In memory of
Brian Benjamin Shefton (19192012)
and Jutta Shefton (19292014)
Published in the United Kingdom in 2016 by
OXBOW BOOKS
10 Hythe Bridge Street, Oxford OX1 2EW
and in the United States by
OXBOW BOOKS
1950 Lawrence Road, Havertown, PA 19083
Oxbow Books and the individual contributors 2016
Paperback Edition: ISBN 978-1-78570-006-4
Digital Edition: ISBN 978-1-78570-007-1
Kindle Edition: ISBN 978-1-78570-008-8
PDF Edition: ISBN 978-1-78570-009-5
A CIP record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
On the fascination of objects: Greek and Etruscan art in the Shefton collection / Edited by John Boardman, Andrew Parkin and Sally Waite.
pages cm
Includes bibliographical references.
ISBN 978-1-78570-006-4 (hardback)
1. Art, Greek--Themes, motives. 2. Art, Etruscan--Themes, motives. 3. Art--Private collections--England--Newcastle upon Tyne. 4. Shefton, Brian B.--Art collections. 5. Great North Museum (Hancock, Newcastle upon Tyne, England) I. Boardman, John, 1927- editor. II. Parkin, Andrew (Andrew R.), editor. III. Waite, Sally, editor.
N5630.O5 2015
709.495--dc23
2015035985
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Contents
John Prag
Antony Spawforth and Andrew Parkin
Elizabeth Moignard
Diana Rodrguez Prez
Sally Waite
Susan B. Matheson
Franois Lissarrague
Brian A. Sparkes
David W. J. Gill
Athena Tsingarida
Judith M. Barringer
Dyfri Williams
Andrew Parkin
Alessandro Naso
John Boardman
Contributors
PROFESSOR JUDITH M. BARRINGER
Professor of Greek Art and Archaeology,
Department of Classics,
University of Edinburgh
PROFESSOR EMERITUS SIR JOHN BOARDMAN
Emeritus Lincoln Professor of Classical Archaeology and Art,
Oxford University
PROFESSOR DAVID W. J. GILL
Director of Heritage Futures,
Suffolk Business School,
University Campus Suffolk
PROFESSOR FRANOIS LISSARRAGUE
Directeur dtudes,
Ecole des Hautes Etudes
en Sciences Sociales, Paris
SUSAN B. MATHESON
Molly and Walter Bareiss Curator of Ancient Art,
Yale University Art Gallery,
New Haven, Connecticut
PROFESSOR EMERITA ELIZABETH MOIGNARD
Professor Emerita of Classical Art and Archaeology,
University of Glasgow
PROFESSOR DR ALESSANDRO NASO
Consiglio Nazionale delle Ricerche,
Istituto di Studi sul Mediterraneo Antico
Roma
ANDREW PARKIN
Keeper of Archaeology,
Great North Museum: Hancock,
Newcastle upon Tyne
PROFESSOR EMERITUS JOHN PRAG
Hon. Professor in the Manchester Museum and Professor Emeritus of Classics,
University of Manchester
DR DIANA RODRGUEZ PREZ
Research Assistant,
CARC-The Beazley Archive,
University of Oxford
EMERITUS PROFESSOR BRIAN A. SPARKES
Emeritus Professor of Classical Archaeology,
University of Southampton
EMERITUS PROFESSOR ANTONY SPAWFORTH
Emeritus Professor of Ancient History,
School of History, Classics and Archaeology,
Newcastle University
PROFESSOR ATHENA TSINGARIDA
Centre de Recherches en Archologie et Patrimoine,
Universit libre de Bruxelles (ULB)
DR SALLY WAITE
Teaching Fellow in Classics,
School of History, Classics and Archaeology,
Newcastle University
DR DYFRI WILLIAMS
Former Keeper of Greek and Roman Antiquities, British Museum;
Gerda Henkel Marie Curie Senior Research Fellow and Professeur invit,
Universit libre de Bruxelles (ULB)
Acknowledgements
This volume is a testament to the significant contribution Professor Brian Shefton made to Greek and Etruscan archaeology, both during a lifetime dedicated to scholarship and through the creation of a notable collection of artefacts. All the contributors to the conference held in honour of Brian Shefton in April 2013 and to this volume are to be thanked for highlighting the importance of the Collection and producing stimulating papers on some of the objects within it.
There are several organisations to thank for the support they have provided in the production of this volume. They are the Great North Museum, the Society of Antiquaries of Newcastle upon Tyne, Tyne and Wear Archives and Museums and Newcastle University. The editors are also indebted to a number of individuals who have helped at various stages in the publication process; we would like to thank Joanne Anderson, Colin Davison, Sarah Glynn, Monica Hughes, Jacob Parkin, Sajidah Saleem and Tony Spawforth for their invaluable help. Penny Shefton has provided steadfast support and encouragement throughout.
Abbreviations
ABV | Beazley, J. D. (1956) Attic Black-Figure Vase-Painters. Oxford. |
Agora XII | Sparkes, B. and Talcott, L. (1970) The Athenian Agora XII, Black and Plain Pottery of the 6th, 5th and 4th Centuries BC. Princeton. |
Agora XXIII | Moore, M. B. and Philippides, M. Z. P. (1986) The Athenian Agora XXIII, Attic Black-Figured Pottery. Princeton. |
Agora XXX | Moore, M. B. (1997) The Athenian Agora XXX, Attic Red-Figured and White-Ground Pottery. Princeton. |
ARV1 | Beazley, J. D. (1942) Attic Red-Figure Vase-Painters. Oxford. |
ARV2 | Beazley, J. D. (1963) Attic Red-Figure Vase-Painters (Second Edition). Oxford. |
Add | Burn, L. and Glynn, R. (1982) Beazley Addenda. Additional References to ABV, ARV2and Paralipomena. Oxford. |
Add2 | Carpenter, T. H. et al. (1989) Beazley Addenda. Additional References to ABV, ARV2 and Paralipomena (Second Edition). Oxford. |
BAPD | Beazley Archive Pottery Database www.beazley.ox.ac.uk |
CSE | Corpus Speculorum Etruscorum. |
CVA | Corpus Vasorum Antiquorum. |
LIMC | Lexicon Iconographicum Mythologiae Classicae. (19811997) Zrich, Munich and Dusseldorf. |
Para | Beazley, J. D. (1971) Paralipomena. Additions to Attic Black-Figure Painters and Attic Red-Figure Painters. Oxford. |
Foreword: Memories of Brian Shefton
John Prag
It must be nearly fifty years since my path first crossed with Brians. Like so many people who got to know him, the meeting of ways will have been in the Ashmolean library me an earnest (sometimes) student, fascinated by this man with the camera and the chest-pod furiously photographing book after book before disappearing back to Newcastle to read his home-made microfilms. Once I had started on my doctoral research we often discussed those books and the pictures in them, for my research was on the iconography of the Oresteia, which was a subject that interested him deeply too. My favourite memory of Brian is of a scene that took place in early 1969 in Room 2 of the Ashmolean library: as a research student I was working there as usual with Brian busily photographing books in the background (also as usual). A young woman came over to ask my advice on something on which she was working. As ever, Brian couldnt resist coming over to see what it was since he and I did after all have very similar interests. But the real reason wasnt the book at which we were looking at: full of excitement he turned and asked me (out of the blue) and is this your fiance? He was of course right, to his great delight and pleasure, and he and Kay became very good friends in the years that followed.
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