Hugh M. Hefner and Bill Zehme
THE CHASE
Of Pursuit and Romance
The high school dream girl that got away, Betty Conklin .
T he one he loved first did not love him back.
They jitterbugged together and laughed together, and his heart leapt whenever he saw her, whenever he thought of her. But she did not love him back. This was the summer before his senior year of high school, and she had asked another boy on a hayride, and he would never be the same because of it. I turned myself into a different guy, he would recall. This different guy was self-assured, a dapper fellow whose new wardrobe bespoke his reinventionthe jaunty flannel shirts, the yellow cords, the saddle shoes. He now wrote for the school paper under the byline Hep Hef. He also wrote songs and drew cartoon strips that chronicled the arc of his young life and his young loves. He learned then that he lived largely to be in love, to pine, or to yearn. He learned that his heart felt best when aflutter. Of this time, a classmate buddy of his later remembered: His interest in girls was intense. Hef was constantly falling in love, one girl at a time, and would be smitten for maybe a month or so. If he wasnt in love, he felt incomplete and unhappy.
This would never change. The boy was father to the man he would become. And the man he would become loved women, one after another ad infinitum, with the wide-eyed exuberance of the boy in saddle shoes. As a man, he would be almost naive in love, giddy and intenseone friend aptly nicknamed him High School Harry, this in his fifth decadeand yet the ad infinitum would also make him aware in love. He would repeatedly declare: My life has been a quest for a world where the words to the songs are true. He meant the love songs of yore, the dreamy ones, the ones Sinatra and Billie Holiday sang while caressing the microphone and suggesting bittersweet romance. Such romance had already been the foundation of his empire. Also, he would say, For me, being in love is the very essence of being alive. And I think life is deadly dull when a relationship becomes routine and boring. And I admit that Im still the same romantic pushover I was when I was young.
While there would be sexual adventures beyond reckoning and well-nigh-innumerable bedmates, he always pursued primary relationships that filled him with fierce longing (even while openly straying therein; he did, after all, have a reputation of epic proportions to uphold). He had romanticized his first marriage to high school sweetheart Mildred Williams until he realized that the romance had faded, that he was not built for marriage after all: It was a period of dreams lost, dreams set asidetrying to follow a different road, a road not charted in my own terms. He created Playboy so as to re-create himself, just as he had done at Steinmetz High School in Chicago. His magazine gave him license to play again, and his long-term playmates in the decades that followedhis Special Ladies, as he would call themgave him reason to swoon head over slippers. He said in the autumn of 1968, at age forty-two, Id rather meet a girl and fall in love, and have her fall in love with me, than earn another hundred million.
In fact he had met that girl months earlier on the set of his syndicated television show Playboy After Dark. She was a petite eighteen-year-old coed who resembled the one he had loved first, the one who did not love him back. This girl, however, would love him back, famously so. Her name was Barbara Klein, whom he would rename Barbi Benton in the pages of Playboy . Over the next eight years she would become the extra-special lady that people thought of most whenever they thought of Hef in love. Barbi became a kind of Hollywood version of the teenage romance I never really had when I was in high school, he said later. I was crazy about her. On the night that they met, he danced with her to the song This Guys in Love with You. He softly sang the lyrics into her ear and, as ever, believed those lyrics were true.
W hen You Know for Sure, You Know for Sure
I asked Barbi out the first night we met. But Ive never been out with anyone over twenty-four, she said. Thats okay, I replied. Neither have I.
B eing in Love Feels Far Better Than Not Being in Love
Everything changes when youre in love. The food tastes better. The music is sweeter. Everything is a little more delicious because youre sharing it with somebody you care about.
If you are a romantic, I think its possible to fall in love with somebody across a crowded room. Essentially, love is an illusion. Its something you project. And it has a great deal to do with what love, or youthful fantasies of love, came before. We tend to repeat ourselves and fall in love with variations on the same person over and over again. If you think about it, youll know what I mean.
A romantic relationship for me is an escape from the challenges and problems I face in my work, he once said. Its a psychological and emotional island I slip away to. Rarely has he been cast adrift from any such island for very long, as he indicated in a memo to his attorney in early 1988: Throughout the 1960s, 1970s and 1980s I have had a series of serious romantic, live-in relationships that included Cynthia Maddox, 19611963; Mary Warren, 19631967; Barbi Benton, 19691976; Sondra Theodore, 19761981; Shannon Tweed, 19811983; and Carrie Leigh, 1983January 1988. The reason for the memo, incidentally, was in response to a misbegotten and quickly dropped $35 million palimony suit filed by Carrie Leigh, the most tempestuous and sexually omnivorous of all the Special Ladies who had inhabited a Playboy Mansion with him. (To wit: All of these women knew full well that there was little or no possibility that I would ever consider marrying again, he had added.) The point being, he is lousy at alone and worse than ever when not in love.
Thus it was in January 1988, two weeks after Miss Leigh had left him under a thundercloud of false accusations (no matter that she had for years been taking other lovers in wide variety), that Cupid drew bow upon him once more. The Playmate of that Very Month of that Very Year happened to be boarding at the Mansion Guest House while working on a pictorial with photographer Helmut Newton. Her name was Kimberley Conrada blonde, twenty-four-year-old no-nonsense Alabama-born, Vancouver-bred angel (per Hef)upon whom he had cast his wide High School Harry eyes and all of a sudden sensed renewal attendant. She rebuffed his invitations to a pair of Mansion Movie NightsFrench art films, no lessuntil he approached her once again after the second movie ended, as she lounged on his lavish premises. I told her that I was really interested in her and would like to spend some time with her, he would recall. And she said, Well, I dont really know you. And I said, How are you going to get to know me if we dont spend some time together? (Hefs line!) And that line, the simple logic of itfrom that moment on, everything changed! We spent that evening together. If this had been a movie, that night there would have been strings and perhaps a little Bobby Hackett horn.