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Stephanie Pui-Mun Law - Dreamscapes Magical Menagerie: Creating Fantasy Creatures and Animals with Watercolor

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Stephanie Pui-Mun Law Dreamscapes Magical Menagerie: Creating Fantasy Creatures and Animals with Watercolor
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Dreamscapes Magical Menagerie: Creating Fantasy Creatures and Animals with Watercolor: summary, description and annotation

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Create Fantasy Creatures & Animals with Watercolor!

Dreamscapes artist Stephanie Pui-Mun Law weaves her spell once again, this time with a focus on winged, underwater and four-legged creatures that captivate with their grace and impossible beauty. Step by step, youll learn how to partner with watercolor to paint koi, the Phoenix, Pegasus and other fantastical creatures to inhabit your otherworlds.

  • Bring life to beasts of water, sky and woods. Follow along, step by step, to create sea turtles, owls, earth dragons...more than 20 mythical and real-world creatures.
  • Expand your watercolor techniques. This book covers everything from the basics of assembling your tools and selecting paper, to tips for making colors sing and techniques for evoking mysterious, underwater, woodland and celestial settings.
  • Embrace the possibilities! Sparkling with a sense of whimsy and wonder, and peppered with bits of legend and lore to inform and inspire your art, Dreamscapes Magical Menagerie opens your eyes to the makings of fantasy all around you. If you can dream it, you can paint it!

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Dreamscapes Magical Menagerie Stephanie Pui-Mun Law Introduction When - photo 1

Dreamscapes

Magical Menagerie

Stephanie Pui-Mun Law

Introduction When I was studying at Berkeley I came across a story about a - photo 2

Introduction

When I was studying at Berkeley, I came across a story about a man who had the (mis)fortune to be loved by two women, both of whom came into his life under mysterious circumstances. One of the women was eventually revealed to be a ghost, and the other a fox spirit. The story lingered in my mind. I found I could not stop thinking about it, just as the man in the tale could not stop obsessing over the two trickster creatures who had possessed his mind and life.

Years later I attempted to hunt the story down with the scant information I had. Used bookstores abound in Berkeleyyou could visit a different one each day of the week. I loved to spend long hours browsing the aisles filled with relics and treasures of paper and ink. For years I haunted the folklore shelves, until finally one day I came across a book entitled Chinese Ghost and Love Stories. It had a horrid yellow cover, and the binding was coming apart. In a roundabout route of translations, it had arrived in the English volume I held in my hands via German from the original Chinese. But it contained the story I was searching for, as well as many other Chinese fairy tales about ghosts and fox spirits.

The morality of the supernatural creatures in these tales is not quite in step with that of humans. They are drawn to and fascinated by humans. The ghosts long for an essence they no longer possess, and the fox spirits never possessed it to begin with. Like moths to a flame, they hover around the bright flare of humanity, sometimes wreaking havoc with the strength of their yearning. And yet they are an integral part of the world and the natural order of the universe they exist in. There is an intimacy and a naturalness to their storiesthey slip into the lives of the protagonists the same way they slipped into my art.

One can draw and paint animals for mere love of nature and wildlife. There is undoubtedly that aspect to my pursuit of the natural world in artwork. But there is a mythic tie that myriad creatures in uncounted cultures have had to humans and to gods. They are a reflection through which we can see ourselves, with our most noble qualities as well as our most base, simplified and distilled into the traits and characteristics of the natural world that we are surrounded by. And so, as our stories through time are filled with rich metaphors and fantastical creatures, there is a wealth of inspiration to draw from in artwork.

PART ONE Materials Techniques It can be a daunting task indeed to sit in - photo 3

PART ONE
Materials & Techniques

It can be a daunting task, indeed, to sit in front of a blank sheet of paper with the expectation of creating something magical. Yet possibilities and inspiration lie all around you. From the myriad of legends and stories of the past, to the works of other artists, to the inherent beauty that exists in nature, there is no shortage of places to look for ideas. Even the mistakes you make when paintingthose unplanned, and at times, highly frustrating marks or spillscan be utilized to create unexpected and unique results. So, while it certainly can be intimidating to stare at a stark white piece of paper and wonder how your composition will turn out in the end, dont let fear hold you back.

The good news is this: By obtaining knowledge about the tools of the trade and being familiar with the basic watercolor techniques at your disposal, you can help ease the transition from nebulous imagination to successful painting. With time and experience, the medium will simply become an extension of your imagination. After all, practice is the only way to turn a once-blank sheet of paper into a colorful, whimsical and magical world filled with iconic figures of fantasy.

Selecting Pencils

In this book youll use pencils in your studies of drawing ethereal fantasy creatures with the goal of a painted end result. Though the focus here is on painting with watercolors, pencils are a viable tool for completed works of art.


Selecting an Eraser

Vinyl erasers work fine for sketches, to clean up a piece after all the painting is completed and for removing bits of dried masking fluid. Kneaded erasers are needed only if your intent is to create finished pencil drawings, because you dont want to lay in heavy graphite under your watercolorsit will muddy the colors.


Leads Are Available in Varying Degrees of Hardness 8B is the softest lead - photo 4

Leads Are Available in Varying Degrees of Hardness

8B is the softest lead, while 8H is the hardest. HB is a medium hardness. The softer the pencil lead, the darker your mark. If you use too soft a lead, the pencil will smear and make your painted colors look dirty. If the pencil lead is too hard, you will have to press harder to draw your lines, creating indentations on your watercolor paper with the point. For this reason, HB and 2B pencils are good choices for sketches that are going to be painted over.

Selecting a Pencil Traditional wood pencils are a good all-around choice - photo 5

Selecting a Pencil

Traditional wood pencils are a good all-around choice. They have an expressiveness that tends to get lost with mechanical pencils. Mechanical pencils, however, are convenient and consistent. They come in a variety of thicknesses and dont need to be sharpened. The downside of mechanical pencils is that you lose the organic flow that a uniform thickness of line cannot accommodate.

If youre planning to paint on the surface afterward, dont use much shading if you wish to keep the colors pure. If you are just sketching for ideas or doing a pencil drawing, then go all out. A lead holder is a particular joy to use in that case. A lead holder is similar to a mechanical pencil but can hold a much thicker lead so you can draw with its edge or sharpen it to a point.

Using Different Pencil Types Usually just one or two pencil types are needed - photo 6

Using Different Pencil Types

Usually just one or two pencil types are needed for a drawing, but heres an example that incorporates several so you can see the differences of texture and darkness.

Selecting an Eraser

Vinyl erasers work fine for sketches, to clean up a piece after all the painting is completed and for removing bits of dried masking fluid. Kneaded erasers are needed only if your intent is to create finished pencil drawings, because you dont want to lay in heavy graphite under your watercolorsit will muddy the colors.

Choosing Brushes and Other Tools

The two most common types of brushes are flats and rounds. Flats are useful for creating large areas of even color. Rounds work well for shaping certain areas and adding details.

Items like salt and rubbing alcohol are great for adding unique textures to your painting.

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