Praise for 50 Ways of Saying Fabulous
I loved this funny sad tale of growing up a sissy in New Zealand. Graeme Aitken proves that even the most extraordinary events can occur to wonderfully ordinary people. If I knew fifty ways of saying fabulous, Id use them all to praise this charming first novel. EDMUND WHITE
It has the fast-running clarity of a good yarn, yet this is a fresh telling of the story of a gay awakening. Infinitely real grotesque and funny and moving by turns. PETER WELLS
An entertainment, a gentle, poignant story of a fat boy who fantasises romance and glamour without yet having a name for what he is Aitken writes with a distinctive voice, one that is wonderfully evocative. DENNIS ALTMAN, THE AGE
A wonderful cast of characters, lovingly drawn and lightened with the right dash of maliciousness Aitken manages to make something extraordinary out of the ordinary (and) shows so much skill and gives so much pleasure. CAMPAIGN
50 Ways of Saying Fabulous is an honest, funny and sometimes painful read. Confidently and convincingly written, it is a welcome addition to the gay coming of age genre; the collection of works in which we see ourselves reflected and refracted, and find fifty ways of saying me. MELBOURNE STAR OBSERVER
Its humour will guarantee you stares as you snicker on the train. Aitken understands the hopelessly daggy and uncool nature of the 12-year-old and he reproduces it as if it were yesterday. Popularity and acceptance take a lot of time and pain to procure. I think hell be guaranteed it with this book. NEIL DRINNAN, OUTRAGE
an important work What Aitken has demonstrated fabulously is his skill in the art of telling a good story his honesty and fearlessness in confronting those squirmy adolescent secrets is to be admired. CANBERRA TIMES
one of the very best novels released this year. Witty, warm and original. CLEO
a secret and magic story which is grotesque and infinitely funny a zany book, highly entertaining, and with enough twists and turns to keep you glued to the end 50 Ways is fabulous, whichever way you say it. BARFLY
Touching and sad, 50 Ways of Saying Fabulous also has some very funny moments. THE TIMES
A sort of gay Adrian Mole There are laughs aplenty but also moments of agony Told with bare-faced honesty, it is a warm, cruel, funny tale. THE SUNDAY AGE
A funny but also achingly sad first novel. THE OBSERVER
50 Ways of Saying Fabulous Book 2
20th Anniversary Edition
Graeme Aitken
20Ten Books
Sydney
This edition published in 2015 by 20Ten Books, Sydney, Australia.
This book was first published by Random House Australia in 1995, reprinted 2000 and 2005.
Copyright Graeme Aitken 1995
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher.
This is a work of fiction. The novels characters, incidents and dialogue are the product of the authors imagination and are entirely fictional.
Aitken, Graeme, 1963.
50 ways of saying fabulous book 2.
ISBN 9780987329370
Cover photograph by Craig Wright
To my parents,
Tom and Sue Aitken,
who were nothing like the characters in this novel
Contents
Many people helped me bring this book to publication and I am extremely grateful for their support, advice and expertise.
Thank you to Craig Stevens, Dean Baxter, Rosanna Arciuli, Keith Buss, Laurin McKinnon, Gary Dunne, Jane Palfreyman, Julia Stiles, Rois McCann, Andrew Freeman, Geraldine Cooke, Paul Bailey, Olivier Colette, Mitchell Waters, Peter Wells, Stewart Main, Michele Fantl, Andrew Moors, and Kate Evans.
Authors Note about the setting:
This novel is set in Central Otago, New Zealand, an area where I grew up and know very well. However, when this novel was first published, I decided in consultation with my Australian editor to fictionalise some of the place names. This was done out of respect to friends and family who still lived in this district and to lessen the impact of people reading the novel and concluding that the mother character Reebie was based on my mother etc.
So for those readers who know this region and perhaps found this curious, I just wanted to explain why some place names are made up, while others (Dunedin, Palmerston etc) are not.
The fictionalised setting names are as follows:
Mawera the farming community where Billys family lives
Crayburn a small village with a shop and a pub, located some 15 miles from Mawera
Glenora the major town in the district, located some 30 miles from Mawera
Serpentine county the district which encompasses all of these locations
It was a typical Sunday afternoon. Yet it turned out to be the day when everything changed.
I was in the lounge reading while my father watched the sport on television. My mother was on the balcony in some complicated position. A car tore up the drive, a black Torana, stirring up a fury of dust, sending the farm dogs into a frenzy, barking and darting out to bite the cars tyres. The commotion was enough to provoke my fathers attention away from the rugby match.
That boy drives too fast, he said. Ill have to have a word with him about that before I let him loose in my vehicles.
Who is it? I asked.
Id forgotten about the farm boy arriving. I hadnt paid much attention when my father announced hed hired someone to help through the busy spring and summer period. There had been other farm boys in the past. Lou, Babe and I had always found reasons to criticise them. We disliked them as a matter of principle. We were the bosss family and that endowed us with a haughty superiority. We scrutinised everything they did, eager to find faults, which we would then discuss in front of my father.
Its the new farm boy. Now run down, Billy-Boy, and show him the hut and help him carry in his gear.
I reluctantly abandoned my book and the beanbag.
Hurry up, snapped my father, before he wanders round and finds your mother on the balcony in one of her weird moments.
I was sliding my feet into my gumboots when I glanced up to see him for the first time, on the other side of the glass door. David Cassidy. I knew it was impossible but it looked so much like him the hair, the smile I couldnt help but believe what my eyes were insisting was true.
His hair was exactly like Davids. Long and dark. Centre parted. It hung glossily round his jaw with a fringe that swept down to his eyes. And his smile. He had David Cassidys exact smile. Dazzling. Dreamy. So full of joy. It simply transformed his face and made you feel transformed too, just from basking in its radiance a while. I was helpless in the face of that smile. All l could do was grin inanely back. If hed been wearing a skintight satin jumpsuit the resemblance would have been absolutely undeniable. He was dressed casually. Cowboy boots, jeans and a checked cotton shirt, only half-buttoned up. It afforded a glimpse of his chest, which was as tanned as his face, even though it was only September.
I forgot to open the door. All I could do was stare and smile.
Jamie had to open the door himself. Hi there, he said. You must be Billy. They told me Id have a young helper and wouldnt have to be doing everything by myself. I like having company.