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de Lisle - The White King

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The White King: summary, description and annotation

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From the New York Times bestselling author and master of narrative nonfiction comes the tragic story of Charles I, his warrior queen, Britains civil wars and the trial for his life.

Less than forty years after Englands golden age under Elizabeth I, the country was at war with itself. Split between loyalty to the Crown or to Parliament, war raged on English soil. The English Civil War would set family against family, friend against friend, and its casualties were immensea greater proportion of the population died than in World War I.

At the head of the disintegrating kingdom was King Charles I. In this vivid portraitinformed by previously unseen manuscripts, including royal correspondence between the king and his queenLeanda de Lisle depicts a man who was principled and brave, but fatally blinkered.

Charles never understood his own subjects or court intrigue. At the heart of the drama were the Janus-faced cousins who...

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Copyright 2017 by Leanda de Lisle Map Darren Bennett at DKB Creative Ltd - photo 1

Copyright 2017 by Leanda de Lisle

Map Darren Bennett at DKB Creative Ltd.

Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.

The scanning, uploading, and distribution of this book without permission is a theft of the authors intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact permissions@hbgusa.com. Thank you for your support of the authors rights.

PublicAffairs

Hachette Book Group

1290 Avenue of the Americas, New York, NY 10104

www.publicaffairsbooks.com

@Public_Affairs

First published by Chatto & Windus in January 2018

First US Edition: October 2017

Published by PublicAffairs, an imprint of Perseus Books, LLC, a subsidiary of Hachette Book Group, Inc.

The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591.

The publisher is not responsible for websites (or their content) that are not owned by the publisher.

Typeset in India by Integra Software Services Pvt. Ltd, Pondicherry

Library of Congress Control Number: 2017953678

ISBNs: 978-1-61039-560-1 (hardcover), 978-1-61039-561-8 (ebook)

E3-20171007-JV-PC

After Elizabeth: The Death of Elizabeth and the Coming of King James

The Sisters Who Would Be Queen: The Tragedy of Mary, Katherine and Lady Jane Grey

Tudor: The Family Story

For Peter

James I and VI, Paul van Somer, c. 1620 (Photo: Royal Collection Trust / Her Majesty Queen Elizabeth II 2017)

Henry Frederick, Prince of Wales, with Sir John Harington, in the Hunting Field, Robert Peake the Elder, 1603 The Met Museum, New York / Purchase, Joseph Pulitzer Bequest, 1944

Elizabeth Stuart, the Winter Queen Weiss Gallery

Philip IV, Diego Rodrguez de Silva y Velzquez, 162324 Meadows Museum, SMU, Dallas / Algur H. Meadows Collection

Cardinal Richelieu, Philippe de Champaigne, 1642 Museum of Fine Arts, Strasbourg (Photo: Leemage / UIG via Getty Images)

George Villiers, Peter Paul Rubens, c. 17th century Palazzo Pitti, Florence, Italy / Bridgeman Images

Triumphant Death chases Londoners from their city, from A rod for run-awayes Gods tokens, artist unknown, c. 1625 (Photo: Science History Images / Alamy Stock Photo)

Marie de Medici landing at Marseilles, Peter Paul Rubens, 1623 Louvre

Charles I, Peter Oliver, c. 162532 (Photo: Royal Collection Trust / Her Majesty Queen Elizabeth II 2017)

Henrietta Maria, John Hoskins, c. 1632 (Photo: Royal Collection Trust / Her Majesty Queen Elizabeth II 2017)

Robert Rich, 2nd Earl of Warwick, Daniel Mytens the elder, 1633 National Trust Images

Henry Rich, 1st Earl of Holland, studio of Daniel Mytens, c. 163233 National Portrait Gallery, London

Henrietta Maria as St Catherine, Anthony Van Dyck, c. 1630s Philip Mould & Company

Lucy Hay, Countess of Carlisle, Adriaen Hanneman, c. 166065 Minneapolis Institute of Arts / Bridgeman Images

John Pym, by or after Edward Bower, c. 1640 National Portrait Gallery, London

Louis XIII at the Siege of La Rochelle, French School, c. 17th century La Sorbonne, Paris / Bridgeman Images

Charles I, Anthony Van Dyck, c. 1635 (Photo: Royal Collection Trust / Her Majesty Queen Elizabeth II 2017)

