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Patricia G. Lange - Thanks for Watching: An Anthropological Study of Video Sharing on YouTube

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Thanks for Watching: An Anthropological Study of Video Sharing on YouTube: summary, description and annotation

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YouTube hosts one billion visitors monthly and sees more than 400 hours of video uploaded every minute. In her award winning book, Thanks for Watching, Patricia G. Lange offers an anthropological perspective on this heavily mediated social environment by analyzing videos and the emotions that motivate sharing them. She demonstrates how core concepts from anthropologyparticipant-observation, reciprocity, and communityapply to sociality on YouTube. Langes book reconceptualizes and updates these concepts for video-sharing cultures.

Lange draws on 152 interviews with YouTube participants at gatherings throughout the United States, content analyses of more than 300 videos, observations of interactions on and off the site, and participant-observation. She documents how the introduction of monetization options impacted perceived opportunities for open sharing and creative exploration of personal and social messages. Langes book provides new insight into patterns of digital migration, YouTubes influence on off-site interactions, and the emotional impact of losing control over images. The book also debunks traditional myths about online interaction, such as the supposed online/offline binary, the notion that anonymity always degrades public discourse, and the popular characterization of online participants as over-sharing narcissists.

YouTubers experiences illustrate fascinating hybrid forms of contemporary sociality that are neither purely mediated nor sufficient when conducted only in person. Combining intensive ethnography, analysis of video artifacts, and Langes personal vlogging experiences, the book explores how YouTubers are creating a posthuman collective characterized by interaction, support, and controversy. In analyzing the tensions between YouTubers idealistic goals of sociality and the sites need for monetization, Thanks for Watching makes crucial contributions to cultural anthropology, digital ethnography, science and technology studies, new media studies, communication, interaction design, and posthumanism.

For its perceptive analysis of video blogging for self-expression and sociality, Thanks for Watching received the Franklyn S. Haiman Award for Distinguished Scholarship in Freedom of Expression (2020), from the National Communication Association.

