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Tosh Berman - Tosh: Growing Up in Wallace Bermans World

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Tosh Berman Tosh: Growing Up in Wallace Bermans World
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Tosh: Growing Up in Wallace Bermans World: summary, description and annotation

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The triumphs and tragedies of growing up as the son of a famous Beat artist.

TOSH is a memoir of growing up as the son of an enigmatic, much-admired, hermetic, and ruthlessly bohemian artist during the waning years of the Beat Generation and the heyday of hippie counterculture. A critical figure in the history of postwar American culture, Tosh Bermans father, Wallace Berman, was known as the father of assemblage art, and was the creator of the legendary mail-art publication Semina. Wallace Berman and his wife, famed beauty and artists muse Shirley Berman, raised Tosh between Los Angeles and San Francisco, and their home life was a heady atmosphere of art, music, and literature, with local and international luminaries regularly passing through.

Toshs unconventional childhood and peculiar journey to adulthood features an array of famous characters, from George Herms and Marcel Duchamp, to Michael McClure and William S. Burroughs, to Dennis Hopper and Dean Stockwell, to the Rolling Stones, Neil Young, and Toni Basil.

TOSH takes an unflinching look at the triumphs and tragedies of his unusual upbringing by an artistic genius with all-too-human frailties, against a backdrop that includes The T.A.M.I. Show, Sgt. Peppers Lonely Hearts Club Band, Easy Rider, and more. With a preface by actress/writer Amber Tamblyn (daughter of Wallaces friend, actor Russ Tamblyn), TOSH is a self-portrait taken at the crossroads of popular culture and the avant-garde. The index of names included represents a whos who of midcentury Americanand internationalculture.

Praise for Tosh:

Tosh Bermans sweet and affecting memoir provides an intimate glimpse of his father, Wallace, and the exciting, seat-of-the-pants LA art scene of the 1960s, and it also speaks to the hearts of current and former lonely teenagers everywhere.Luc Sante, author of The Other Paris

This is the story of a kid growing up inside of art world history, retelling his upbringing warts and all. A well-written, fast-moving book that is candid, funny, often disturbing, and never dull.Gillian McCain, co-author of Please Kill Me: The Uncensored Oral History of Punk

TOSH is a delightfully entertaining memoir filled with sly wit and a profound personal perspective.John Zorn, composer

One could not wish for a better guide into the subterranean and bohemian worlds of the California art/Beat scene than Tosh Berman, only scion of the great Wallace. Tosh has a sly wit and an informed eye, he is both erudite and neurotic, and often hilarious.John Taylor, Duran Duran

Theres the lifeand then theres the life. With TOSH you can have both. My life, and that of many who sailed with me, was formed by the 40s & 50s. TOSH takes you there.Andrew Loog Oldham, producer/manager, The Rolling Stones

As the son of artist Wallace Berman, Tosh Berman had a front row seat for the beat parade of the 50s, and the hippie extravaganza of the 60s. It was an exotic, star-studded childhood, but having groovy parents doesnt insulate one from the challenge of forging ones own identity in the world. Bermans successful effort to do that provides the heart and soul of this movingly candid chronicle of growing up bohemian.Kristine McKenna, co-author of Room to Dream by David Lynch

This is a beautifully written memoir, and I highly recommend it to those who are interested in the Sixties, Topanga Canyon, the Southern California art scene, and for those who wonder what it might mean to grow up as...

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Acknowledgments Tosh would not exist if not for my parents Wallace Berman and - photo 1

Acknowledgments

Tosh would not exist if not for my parents Wallace Berman and Shirley Berman. Also a sincere thank you to those who looked at my manuscript over the years: Bethany Handler, Fawn Hall, Josephine Tran, Elizabeth Yoo, Manuel Chavarria, and Cary Loren, who put the thought in my head to write this book.

Also a special thank-you to the Kohn Gallery, specifically Michael Kohn, Karl Puchlik, Courtney Brown, Karys Judd, Samantha Glaser-Weiss, Matt Groce, and Joshua Friedman.

A special thank-you with respect to the Japanese side of the world: The Shimada and Shimizu family. I wrote bits and pieces of the book in Japan while staying with my Japanese side of the family. Thank you for putting up with me.

Also, I have to note that Sandra Starr, Kristine McKenna, Claudia Bohn-Spector/Sam Mellon, and Sophie Dannenmuller have done a series of interviews with me and my mom Shirley over the years. I realize through their remarkable work that I have to treat my memory of my parents and time very carefully and honor that heritage. There is no guidebook to learn these things, so with my chin up and pen on paper/computer screen, I kept working.

Also, my partners-in-crime at City Lights: My editor Garrett Caples, Stacey Lewis, and Elaine Katzenbergera very strong thank-you!

The book is dedicated to Shirley Berman, Lun*na Menoh, and Donald Morand. And with great affection for his memory, my dad Wallace.

Tosh

Photo Credits

All photographs and artwork are by Wallace Berman, courtesy the Kohn Gallery and the Wallace Berman Estate. Copyright 2018 by the Wallace Berman Estate.

EXCEPT:

: Wallace Berman as a child; photographer unknown. Courtesy the Wallace Berman Estate.

: Martha, Toshs maternal grandmother; photographer unknown. Courtesy Tosh Berman.

