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Brontë Charlotte - Freuds couch, Scotts buttocks, Brontës grave

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Brontë Charlotte Freuds couch, Scotts buttocks, Brontës grave

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The Victorian era was the high point of literary tourism. Writers such as Charles Dickens, George Eliot, and Sir Walter Scott became celebrities, and readers trekked far and wide for a glimpse of the places where their heroes wrote and thought, walked and talked. Even Shakespeare was roped in, as Victorian entrepreneurs transformed quiet Stratford-upon-Avon into a combination shrine and tourist trap.
Stratford continues to lure the tourists today, as do many other sites of literary pilgrimage throughout Britain. And our modern age could have no better guide to such places than Simon Goldhill. In Freuds Couch, Scotts Buttocks, Bronts Grave, Goldhill makes a pilgrimage to Sir Walter Scotts baronial mansion, Wordsworths cottage in the Lake District, the Bront parsonage, Shakespeares birthplace, and Freuds office in Hampstead. Traveling, as much as possible, by methods available to Victoriansand gamely negotiating distractions ranging from broken bicycles to a flock of giggling Japanese schoolgirlshe tries to discern what our forebears were looking for at these sites, as well as what they have to say to the modern mind. What does it matter that Emily Bronts hidden passions burned in this specific room? What does it mean, especially now that his fame has faded, that Scott self-consciously built an extravagant castle suitable for Ivanhoeand star-struck tourists visited it while he was still living there? Or that Freuds meticulous recreation of his Vienna office is now a meticulously preserved museum of itself? Or that Shakespeares birthplace features student actors declaiming snippets of his plays . . . in the garden of a house where he almost certainly never wrote a single line?
Goldhill brings to these inquiries his trademark wry humor and a lifetimes engagement with literature. The result is a travel book like no other, a reminder that even today, the writing life still has the power to inspire.

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Also in the Culture Trails series
PILGRIMAGE TO THE END OF THE WORLD
The Road to Santiago de Compostela
Conrad Rudolph
SPIRAL JETTA
A Road Trip through the Land Art of the American West
Erin Hogan
FREUDS COUCH
SCOTTS BUTTOCKS
BRONTS GRAVE
Simon Goldhill
SIMON GOLDHILL is professor of Greek literature and culture and fellow and - photo 1
SIMON GOLDHILL is professor of Greek literature and culture and fellow and director of studies in classics at Kings College, Cambridge, as well as director of the Cambridge Victorian studies group. He is the author of many books, including Love, Sex, and Tragedy: How the Ancient World Shapes Our Lives.
The University of Chicago Press, Chicago 60637
The University of Chicago Press, Ltd., London
2011 by The University of Chicago
All rights reserved. Published 2011.
Printed in the United States of America
20 19 18 17 16 15 14 13 12 11 1 2 3 4 5
ISBN-13: 978-0-226-30131-0 (cloth)
ISBN-10: 0-226-30131-1 (cloth)
ISBN-13: 978-0-226-30172-3 (e-book)
Library of Congress Cataloging-in-Publication Data
Goldhill, Simon.
Freuds couch, Scotts buttocks, Bronts grave / Simon Goldhill.
p. cm. (Culture trails)
ISBN-13: 978-0-226-30131-0 (cloth : alk. paper)
ISBN-10: 0-226-30131-1 (cloth : alk. paper)
1. Literary landmarksGreat Britain. 2. Scott, Walter, Sir, 17711832
Homes and hauntsScotland. 3. Wordsworth, William, 1770 1850Homes
and hauntsEngland. 4. Bront, Charlotte, 1816 1855Homes and haunts
EnglandHaworth. 5. Shakespeare, William, 15641616Homes and haunts
EnglandStratford-upon-Avon. 6. Freud, Sigmund, 1856 1939Homes and
hauntsEnglandLondon. 7. Great BritainDescription and travel. I. Title.
II. Series: Culture trails.
pr110.g7g65 2011
820.9dc23
2011026959
This paper meets the requirements of ANSINISO Z3948-1992 Permanence of - photo 2 This paper meets the requirements of ANSI/NISO
Z39.48-1992 (Permanence of Paper).
CONTENTS
ACKNOWLEDGEMENTS - photo 3
ACKNOWLEDGEMENTS Great thanks to my traveling companions who also read the - photo 4

ACKNOWLEDGEMENTS

Great thanks to my traveling companions, who also read the draft chapters, David and Helen Stone and Daniel Eilon.

