First published 2000 by Garland Publishing, Inc.
This edition published 2014 by Routledge
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Copyright 2000 by Daniel Crowe
All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without written permission from the publishers.
ISBN 13: 978-0-8153-3766-9 (hbk)
Library of Congress Cataloging-in-Publication Data
Crowe, Daniel E.
Prophets of rage : the Black freedom struggle in San
Francisco, 19451969 / Daniel E. Crowe
p. cm.(Studies in African American history and
culture)
Includes bibliographical references (p.) and index
ISBN 0-8153-3766-3 (alk. paper)
1. Afro-AmericansCivil rightsCaliforniaSan
Francisco Bay AreaHistory20th century. 2. Civil rights
movementsCaliforniaSan Francisco Bay AreaHistory
20th century. 3. San Francisco Bay Area (Calif.)Race relations.
I. Title. II. Series.
F860.S39 N428 2000
305.896073079461dc21
00-022424
This project would not have reached its present form without the generous assistance of many people. Profs. Craig Buettinger, John Garrigus, and S. Walker Blanton guided my vision when I began this work an undergraduate thesis at Jacksonville University. The manuscript has changed tremendously since then, and for that I thank the faculty and graduate students of the University of Kentucky for their criticism and support. Profs. Gerald Smith, David Hamilton, Daniel Smith, Mary Anglin, and Scott Hunt deserve particular mention for reading the volume and offering advice and encouragement. My advisor, Prof. Fon L. Gordon, was instrumental in helping me craft this history of Bay Area African Americans, and without her, my efforts might never have come to fruition. I owe a special debt of gratitude to my editors at Garland Publishing, Richard Koss and Prof. Graham Russell Hodges, for accepting my work and helping to place my book in their Studies in African American History and Culture series. Many archivists and librarians also provided invaluable aid during the completion of this manuscript, including Linda Seelke and the staff of the Lyndon Baines Johnson Presidential Library, Walter Hill of the National Archives in College Park, Maryland, Bonnie Hardwick and the staff of the Bancroft Library of the University of California, Berkeley, Susan Sherwood of San Francisco State Universitys Labor Archives and Research Center, Amy Holloway of the San Francisco African American Historical and Cultural Societys Research Library and Archives, the staff of the Pacifica Radio Archive in North Hollywood, California, the staff of the John Fitzgerald Kennedy Presidential Library, Willa K. Baum and the staff of the Regional Oral History Office of the Bancroft Library, and Danice Nutter and the Interlibrary Loan staff of the University of Kentuckys William T. Young Library.
Other friends and colleagues have offered their support while I was crafting this manuscript. Prof. Charles E. Jones of Georgia State University shared his knowledge and his extensive research on the Black Panther Party. Prof. William Issel of San Francisco State University gets a hearty thanks for treating me to a tour of the Bay Area and an excellent lasagna dinner during one of my research jaunts. Albert Broussard, Quintard Taylor, Ula Y. Taylor, Kevin Leonard, Wanda Hendricks, Ronald Coleman, Gerald Horne, Matthew C. Whitaker, Angela D. LeBlanc-Ernest, Stuart McElderry, Uche Egemonye, Jeff Matthews, Dan and Lelanya Kearns, Bart Jarmusch, and Deborah Blackwell have earned my gratitude and respect for their warmth and assistance.
Finally, my family has provided both spiritual and financial sustenance during the long process of writing this book. I owe my parents and my in-laws a debt that I can never repay. My wife, Leslee Gilbert, sustained me with her love and confidence, and I credit her with giving me the strength to finish this work.
Any errors in fact or interpretation are mine alone.
The roots of the Black Revolution that shook the San Francisco Bay Area to its foundations during the 1960s stretched far back into the regions past. The long history of conflict and discord between the white majorities and black minorities of Berkeley, Oakland, Richmond, and San Francisco, thinly veiled by the cities liberal reputations, led to a dramatic explosion of black rage in the Age of Aquarius. Although many of the African American radicals spawned from the ghettos of the Bay Area would eventually gain national and even international fame, the origins and nature of modern Bay Area black radicalism, especially that of the Black Panther Party, can best be understood by examining the social, economic, political, and cultural environments present in northern Californias urban centers since the Second World War. During the 1940s, southern black migrants flooded into the San Francisco Bay Area in search of lucrative employment in the burgeoning war industries. The promise of upward economic mobility for thousands of African Americans proved chimerical, however, and the black newcomers faced an ever-hardening system of employment discrimination, residential segregation, unequal education, and police brutality. Conditions worsened for African Americans during the next two decades and growing discontent among working-class and low-income blacks over economic, political, and social injustices erupted in the 1960s. Abandoning the nonviolent and integrationist tactics of mainstream leaders like Martin Luther King, Jr., African Americans from urban ghettos in the West preached revolution and redistribution of wealth and power. The move toward Black Power marked a distinctive shift away from the modern Civil Rights Movement, and the radicalization of many African Americans changed the nature of black protest, the rhythms of everyday life, and the course of federal welfare policy.
The massive influx of African American migrants into the Bay Area during the war years upset the racial status quo that the established white majority and tiny black minority had carefully crafted and maintained for more than a century. Prior to 1940, less than 15,000 African Americans called the Bay Area home. By 1950, however, the black population of Oakland alone had jumped from 8,462 to 47,610, a decade later, blacks in San Francisco and Oakland numbered in excess of 237,000. Due to their small sizes, black communities in the Bay Area were relatively autonomous before the Second World War, although white residents kept African Americans at the bottom of the social and economic hierarchy. After the arrival of the wartime migrants, however, race relations in the Bay Area deteriorated, and a pattern of discrimination and segregation common to the rest of the nation took hold. Despite the tenacity of white racism, however, African American migrants left an indelible impression upon the Bay Area. The newcomers helped to draw a new cultural landscape in northern California, and their patterns of speech, dress, religion, cuisine, and music forever altered life for blacks and whites alike. The migrants and their children would also form the vanguard of racial protest and black nationalism in the Bay Area, and established residents grappled with the shock waves of black migration for decades.1