Marie de Rohan, Duchesse de Chevreuse, as Diana the Huntress, attributed to Claure Deruet, 1627 Castle Museum, Versailles (Photo by Leemage/Corbis via Getty Images)

Charles I, Henrietta Maria and Charles II when Prince of Wales dining in public, Gerrit Houckgeest, 1635 (Photo: Royal Collection Trust / Her Majesty Queen Elizabeth II 2017)

An Allegory of Marriage, Tiziano Vecellio (Titian), 1576 (Photo RMN-Grand Palais, Muse du Louvre / Stphane Marchalle)

The Five Eldest Children of Charles I, Anthony van Dyck, 1637 (Photo: Royal Collection Trust / Her Majesty Queen Elizabeth II 2017)

Charles I, studio Anthony van Dyck, c. 1636 Weiss Gallery

William II, Prince of Orange, and his Bride, Mary Stuart, Anthony van Dyck, 1641. Photo courtesy of Rijksmuseum, Amsterdam

Atrocities in Ireland, from The Teares of Ireland by James Cranford, Wenceslaus Hollar, c. 164246. Photo Courtesy of National Library of Ireland, Dublin [PD 2133 TX]

The Chair organ, Robert Dallam, Tewkesbury Abbey Martin Goetze and Dominic Gwynn Ltd

The execution of Strafford, Wenceslaus Hollar, c. 164177. Photo The Thomas Fisher Rare Book Library, University of Toronto, Canada

The death of Boy at Marston Moor, 1644. Photo Chronicle / Alamy Stock Photo

Prince Rupert of the Rhine, Gerrit Van Honthorst, c. 1630s56 National Trust Images/John Gibbons

The fingernail of Thomas Holland Courtesy of Tyburn Convent

The saddle used by the King at the Battle to Naseby, Private Collection. Photo courtesy of Graeme Rimer

The battlefield at Naseby, Robert Streeter, c. 1645

James II & VII, Princess Elizabeth and Henry, Duke of Gloucester, John Hoskins, c. 1640s The Fitzwilliam Museum Cambridge

Anne of Austria, queen consort of France, with Louis XIV as a child, French school, 17th century. Photo: Christophel Fine Art / UIG via Getty Images

Mary, Princess Royal, studio of Gerrit van Honthorst, c. 1655 Philip Mould & Company

Oliver Cromwell, Samuel Cooper, c. 1653 Philip Mould & Company

Thomas Fairfax, circle of Robert Walker, 17th century. Photo: Lebrecht Music and Arts Photo Library / Alamy Stock Photo

Charles I at the time of his trial, after Edward Bower, 17th century Philip Mould & Company

Charles I, miniature portrait with mica overlays, artist unknown, c. 16501700 Carisbrooke Castle Museum Trust

Pearl earring owned by King Charles I, removed from the Kings ear after his execution, 160010 The Portland Collection, Harley Gallery, Welbeck Estate, Nottinghamshire / Bridgeman Images

Portrait of Queen Henrietta Maria as a Widow, artist unknown, c. 1650s. Courtesy of The Walters Art Museum (CC0 1.0)

St Georges chapel, Windsor Castle, Josep Renalias, 2008 Josep Renalias (CC BY-SA 3.0)

Frontispiece of the Eikon Basilike, Wenceslaus Hollar, 1649. Photo The Thomas Fisher Rare Book Library, University of Toronto, Canada

THE TITLE OF THIS BOOKTHE WHITE KINGIS DRAWN FROM A sobriquet used by Charless - photo 2
THE TITLE OF THIS BOOKTHE WHITE KINGIS DRAWN FROM A sobriquet used by Charless - photo 3
THE TITLE OF THIS BOOKTHE WHITE KINGIS DRAWN FROM A sobriquet used by Charless - photo 4

THE TITLE OF THIS BOOKTHE WHITE KINGIS DRAWN FROM A sobriquet used by Charless contemporaries. To supporters he was the saintly White King crowned in robes the colour of innocence. To opponents he was the White King of the prophecies of Merlin, a tyrant destined for a violent end. It is a sobriquet that is unfamiliar today. I hope it inspires curiosity: that people wonder what other unexpected things they might discover about the extraordinary Charles I.

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