Matteo Cossu - 1000 ideas by 100 graphic designers

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1000 ideas by 100 graphic designers

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1000 ideas by 100 graphic designers

matteo cossu

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1,000 Tips, 1,000 Pictures and a Game of Connect Four

Understanding Design from a Design Perspective

1,000 Tips

21-19

Alan van Roemburg

Anne Odling-Smee

Autobahn

Axel Peemller

BarfootWorldwide

Bart Kiggen

Bendita Gloria

Blumagenta

Bob Faust

Brighten the Corners

Bunch

Carlos Tarrats

Chris Ro

Claudia Doms

Clment Le Tulle-Neyret

Colin Chow

Coralie Bickford-Smith

Daniel Cassaro

Dmitry Galsan

Due mani non bastano

El Studio

litradesign

Emmi Salonen

Enchilada

Filip Kleremark

Florent Guerlain

Forest

Contents

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Frck

Frank Chimero

Gavin Potenza

Goodmorning Technology

Guillaume Mojon

Hansje van Halem

Heesun Seo

Hello

Henrik Nygren Design

Hey

Hi

Hype Type Studio

Jamie Gregory

Janine Rewell

Jessica Scheurer

Jihad Lahham

Joachim Baan

K.J. Kim

Karen Kurycki

Kind Company

Lesley Moore

Librito

Lizzie Ridout

Lowres

Luca Bendandi

MacGregor Harp

Malin Holmstrm

Margus Tamm

Martin Dominguez

Matteo Astolfi

Megan Cummins

Mostardesign

Na Kim

Nate Yates

Nepomuk

Nicolas Thiebault-Pikor

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Niels Shoe Meulman

Pam&Jenny

Parachute

Patrick Fry

Patrick Mullen

Pedro Vilas-Boas

Petre Crnokrak

Pied De Mouche

Plazm

Proekt

(R)evolution

Robert Loeber

Sabato Urciuoli

Sacha Leopold

Sara Goldchmit

Sebastian Onufszak

Simon Hughes

Slang

Sparrow v. Swallow

Studio t Brandt Weer

Studio Punkat

Subplot

The Sicksystems

Thomas Williams

Thorbjrn Ankerstjerne

Tom Crawshaw

Tom Froese

Tom Tor

Underline Studio

Vertigo Design

Volt Positive

Xavier Encinas

Young Graphic Designer

Your Friends

Yurko Gutsulyak

Zwarte Koffie

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1,000 Tips, 1,000 Pictures

and a Game of Connect Four

Matteo Cossu

We conceived this book with the idea of a text-

book in mind. Nevertheless, when trying our

hand at the challenge of giving it a didactic

slant, we were faced with a harsh reality. Do

you remember high school? Or better yet, junior

high? Long hours of staring blankly at a book

alternated with chewing pencil tops and read-

ing the same sentence over and over again. The

texts seemed endless even when they were only

short lecturesand it seemed they were trying

to ransack our teenage angst-ridden thoughts.

In an attempt to deconstruct the essence of

a textbook, we traveled back to those pimply

years rationalizing what it was that drove us

away. Grief, despair, and a recess of that angst

still emerged but the answer was clear: those

books imposed their knowledge on us. If we

wanted to teach without wearing the uncom-

fortable shoes of a teacher, if we wanted to ad-

dress important and interesting issues in con-

temporary graphic design without being cocky,

presumptuous, or uselessly scholarly, then we

were called on to nd a new concept. A book

that would be, yes, didactic but at the same

time direct, non-exclusive, and that transmit-

ted knowledge from peer to peer. As we tied

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