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Bell - Men on Horseback: The Power of Charisma in the Age of Revolution

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An immersive examination of why the age of democratic revolutions was also a time of hero worship and strongmen
InMen on Horseback, the Princeton University historian David A. Bell offers a dramatic new interpretation of modern politics, arguing that the history of democracy is inextricable from the history of charisma, its shadow self.
Bell begins with Corsicas Pasquale Paoli, an icon of republican virtue whose exploits were once renowned throughout the Atlantic World. Paoli would become a signal influence in both George Washingtons America and Napoleon Bonapartes France. In turn, Bonaparte would exalt Washington even as he fashioned an entirely different form of leadership. In the same period, Toussaint Louverture sought to make French Revolutionary ideals of freedom and equality a reality for the formerly enslaved people of what would become Haiti, only to be betrayed by Napoleon himself. Simon Bolivar witnessed the coronation of Napoleon and later sought refuge in newly independent Haiti as he fought to liberate Latin America from Spanish rule. Tracing these stories and their interconnections, Bell weaves a spellbinding tale of power and its ability to mesmerize.
Ultimately, Bell tells the crucial and neglected story of how political leadership was reinvented for a revolutionary world that wanted to do without kings and queens. If leaders no longer rule by divine right, what underlies their authority? Military valor? The consent of the people? Their own Godlike qualities? Bells subjects all struggled with this question, learning from each others example as they did so. They were men on horseback who sought to be men of the peopleas Bell shows, modern democracy, militarism, and the cult of the strongman all emerged together.
Today, with democracys appeal and durability under threat around the world, Bells account of its dark twin is timely and revelatory. For all its dangers, charisma cannot be dispensed with; in the end, Bell offers a stirring injunction to reimagine it as an animating force for good in the politics of our time.

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To John Merriman, Richard Kagan, and Gabrielle Spiegel

The great problem in politics, which I compare to that of the squaring of the circle in geometry is to find a form of government that sets the law above man. If this form of government is attainable, then let us seek it out and try to establish it But if, unfortunately, this form of government is not attainable, and I frankly confess I do not think it is, then it is my opinion that we should go to the other extreme and at once put man as high above the law as possible and therefore establish an arbitrary despotism, indeed the most arbitrary despotism possible. I would wish that the despot could be God.

JEAN-JACQUES ROUSSEAU, letter to Victor de Riqueti, marquis de Mirabeau, July 26, 1767

Why, man, he doth bestride the narrow world

Like a Colossus, and we petty men

Walk under his huge legs and peep about

To find ourselves dishonorable graves.

Julius Caesar, act 1, scene 2

When Shakespeares character Cassius used these words to describe Julius Caesar, he evoked one of the most durable myths in human culture: there are giants among ustitans, heroes, bermenschen. They may be mortal, but something about them nonetheless seems miraculous and supernatural. They have extraordinary genius, vision, courage, strength, virtue, sheer magnetism. They seem to burn with a flame that leaves the rest of the human race looking cold and gray. In a wordand it is a word that literally means a gift of divine gracethey have charisma.

But read the rest of Cassiuss speech, which this febrile, anxious conspirator, he of the lean and hungry look, makes to an audience of one: his fellow Roman senator Marcus Junius Brutus. Cassius has not come to praise Caesar, and his description of Caesar as a colossus comes slathered in thick, pungent irony. For Cassius, Caesar is a man like any other, despite his oversize reputation. The idea that Caesar is a superman both alarms and disgusts him. He recalls episodes in which Caesar (already aging in the play) showed himself weak and helpless, like a sick girl, and concludes, in a tone of heavy sarcasm, And this man is now become a god. To call Caesar a god is blasphemy; to call him a king, treason. If Caesar lives, and the Romans raise him to royal or divine dignity, then the Republic, in Cassiuss view, will die. Caesars charisma is something both false and dangerous, and Cassiuss intention is to enlist the wavering Brutus, Caesars protg, into the conspiracy against him.

And yet, as is so often true with Shakespeare, the words have a power that goes beyond the characters intentions. Cassius wants to ridicule Caesar, to bring the false god down to earth, to smash the idol. But his description of Caesar as a colossus bestriding the narrow world is magnificent, and when his barbed condemnations of Caesar have faded from memory, these words remain, a glimmering reminder of the myth that Cassius wants so desperately to expose as a lie.

Both the lure and the dangers of charisma pointed to by Cassius remain with us today. Around the world, in both democratic and autocratic states, there is a perennial longing for leaders with magnetic appeal and extraordinary abilities who can unite viciously divided communities, overcome apparently intractable problems, and by sheer force of personality give whole nations a new start. But charisma also generates anxietiesespecially in democracies. Modern democracies pride themselves on being governments of laws. What will happen if we treat ordinary, limited, and perhaps even corrupt and criminal individuals as superhuman, making them into idols? What if the intensity of attraction leads whole countries to follow such leaders blindly, unquestioningly, even as constitutions are flouted, human rights trampled, minorities oppressed and killed, and nations marched off to war?

Democracies are particularly suspicious of charismatic leaders. Yet, paradoxically, the longing for such leaders acquired new importance, and a distinct new shape, during the very same period that witnessed the first stirrings of modern democracy: the eighteenth and early nineteenth centuries. It was during the moment of extraordinary intellectual fermentation that we now call the Enlightenment, and then in the great revolutions that washed across much of the Western world between 1775 and the 1820s, that the powerful forms of political charisma we are familiar with today took shape. These forms of charisma posed challenges to democracy but were also symbiotically linked to it. Indeed, from this period onward the stories of charisma and democracy have wound tightly around one another in their own political version of the double helix. They have done so thanks to a revolutionary transformation in the relationship between ordinary people and their political leaders that began in the eighteenth century but that has never been fully understood. That transformation is the subject of this book.


What, exactly, is charisma, and what does it mean to write its history? In popular usage, the word serves as a rough synonym for personal magnetism. A famous photograph of John F. Kennedy greeting enthusiastic admirers on the beach in Santa Monica in 1962 perfectly illustrates this notionhe seems to be drawing people to him as if by invisible threads (figure 1). Kennedy remains, even many decades after his death, the paradigmatic example of a charismatic politician, in the United States and well beyond.

But this popular notion is vague and elusive. As the magazine Psychology Today puts it, charisma is often said to be a mysterious ineffable qualityyou either have it or dont have it. The magazine goes on to propose that charisma in fact inheres in qualities such as confidence, exuberance, optimism, a ready smile, expressive body language, and a friendly, passionate voice. This definition may seem more useful, but it quickly breaks down as well. Not only are these qualities impossible to measure in any meaningful way, but a moments reflection suggests that certain combinations of them could easily strike observers as overbearing and obnoxious, rather than as charismatic.

A better approach starts from precisely this last point, and from the recognition that charisma is not just an individual quality but a relationship. The ability to appear charismatic depends not only on the individual in question but on which traits are likely to elicit such beliefs and feelings within a particular community. In other words, it is a question not just of psychology but of culture. Some things may remain forever mysterious about the appeal of particular individuals: a Kennedy, a Garibaldi, even a Hitler. But we can analyze how they interacted with admirers, how admirers discussed and represented them, and which of their specific qualities, traits, and actions appeared most attractive and emotionally resonant.

Historians have mostly discussed charisma in the course of writing biographies of figures like Kennedyor Hitler.

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