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Gordon - The Hundred Thousand Songs : Selections from Milarepa Poet?Saint of Tibet

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Gordon The Hundred Thousand Songs : Selections from Milarepa Poet?Saint of Tibet
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    The Hundred Thousand Songs : Selections from Milarepa Poet?Saint of Tibet
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Tibet, remote and inaccessible, is less known to the western world for its literary than its artistic contributions to Oriental culture. Nevertheless, it has produced a literature of enduring beauty and significance, the supreme achievement of which is the poetry of Milarepa, its greatest poet and saint. This book indicates in its poetic exaggeration that, to the Tibetans, his poetry contains all earthly and celestial wisdom. It is from this masterpiece that the selections for the present volume have been made?songs in which Milarepa describes his life in the solitude of mountain glaciers. Read more...
Abstract: Tibet, remote and inaccessible, is less known to the western world for its literary than its artistic contributions to Oriental culture. Nevertheless, it has produced a literature of enduring beauty and significance, the supreme achievement of which is the poetry of Milarepa, its greatest poet and saint. This book indicates in its poetic exaggeration that, to the Tibetans, his poetry contains all earthly and celestial wisdom. It is from this masterpiece that the selections for the present volume have been made?songs in which Milarepa describes his life in the solitude of mountain glaciers

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APPENDIX In order that the reader may appreciate something of the powerful charm exerted by Milarepa's songs when they are chanted, and at the same time understand something of the problems involved in translating the poet's work from the Tibetan, there are appended here, first, a short poem illustrating the methods employed in achieving the English versions and, second, two songs in musical transcription.
AN EXAMPLE OF THE TRANSLATION PROCESS: Milarepa's "Song of the Three Teachings" is presented here as a demonstration of the translation process. Each line is given first in the original Tibetan, next in romanized transliteration, then in literal translation, and finally in idiomatic English. It should be remembered that Buddhist terminology often makes the Tibetan originals very difficult to render into English. As the author explains in her preface, she has tried to remain as faithful as possible to the message of Milarepa's poems.
TWO SONGS IN MUSICAL TRANSCRIPTION: The two chants presented here, "Song of Longing" and "Prayer and Benediction," were transcribed by Alva Coil Denison directly from the chanting of Chang Chen-chi, a Chinese scholar who lived in Tibet for eight years. The transcriptions take into account, as much as it is possible to do within the limitations of the Western twelve-tone scale, the melodic quality of Tibetan music. Microtones were transcribed into sixty-fourth, thirty-second, and sixteenth notes to be sung legato.

The rhythms reproduce as much as possible the mantramic quality of the chants.
SONG OF THE THREE TEACHINGS SONG OF LONGING Text from Songs of Milarepa As chanted by Chang - photo 1SONG OF LONGING Text from Songs of Milarepa As chanted by Chang - photo 2SONG OF LONGING Text from Songs of Milarepa As chanted by Chang - photo 3

SONG OF LONGING
Text from "Songs of Milarepa"As chanted by Chang Chen-chi of Kong-ka Monastery, Tibet
Translated from the Tibetan by Antoinette K. GordonMelody transcribed and text adapted by Alva Coil Denison
PRAYER AND BENEDICTION Text from Songs of Milarepa As chanted by - photo 4
PRAYER AND BENEDICTION
Text from "Songs of Milarepa"As chanted by Chang Chen-chi of Kong-ka Monastery, Tibet
Translated from the Tibetan by Antoinette K. GordonMelody transcribed and text adapted by Alva Coil Denison
BIBLIOGRAPHY Avalon Arthur The Six Centres and the Serpent Power London - photo 5
BIBLIOGRAPHY Avalon Arthur The Six Centres and the Serpent Power London - photo 6
BIBLIOGRAPHY Avalon, Arthur: The Six Centres and the Serpent Power, London, 1919 Bacot, Jacques: La Vie de Marpa, Paris, 1937 Ballantine, J. R., and Deva Govinda Sastri: Yoga Sutras of Patanjali, Calcutta, 1955 Bell, Sir Charles: The Religion of Tibet, Oxford, 1931 David-Neel, Alexandra: Initiations Lamaiques, Paris, 1947 Evans-Wentz, W. Y.: The Tibetan Book of the Dead, Oxford, 1927 : The Tibetan Book of the Great Liberation, Oxford, 1954 : Tibet's Great Yogi Milarepa, Oxford, 1928 : Tibetan Yoga and Secret Doctrines, Oxford, 1935 Gordon, A. K.: The Iconography of Tibetan Lamaism, New York, 1939 (1st ed.), Tokyo, 1959 (2nd ed.) : Tibetan Religious Art, New York, 1952 Govinda, Lama Anagarika: Grundlagen Tibetischer Mystik, Stuttgart, 1957 Gr nwedel, Albert: "Die Geschichten der Vier und Achtzig Zauberer," Baessler Archiv., V, 137-228, Berlin, 1916 Hume, R.