: Wallace Bermans Cross, Ferus Gallery, 1957; photograph by Charles Brittin (19282011). From the Charles Brittin Papers, Getty Research Institute, Los Angeles, CA (2005.M.11) (r24891_2005_m_11_05.tif). Courtesy the J. Paul Getty Trust. Copyright J. Paul Getty Trust.

: Tosh Berman (Front row, second from left) Kindergarten photograph, 195960; photographer unknown. Courtesy Tosh Berman.

: Tosh Berman, 1976; photo booth self-portrait by Tosh Berman. Courtesy Tosh Berman.

The editor would like to thank Virginia Mokslaveskas of the Getty Research Institute for her invaluable assistance in securing the Charles Brittin photograph.

Wallace/ chapter 1

My mother, Shirley Morand, first saw her future husbandmy fatherdriving a convertible, with a cat wrapped around his neck, somewhere on the streets of Hollywood. Wallace Berman, at that time, never left the house without his cat. The 19th-century French writer Grard de Nerval had a pet lobster named Thibault, and he would take it out for evening walks through Paris, attached to a silk leash. Wallace, in his fashion, was returning to the eminent, artistic, eccentric personalities of 19th- and 20th-century Paris. Without a doubt, he made backward glances to the artists he greatly admired and their peculiar habits. I learned style through both parents, due to their knowledge of such dandies of the past and present, as well as the art and literature that dwell in that world of provocateurs and visionaries. I understood the importance of the past as a reference for the ideal life, and I inherited a passion for artists and poets who didnt belong in the world, who had to invent a landscape in which they could live and do their art. I learned that from Wallace, due to his numerous homages to the artistic set that lived before him.

At the time of my moms first sighting of Wallace with his cat, he cut quite a striking figure that screamed Los Angeles dandy. A man who had an understanding of the criminal street life, he knew that the results of such a life had to be fine clothing, which to him meant zoot suits. It was World War Two, the height of the zoot suit craze, and there was, in fact, a law on the books that forbade the zoot suit, owing to the excess fabric in making the outfit; all surplus material was expected to be sent to the government for the war effort. What could attract a criminal-minded youth more than wearing such clothing at the height of war?

Wallace Berman as a child My fathers family had come from another part of the - photo 2

Wallace Berman as a child

My fathers family had come from another part of the world. His mother Anna and his grandmother were Russian Jews. They settled in Staten Island, New York, where his father was an owner of a candy store. According to speculation, the store was a front, either for a speakeasy or for bootlegging. My grandfather seemed to have too much money just for owning a neighborhood candy store. In the only picture Ive seen of Wallaces father, hes wearing tennis clotheslong white pants, tight white shirtwith a racket in his hand. My mom also told me that she used to own a photograph of Wallaces mother and father in a large car with a chauffeur. When he died, which I think was from the aftereffects of tuberculosis, he only left two books for Wallace, a collection of tales by Oscar Wilde and T.E. Lawrences Seven Pillars of Wisdom (1926). After his death, the family, which by then included Annas brother Harry, relocated to Boyle Heights, Los Angeles.

At the time, Boyle Heights was a community of Japanese Americans, Latinos, and Jews. Much of the neighborhoods population changed after the 1950s, when the freeways were built. The Berman clan eventually moved to another Jewish neighborhood, in Fairfax, which is very close to Hollywood. Around this time Wallace had a best friend by the name of Sammy Davis, Junior. My grandmother Anna said to me that her heart began to race one morning when she went into Wallaces bedroom and saw Sammy asleep in the bed. At first, she thought Wallace had turned black, but he was sleeping by the bedside on the floor, giving Sammy his bed. I remember my dad telling me how he and Sammy went to the Hollywood Palladium on Sunset Boulevard to see Glenn Miller and his big band and werent allowed to go in because of Sammys skin color. Wallace never told me how they initially met, but I presume they first laid eyes on each other on Central Avenue, in one of the jazz or dance clubs of the 1940s. They totally lost touch with each other after their teenage years, but right before Wallace died, he saw Sammy at the dentist. Wallace popped his head into the office and said hello. My dad told me that Sammydental tools still in his mouthnearly perished in the chair. Wallace said a quick Hello, how are you? and then got out of there.

WALLACE BERMAN Anna Berman Wallaces mom 1958 Larkspur During his late - photo 3

WALLACE BERMAN / Anna Berman, Wallaces mom, 1958, Larkspur

During his late teens, in the middle of the 40s, Wallace underwent a series of failures. First, he got kicked out of Fairfax High School for gambling. Then he enlisted and got kicked out of the Navy due to a nervous breakdown. Then he went to Chouinard Art School, and was kicked out of there for reasons unknown. Be they cause or effect of these failures, my fathers taste for the outsiders life and distaste for mainstream American life were firmly established. Its been hinted to me that my dad was involved in the criminal world as a teenager, though Ive never heard any stories of his actual criminal activity. But he clearly never felt comfortable in the straight world. The nine-to-five schedule wasnt for him. He had no problem with people who preferred that life, but for him, there was another world out there that was so much more attractive, the world that existed in the night. The key to that world was, at first, criminal activity, but that led to his beloved pursuits of jazz, poetry, and the visual arts.

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