Chris Hamby - Soul Full of Coal Dust: A Fight for Breath and Justice in Appalachia
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Copyright 2020 by Chris Hamby
Cover design by Gregg Kulick
Cover photograph by Getty Images
Author photograph by Earl Wilson
Cover copyright 2020 Hachette Book Group, Inc.
Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.
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First ebook edition: August 2020
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ISBN 9780316299497
E3-20200721-DA-ORI
To my parents, Elizabeth and Roger, who instilled a love of the written word and a belief in the human spirit
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And heres a story you can hardly believe, but its true, and its funny and its beautiful. There was a family of twelve and they were forced off the land. They had no car. They built a trailer out of junk and loaded it with their possessions. They pulled it to the side of 66 and waited. And pretty soon a sedan picked them up. Five of them rode in the sedan and seven on the trailer, and a dog on the trailer. They got to California in two jumps. The man who pulled them fed them. And thats true. But how can such courage be, and such faith in their own species? Very few things would teach such faith.
The people in flight from the terror behindstrange things happen to them, some bitterly cruel and some so beautiful that the faith is refired forever.
John Steinbeck, The Grapes of Wrath
Hes had more hard luck than most men could stand
The mines was his first love but never his friend
Hes lived a hard life, and hard hell die
Black lungs done got him, his time is nigh
Black lung, black lung, youre just biding your time
Soon all of this suffering Ill leave behind
But I cant help but wonder what God had in mind
To send such a devil to claim this soul of mine
He went to the boss man, but he closed the door
Well, it seems youre not wanted when youre sick and youre poor
Youre not even covered in their medical plans
And your life depends on the favors of man
Down in the poorhouse on starvations plan
Where pride is a stranger and doomed is a man
His soul full of coal dust till his bodys decayed
And everyone but black lungs done turned him away
Black lung, black lung, oh, your hands icy cold
As you reach for my life and you torture my soul
Cold as that waterhole down in that dark cave
Where I spent my lifes blood diggin my own grave
Down at the graveyard the boss man came
With his little bunch of flowers, dear God, what a shame
Take back those flowers, dont you sing no sad songs
The die has been cast now, a good man is gone
Hazel Dickens, Black Lung (written for her brother, who died of the disease)
Early twentieth-century claims of the first coal barons to arrive in the area near what is today Beckley, West Virginia, a hub of the states southern coalfields. (New River Company, 1976)
J ohn Cline looked across his kitchen table at a gaunt man with a countenance etched by a life of hard labor. The two had spoken by phone, but now that they were face to face for the first time, the mans rapidly declining health became apparent. Each breath, it seemed, required more effort than the last. John had heard such strained exertions many times before, and he knew the suffering these sounds signified.
As each man appraised the other, the faint gray light of a frigid day in the southern West Virginia coalfields fell on the smooth maple top, fashioned by Johns middle son, that adorned the table Johns grandfather had made out of fir. Wind gusted through the patch of land where John and his wife kept a vegetable garden in warmer months. The trees bounding his property to the south had shed their foliage, revealing the precipice preceding the sharp plunge to the Piney Creek Gorge a thousand feet below. In the distance, benches of bare earth lined a stretch of the hillsidethe scars of long-finished strip-mining. A railway ran through the gorge, and sometimes when John went for walks in the trails he kept clear behind his house, he still heard the coal trains rumbling through.
This land of scarred beauty had forged both John and the man now seated in his kitchen, a longtime coal miner named Gary Fox. Though they had started life in different worlds, both had come of age amid the political tumult of the late 1960s and the historic coal miners rebellion that had swept southern West Virginia at the time. Both had made lives for themselves and their families here in the heart of Appalachia. And both had spent decades working, straining against setbacks, building something bigger than themselves.
John was a rarity here in the coalfields: a lawyer who was willing to help coal miners navigate an abstruse legal system in pursuit of modest monthly payments and medical coverage as recompense for the disease that robbed their breath, the old scourge with the disturbingly accurate name black lung. Most lawyers wouldnt touch these cases. They were complex, time-consuming, and fiercely contested; coal companies and their lawyers made sure of that. Success rates were low, and even after a win, a miners lawyer had to prevail in yet another round of legal combat against the company to collect fees that barely kept the lights on.
Yet this was the only type of case John took, the only type hed ever wanted to take. It was why, a few years earlier, he had gone to law school at age fifty-three and emerged with a load of student debt he would still be paying off long after others his age had retired.
Law was his fourth vocation. The first threecommunity organizer, carpenter, and rural medical-clinic staffermight suggest the incongruous roving of a restless soul, but John saw each of them, as well as his current one, as variations of the same job, which he described as trying to be of use.
Here in the house hed built with his own hands in a small community on the outskirts of Beckley, the nearest thing to a big city southern West Virginia coal country had, he ran a solo practice. He had no assistants, no secretaries, no paralegals; each case was John versus the coal company. His kitchen was the de facto meeting room, and directly overhead on the second floor was his office, a small space covered in manila folders bearing the names of sick miners or their widows, each file stuffed with legal and medical arcana designed to befuddle and discourage those who couldnt find a lawyer like John. Spare shelf space held family photos, and on the wall hung a portrait of Mary Harris Mother Jones, the labor activist and miners angel who had adopted West Virginia as her second home. A famous quote of hers was inscribed beside her bespectacled face:
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