E.: The Thirteen Principal Upanishads, Oxford, 1949 Hummel, Siegbert: Geschichte der Tibetischen Kunst, Leipzig, 1953 Krasinski, P. Cyrill von: Tibetische Medizins Philosophic, Zurich, 1953 Laufer, Berthold: Aus den Geschichten und Liedern des Mila- raspa, Vienna, 1902 McGovern, W. M.: A Manual of Buddhist Philosophy, London and New York, 1923 M ller, R. F. G.: "Die Krankheits und Heilgottheiten des Lamaismus," Anthropos, XXII, 956, Vienna, 1927 Nebesky-Wojkowitz, Rene de: Oracles and Demons of Tibet, The Hague, 1956 Radhakrishnan, S.: Indian Philosophy, London, 1948 Ribbach, S. H.: Vier Bilder des Padmasambhava und seiner Gefolgschaft, Hamburg, 1917 Schmid, Toni: The Cotton-clad Mila, Stockholm, 1952 Snellgrove, David: Buddhist Himalaya, Oxford, 1957 Takakusu, Junjiro: The Essentials of Buddhist Philosophy, Honolulu, 1949 Tucci, Giuseppe: Tibetan Painted Scrolls, Rome, 1949 Waddell, L.

A.: The Buddhism of Tibet or Lamaism, Cambridge, England, 1934 (2nd ed.) Warren, Henry Clarke: Buddhism in Translations, Cambridge, Massachusetts, 1947 Woods, J. H.: The Yoga System of Patanjali, Cambridge, Massachusetts, 1927 Dictionaries de Koros, Alexander Csoma: Tibetan and English Dictionary, Calcutta, 1834 Dousamdup, Kazi: English-Tibetan Dictionary, Calcutta, 1919 J schke, H. A.: A Tibetan-English Dictionary, London, 1934 Monier-Williams, Sir M.: A Sanskrit-English Dictionary, Oxford, 1899 Soothill, William Edward, and Hodous, Louis: A Dictionary of Chinese Buddhist Terms with Sanskrit and English Equivalents, London, 1937

MILAREPA IN RED ROCK JEWEL VALLEY IN THE CAVE OF THE SUB DUED DEMONS SONGS OF - photo 7
MILAREPA IN RED ROCK JEWEL
VALLEY IN THE CAVE OF THE SUB
DUED DEMONS: SONGS OF LON
GING FOR HIS GURU: COMMENTARIES
AND FOUR SONGS

Folios IB to 6A, line 6 Half-title design Lotus Charm. This charm takes the form of an eight-petaled lotus with an auspicious syllable in the center. THE HISTORY of the Revered Master Milarepa and the so-called Hundred Thousand Songs is explained here. Namo Guru! The Revered Master of Yoga, Milarepa himself.

It was during the time of staying in meditation in the place called the Great Symbol of the Pure Light. At a time when he needed materials to prepare foodlike flour, salt, water, and so onthere was no wood in front of the door, no water, and no fire in the fireplace. He thought: "I will pay no attention. I should go to collect wood, about an armful." Suddenly, when he was holding the wood, a great wind arose, and the rags he was wearing blew away. "Even though I stayed so long in the hermitage, still I cling to my ego," he thought. "What is the use of practicing the doctrine if I do not give up clinging to my ego? If you like the rags, take them away.

If you like the wood, take it away," he said to the wind. "Here I stay, and I give up both." Because of bad food and cold weather he fainted. When he awoke, the wind was mild, and the rags were fluttering on the tip of a tree branch. Feeling heart-weary, he saw in front of him a rock looking like the body of a sheep. At the end of meditation in the easterly direction of Gro Valley, a white cloud was floating below the hermitage. He thought: "There abides my Lama Marpa, the Translator." He thought of his Lama and the Lama's wife and the offering-people [patrons] and friends and their associatesall brothers of the secret doctrine [the teaching and the baptism].

He was thinking of his Lama in this manner: "No matter how, I would like to go and see him." He thought strongly of his Lama with a sorrow which was immeasurable. He sang a song of his Lama, who could relieve all suffering. I am thinking of my Father Marpa, who can relieve suffering. At his feet, I, poor man who tries to relieve suffering, Make obeisance. In the east is the Red Rock of Chong Valley, Rain clouds and river floating slowly by, White clouds beneath. The back of the mountain looks like a big powerful elephant, The front of the mountain like a powerful lion.

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