Deep thanks also to my colleagues in the Cambridge Victorian Studies Group, Clare Pettitt and Peter Mandler, who read and made helpful comments on the manuscript, as did Miriam Leonard, as ever. I discussed it all with Helen Morales, who is on a pilgrimage of her own. The readers for the University of Chicago Press were exceptional for the understanding they evinced in their reports and the trouble they took in reading with such care.

Most profound thanks to my wife, for traveling, reading, and putting up with the whole project. She found several new ways to articulate Reader, I married him during the composition of this book.

THE GOLDEN TICKET

I HAVE NEVER STOPPED being slightly anxious about the premise of this book. Make a pilgrimage, proposed my editor over a grilled tuna salad. Go anywhere and write about it. It sounds at first like a golden ticket. A set of destinations rose like a sunrise in my mind. The romance of the dusty open road, or at very least a Kerouac fantasy, is part of the adolescent mind of everyone of my generation. The mysterious traveler who blows into town, the life- changing encounter with a stranger, never forgotten, never recovered, the slow climb that reveals the breathtaking viewwe all share these cultural myths, as we trudge to work or sit halfheartedly at the desk.

The trouble is that any really serious pilgrim travels alone. You are meant to make a journey where the very traveling leads you to explore yourself, your relation to God, or your life or your past. The endpoint is somehow only a small part of the process of inward transformation. This sort of pilgrimage started with the early Christians. A woman called Egeria left France and went to the Holy Land in the fourth century. It is boggling to imagine how hard it must have been, even with the securities of the Roman Empire and its straight roads and military checkpoints, for a woman to travel alone, as a Christian when Christianity was still a precarious institution, across such a distance and in such conditions. But not only did she make it there and back, she also wrote an account for her fellow sisters of the Church, telling of her tearful, overwhelmed response to the sites of the Passion, and of the services and worship she saw. It is one of the very first bits of prose we have written by a woman, and it now survives just in fragments, a tattered glimpse of her journey across deserts and darkness toward her enlightenment. I have a soft spot too for Prudentius, the fourth- century Christian Latin poet from Spain, who describes stopping in a church on his solitary trip to Rome, where he lay on the ground in front of the picture of a saint, weeping and wailing all afternoon at the image of martyrdom. Thats how pilgrims do iton bloodied knees, crawling toward an epiphany of self-awareness.

But I dont like being on my own. Although I am an academic who loves to spend all day in the library, and I get very jumpy if I dont get those long reading hours, nonetheless I dont like to eat alone, drink alone, sleep alone, walk alone, or even be silent for long. (I am not necessarily the person you want to sit next to in the library.) But if you go on a pilgrimage with a bunch of mates, I thought to myself, it is bound to turn into a comedy. You end up with Three Men in a Boat (and Montmorency the dog). Or Chaucers pilgrimsa bawdy, sexy, drunken crew who started from a pub for a good time out together, telling stories all the way. Even Robert Louis Stevenson, an intense and self-absorbed young man, found that his journey of self-discovery veered into comedy the moment he decided to travel with a donkey (called Modestine, and the real star of his Travels with a Donkey). When you are no longer alone, instead of the Kerouac moment on the open road, its Cliff Richard singing, Were all going on a summer holiday, or Little Miss Sunshine. I had no desire to go there. Travel with a group might just be able to escape comedy, I supposed, but only at the expense of something worse: I knew the shuffling lines at Lourdes, the coach parties in Jerusalem, intently following the upheld umbrella toward the photo op of spirituality. I had no desire to go there either.

My first attempt to find some middle ground between lonely, despairing self-analysis and group pranks involved me sidling up to my wife, the lawyer. She is used to cutting through the desperate prose of her opponents hopeful arguments. You want me to be the straight woman to your pilgrim wit, she sniffed. Or you want me to be the dumb American, while you expound on the history of places older than my country. Unattractive invitation. Im not taking time off work for that. (Lawyers do not think of time like you or I do. There is no place for pleasure, let alone a journey of self-discovery. Time is divided simply into billable hours and nonbillable hours.) As I further reflectedaloud, stupidly enoughthat a pilgrimage with ones wife would mean a journey of discovery into the complexities of marriage, a portrait of ones soul mate, so the prospect of a road trip for two

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