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Gareth Hardy - Smashing Logo Design: The Art of Creating Visual Identities

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Gareth Hardy Smashing Logo Design: The Art of Creating Visual Identities
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Smashing Logo Design , . , , . . Taking you Beyond the Pretty Picture to the Techniques Behind the Logo Smashing Logo Design goes much further than simply showcasing pretty pictures. It covers the design theory and techniques needed to build great-looking logos. Smashing Logo Design looks at the challenges of designing a logo while detailing best practices for producing a successful project. Hardys logo design process is explained in detail, from the point of first contact with the client to the handing over of the product. Featuring hundred of never-before-publishing logos and quotes from established designers. Smashing Logo Design appeals to any aspiring designer or experienced professional.Inside You Will Learn: What Makes a Successful Logo How to Write a Successful Design Brief How to Translate Your Research to Usable Concepts Why You Should Sketch How to convert Your Sketches to Vector Images How to Select the Best Typefaces and Colors for Your Logo How to Prepare Logo Files for Print How to Make Effective Client Presentations How to Create Logo Usage Guidelines Smashing Magazine (smashingmagazine.com) is one of the worlds most popular Web-design online magazines. True to the Smashing mission, the Smashing Magazine book series delivers useful and innovative information to Web designers and developers.

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Smashing Logo Design

The Art of Creating Visual Identities

Gareth Hardy

Smashing Logo Design The Art of Creating Visual Identities - image 2

Smashing Logo Design

This edition first published 2011

2011 John Wiley & Sons, Ltd

Registered office

John Wiley & Sons, Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, United Kingdom

For details of our global editorial offices, for customer services and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com.

The right of the author to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.

Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.

Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold on the understanding that the publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional should be sought.

Trademarks: Wiley and the Wiley Publishing logo are trademarks or registered trademarks of John Wiley and Sons, Inc. and/ or its affiliates in the United States and/or other countries, and may not be used without written permission. All other trademarks are the property of their respective owners. Wiley Publishing, Inc. is not associated with any product or vendor mentioned in the book. This book is not endorsed by Apple Computer, Inc.

A catalogue record for this book is available from the British Library.

978-1-119-99332-2

Set in 10/12 Minion Pro by Wiley Composition Services

Printed in the United States by CJK

Publishers Acknowledgments

Some of the people who helped bring this book to market include the following:

Editorial and Production

VP Consumer and Technology Publishing Director: Michelle Leete

Associate DirectorBook Content Management: Martin Tribe

Associate Publisher: Chris Webb

Publishing Assistant: Ellie Scott

Development Editor: Elizabeth Kuball

Copy Editor: Elizabeth Kuball

Technical Editor: Mike Rock

Editorial Manager: Jodi Jensen

Senior Project Editor: Sara Shlaer

Editorial Assistant: Leslie Saxman

Marketing

Marketing Manager: Louise Breinholt

Marketing Executive: Kate Parrett

Composition Services

Compositor: Indianapolis Composition Services

Proofreader: Susan Hobbs

Indexer: Potomac Indexing, LLC

Dedication

For Mum and Dad. Without you, this book would not exist.

Authors Acknowledgments

Many people have been involved in making this book a possibility. Id like to thank my editor, Elizabeth Kuball, for managing with great patience to decipher my confusing thoughts into coherent English, and Chris Webb for giving me this amazing opportunity. Id also like to thank Mike Rock for his invaluable advice and Charlotte Morris for being my human thesaurus and official logo tester. Id like to thank the vast network of staff at both John Wiley & Sons and Smashing Magazine.

Finally, a massive thanks to all the designers who submitted logos for the book and to the following people, in particular, for putting up with my questions and for giving me some of their invaluable time:

Milton Glaser

Leighton Hubbell

Nav Iqbal

Raja Sandhu

Mike Erickson

Glen Hobbs

Steve Douglas

Nadim Twal

Oguzhan Ocalan

Von Glitschka

Denis Olenik

Jan Zbransk

Josh Hayes

Kevin Burr

Galin Kastelov

Sean OGrady

Andrej Matic

Nathan Sarlow

Stephanie Reeves

About the Author

Gareth Hardy is a graphic designer based in Birmingham, England. He worked as a senior graphic designer but grew frustrated by the restrictions on creativity in the corporate environment, so he made the daring leap into freelance in 2008.

Gareths experience and knowledge spans the broad spectrum of graphic design. He has achieved a first-class degree in the field and been employed as a professional web designer. This vast arsenal of design-related expertise allows Gareth the opportunity to advise clients on the complete brand-identity package. He specializes in revolutionary brand-identity solutions for clients of all sizes, both domestically and internationally.

Gareth works under the tongue-in-cheek moniker of Down With Design. He also frequently writes articles related to design that provide a unique take on events. His works and more information about his background are available at www.downwithdesign.com.

Introduction

My first memory of being fascinated by a logo was when I was 4 or 5 years old, around the time my dad first introduced me to my favorite football team. Even at that tender young age, I thought it was great that I could identity with my team of choice by seeing the club crest emblazoned on the jerseys of the players and on the stadium that they played in. Id ask for the latest replica shirt for birthdays and Christmases, and I insisted that my whole bedroom be adorned with the official crest. The wallpaper, curtains, bed linens, lamp, rugeverything featured the logo.

I even spent time messing around with my own artwork by carefully tracing over a print of the logo I found in a magazine, until I felt confident enough in my own abilities to draw it freehand. These early behaviors practically carved out my career path. The beautiful thing about logos is that they can affect our lives without our even noticing. They have a lasting impact on designers and nondesigners alike. We live in a branded world, and thats not about to change any time soon.

In the years I spent employed as a graphic designer, the task I relished most was designing a logo. To this day, I still find logo design to be the most challenging and rewarding project of any of the different design disciplines that I undertake. Its a great feeling when you know that youve successfully answered a tough brief or made someone elses vision become a reality. My passion for logo design and brand identity led me to leave my full-time position as a senior graphic designer and enter the competitive foray of freelance. As a freelancer, Ive discovered that there are thousands upon thousands of talented designers out there, all striving to create the next great logo.

Recently, logo design has almost become its own discipline within the design field, creating a new emerging market. Im fascinated with exploring whether this shift will have a positive or negative effect on designers. The fact that youve picked up this book means that you have an interest in logos. Maybe you share a story similar to my own. By reading this book, youll learn what you need to know in order to stay ahead of the game and keep your ideas fresh and original.

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