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Thanks for Watching An Anthropological Study of Video Sharing on YouTube - photo 1
Thanks for Watching
An Anthropological Study of Video Sharing on YouTube
Patricia G. Lange
U NIVERSITY P RESS OF C OLORADO
Louisville
2019 by University Press of Colorado
Published by University Press of Colorado
245 Century Circle, Suite 202
Louisville, Colorado 80027
All rights reserved
Thanks for Watching An Anthropological Study of Video Sharing on YouTube - image 2The University Press of Colorado is a proud member of the Association of University Presses.
The University Press of Colorado is a cooperative publishing enterprise supported, in part, by Adams State University, Colorado State University, Fort Lewis College, Metropolitan State University of Denver, Regis University, University of Colorado, University of Northern Colorado, University of Wyoming, Utah State University, and Western Colorado University.
ISBN: 978-1-60732-947-3 (hardcover)
ISBN: 978-1-60732-948-0 (paperback)
ISBN: 978-1-60732-955-8 (open-access PDF)
ISBN: 978-1-64642-009-4 (open-access ePUB)
https://doi.org/10.5876/9781607329558
Library of Congress Cataloging-in-Publication Data
Names: Lange, Patricia G., author.
Title: Thanks for watching : an anthropological study of video sharing on YouTube / Patricia G. Lange.
Description: Louisville : University Press of Colorado, [2019] | Includes bibliographical references and index.
Identifiers: LCCN 2019025981 (print) | LCCN 2019025982 (ebook) | ISBN 9781607329473 (cloth) | ISBN 9781607329480 (paperback) | ISBN 9781607329558 (ebook)
Subjects: LCSH: YouTube (Electronic resource) | Online social networksSocial aspects. | Internet videosSocial aspects. | Mass media and anthropology. | Mass media and culture.
Classification: LCC HC79.T4 L364 2019 (print) | LCC HC79.T4 (ebook) | DDC 302.30285dc23
LC record available at https://lccn.loc.gov/2019025981
LC ebook record available at https://lccn.loc.gov/2019025982
Picture 3An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. More information about the initiative and links to the open-access versions can be found at www.knowledgeunlatched.org.
Cover illustrations: Smartphone image studioZEVS/Shutterstock; vlogger image Jacob Lund / Shutterstock.
Contents
I am deeply grateful to my husband, Andrew Lange, and to my children, Catherine and Alexander, for their steadfast support of my projects. I also wish to thank my parents, Jay and Lilia Gonzalez, as well as my sister, Leah Jarlsberg, and my brother, Michael Gonzalez, for their lifelong encouragement. Special thanks also to Chris Jarlsberg for his support. Thanks to the Lange clan, especially Janet and Jay Lange, as well as Colin Lange, Tessa Tinney, and Jonathan Lange.
I wish to extend thanks to Virginia Kuhn, Holly Willis, Gabriel Peters-Lazaro, and all the staff of the Institute for Multimedia Literacy at the University of Southern California (USC), for their encouragement. I am grateful also to USCs Department of Anthropology. I would like to acknowledge the encouragement I received from Nancy Lutkehaus and Jenny Cool. Special thanks also to Lanita Jacobs for her friendship and support.
I am grateful to the John D. and Catherine T. MacArthur Foundation for its support of my research on YouTube. For their intellectual inspiration and leadership, I wish to thank Mimi Ito and the late Peter Lyman. Thanks also to Wesley Shrum, Executive Director of Ethnografilm 2014. For encouraging my filmmaking endeavors, I would like to thank Heather Horst. Special thanks to Bonnie Nardi for her generous mentorship.
I am grateful to my colleagues at California College of the Arts (CCA) for their support of my work. I would like to thank Stephen Beal, Tammy Rae Carland, Tina Takemoto, Emily McVarish, Tirza Latimer, Juvenal Acosta, Kim Anno, J Carter, Mitchell Schwarzer, Jackie Francis, Max Leung, Rebekah Edwards, Stuart Kendall, Ignacio Valero, Barry Katz, Jeanette Roan, Beth Mangini, and Brook Hinton. Special thanks also to Teri Dowling and Bobby White. At the Columbus College of Art & Design, Id like to extend my thanks to Melanie Corn for her support. At the San Francisco Art Institute, I would like to acknowledge the support of Rachel Schreiber.
From fields ranging from media studies to filmmaking to video blogging, I would like to thank Henry Jenkins, Michael Wesch, Howard Rheingold, Mindy Faber, Jean Burgess, Joshua Green, Ryanne Hodson, Jay Dedman, Micki Krimmel, Michael Verdi, Steve Woolf, Zadi Diaz, Markus Sandy, Alicia Shay, Mike Ambs, Roxanne Darling, Lan Bui, Vu Bui, Jen Proctor, Rick Rey, Eric Rey, Kent Nichols, and Jonathan McIntosh.
I wish to thank all the people of YouTube who participated in my ethnographic research project and who contributed videos that provided insight on sharing the self through media. I would like to express my special thanks to OhCurt for making me feel welcome to YouTube and encouraging me to keep the camera rolling. Special thanks also to robtran, whose commentary about community and its limits provided crucial insight about our increasingly posthuman condition. Thanks to Joe Mystery Guitar Man Penna for his kind support of the project. I would also like to acknowledge the support and enthusiasm of thetalesend and ZenArcher, bright spirits who truly made a difference to the YouTube community and whose presence is greatly missed.
At the University of Michigan, I would like to thank Conrad Kottak, Bruce Mannheim, and Ruth Behar for their intellectual inspiration and generous support. I am also extremely grateful for interactions I have had over the years with Jan English-Lueck and Chuck Darrah at San Jos State University.
I am also grateful to Julie LaFramboise and our mutual friend for providing emotional support and friendship while juggling research and motherhood. I cherish our friendship deeply!
As a long-term San Francisco Bay Area resident, I wish to thank the friends who made Los Angeles seem like a magical place while I lived and worked there. I would like to thank Ann-Marie and Keith Fine, Jenny and David Madariaga, and Rose and Behram Parekh.
For attending my preview screening at CCA and encouraging my filmmaking, I would like to thank Sally Rayn, Brian Cheu, Padric McCaig, Eric Share, and the intrepid attendees from Platypus: the CASTAC Blog, notably Jordan Kraemer and Michael Scroggins. CASTAC stands for the Committee for the Anthropology of Science and Technology, a division of the American Anthropological Association.
Special thanks also to Gwen Dewar and Adrienne Young for sharing many anthropological insights. For their contribution to the field of media studies and their kind support, I wish to thank Annette Markham and Theresa Senft.
I also wish to acknowledge the ongoing support of my friends Chris and Jan Cooke, Kevin Carter and Che Johnson, and Matthew Carhart and Matthew DeCoster.
Thanks to all the members of the Bay Area Anthropology and Philosophy Group and the Dumbarton Circle, especially Melissa Cefkin, Mazyar Lotfalian, and Shreeharsh Kelkar, for helping participants to deepen our knowledge about the philosophical roots of anthropology.
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