin D. Roosevelt ordered the incarceration of all Japanese and Japanese Americans living on the West Coast of the United States. Families, teachers, farm workersall were ordered to leave behind their homes, their businesses, and everything they owned. Japanese and Japanese Americans were forced to live under hostile conditions in incarceration camps, their futures uncertain.
Three photographers set out to document life at Manzanar, an incarceration camp in the California desert:
Dorothea Lange was a photographer from San Francisco best known for her haunting Depression-era images. Dorothea was hired by the US government to record the conditions of the camps. Deeply critical of the policy, she wanted her photos to shed light on the harsh reality of incarceration.
Toyo Miyatake was a Japanese-born, Los Angelesbased photographer who lent his artistic eye to portraying dancers, athletes, and events in the Japanese community. Imprisoned at Manzanar, he devised a way to smuggle in photographic equipment, determined to show what was really going on inside the barbed-wire confines of the camp.
Ansel Adams was an acclaimed landscape photographer and environmentalist. Hired by the director of Manzanar, Ansel hoped his carefully curated pictures would demonstrate to the rest of the United States the resilience of those in the camps.
In Seen and Unseen, Elizabeth Partridge and Lauren Tamaki weave together these photographers images, firsthand accounts, and stunning original art to examine the history, heartbreak, and injustice of the Japanese American incarceration.
AWARENESS OF AMERICAN HISTORY: This impactful book engages with an underrepresented topic in American history, and highlights important and timely themes like primary sources, censorship, and visual literacy.
SUBSTANTIAL BACKMATTER: Featuring eighteen pages of backmatter, including an Authors and Illustrators Note, footnotes, photo credits, biographies of each photographer, and more.
Perfect for:
Parents
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We sometimes refer to both Issei and Nisei as Japanese Americans as it is - photo 1
We sometimes refer to both Issei and Nisei as Japanese Americans as it is - photo 2We sometimes refer to both Issei and Nisei as Japanese Americans as it is - photo 3
  1. We sometimes refer to both Issei and Nisei as Japanese Americans as it is widely accepted in the Japanese American community that the Issei were Japanese Americans, though they were barred from citizenship.

  2. Operated by the War Relocation Authority. Camps run by the Immigration and Naturalization Service (not noted here) primarily held German, Italian, and Japanese enemy aliens.

HOURS LATER IN FARAWAY LOS ANGELES Toyo Miyatake was photographing a fancy - photo 4HOURS LATER IN FARAWAY LOS ANGELES Toyo Miyatake was photographing a fancy - photo 5HOURS LATER IN FARAWAY LOS ANGELES Toyo Miyatake was photographing a fancy - photo 6

HOURS LATER IN FARAWAY LOS ANGELES, Toyo Miyatake was photographing a fancy wedding. Suddenly, agents from the US government barged in. They arrested several men and took them away.

Up and down the West Coast leaders of the Japanese American community were - photo 7

Up and down the West Coast, leaders of the Japanese American community were rounded up and taken away: bankers, priests, newspaper reporters, even teachers.

Where had they been taken and why Families were given no information - photo 8

Where had they been taken,

and why?

Families were given no information The next day the United States declared - photo 9

Families were given no information.

The next day the United States declared war on Japan Some Americans were - photo 10

The next day, the United States declared war on Japan.

Some Americans were afraid the Japanese military would attack again, this time on the mainland. Were Japanese Americans along the West Coast planning to sabotage the United States? Would fishermen signal to Japanese submarines where to creep into US ports? Were farmers sending coded radio messages to the Japanese military from their fields? Rumors flew from person to person, newspaper to newspaper.

The US government acted swiftly against all people of Japanese ancestry Their - photo 11The US government acted swiftly against all people of Japanese ancestry Their - photo 12

The US government acted swiftly against all people of Japanese ancestry. Their radios, cameras, and weapons were considered contraband and were confiscated. Bank accounts were frozen so they could not access their own money. Curfews and travel restrictions were set up: No one was allowed to go more than five miles from home, and everyone had to be back in their houses by 8:00 p.m.

Japanese and Japanese Americans were afraid tooThey had the face of the - photo 13

Japanese and Japanese Americans were afraid, too.They had the face of the enemy. They needed to show they were not disloyal to the US government. Mothers pulled kimonos from the closet. Fathers took calligraphy off the walls. Books, letters, and photographs from relatives in Japan were heaped in a pile.

Everything was burned No one knew what would happen to the Issei the - photo 14

Everything was burned.

No one knew what would happen to the Issei the older Japanese who had - photo 15No one knew what would happen to the Issei the older Japanese who had - photo 16

No one knew what would happen to the Issei, the older Japanese who had immigrated to America but had not been allowed to become citizens. And what about their children, the Nisei, Japanese Americans who were born in the United States and were citizens?

I dont know whats going to happen to your mother and me future US Congressman - photo 17

I dont know whats going to happen to your mother and me, future US Congressman Norman Minetas Issei father told him and his four siblings. But just remember: All of you are US citizens and this is your home. There is nothing anyone can do to take this away from you.

He was wrong ON FEBRUARY 19 1942 President Franklin D Roosevelt issued - photo 18

He was wrong.

ON FEBRUARY 19, 1942, President Franklin D. Roosevelt issued Executive Order 9066. It authorized the removal of more than 120,000 people of Japanese ancestry from the West Coast.

The government called it an evacuation Evacuees would be taken to assembly - photo 19The government called it an evacuation Evacuees would be taken to assembly - photo 20

The government called it an evacuation.

Evacuees would be taken to assembly centers until internment camps were ready.

IT WAS NOT AN EVACUATION People are evacuated from an emergency like a fire - photo 21IT WAS NOT AN EVACUATION People are evacuated from an emergency like a fire - photo 22

IT WAS NOT AN EVACUATION.

People are evacuated from an emergency, like a fire or flood. The evacuation was a forced removal. The few Japanese Americans who didnt comply faced criminal charges.

Assembly centers were temporary detention centers, with fences and armed guards.

Internment or relocation camps were actually prison camps where the Japanese and Japanese Americans were imprisoned for most of World War II. It was a separate system from the US criminal justice system.

Evacuees were prisoners.

PHOTOGRAPHED FOR THEWAR RELOCATION AUTHORITY WRAMARCH 1942JULY 1942 IN - photo 23
PHOTOGRAPHED FOR THEWAR RELOCATION AUTHORITY WRAMARCH 1942JULY 1942 IN - photo 24

PHOTOGRAPHED FOR THEWAR RELOCATION AUTHORITY (WRA)MARCH 1942JULY 1942

IN THE SAN FRANCISCO BAY AREA Dorothea Lange was asked to photograph the - photo 25

IN THE SAN FRANCISCO BAY AREA, Dorothea Lange was asked to photograph the roundup and forced relocation of all Japanese and Japanese Americans on the West Coast. Officials wanted documentary photos to show it was being carried out in a humane, orderly way.

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