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Antonio Sergio Bessa - Beyond the Supersquare: Art and Architecture in Latin America After Modernism

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This revelatory, fully illustrated anthology explores modernisms complex legacy in Latin America--featuring original research by renowned architects, historians, and curators from the region. Beyond the Supersquare: Art and Architecture in Latin America after Modernism, which developed from a symposium presented by the Bronx Museum of the Arts in 2011, showcases original essays by distinguished Latin American architects, historians, and curators whose research examines architecture and urban design practices in the region during a significant period of the twentieth century. Drawing from the exuberant architectural projects of the 1940s to the 1960s, as well as from critically engaged artistic practices of the present day, the essays in this collection reveal how the heroic visions and utopian ideals popular in architectural discourse during the modernist era bore complicated legacies for Latin America--the consequences of which are evident in the vastly uneven economic conditions and socially disparate societies found throughout the region today. The innovative contributions in this volume address how the modernist movement came into being in Latin America and compellingly explore how it continues to resonate in todays cultural discourse. Beyond the Supersquare takes themes traditionally examined within the strict field of urbanism and architecture and explores them against a broader range of disciplines, including the global economy, political science, gender, visual arts, philosophy, and urban planning. Containing a breadth of scholarship, this book offers a compelling and distinctive view of contemporary life in Latin America. Among the topics explored are the circulation of national cultural identities through architectural media, the intersection of contemporary art and urban social politics, and the recovery of canonically overlooked figures in art and architectural histories, such as Lina Bo Bardi and Joao Filgueiras Lima (Lele) from Brazil, Juan Legarreta of Mexico, and Henry Klumb in Puerto Rico.

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BEYOND THE

SUPERSQUARE

BEYOND THE

SUPERSQUARE

Art and Architecture in Latin America after Modernism

Edited by Antonio Sergio Bessa
with additional research by Mario Torres

Copyright 2014 Fordham University Press All rights reserved No part of this - photo 1

Copyright 2014 Fordham University Press
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any meanselectronic, mechanical, photocopy, recording, or any otherexcept for brief quotations in printed reviews, without the prior permission of the publisher.

Fordham University Press has no responsibility for the persistence or accuracy of URLs for external or third-party Internet websites referred to in this publication and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.

Fordham University Press also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.

Library of Congress Control Number: 2014935132

Printed in the United States of America
16 15 14 5 4 3 2 1
First edition

Front Cover: Mauro Restiffe. Oscar 17c(detail view), 2012.
Gelatin silver print. Courtesy the artist.

Contents

William Morrish

Holly Block and Mara Ins Rodrguez

Antonio Sergio Bessa

Alejandro Hernndez-Glvez

Ana Mara Durn Calisto

Javier de Jess Martnez

Jos Lira

Carlos Brillembourg

Eduardo Luis Rodrguez

Hannia Gmez

Dan Graham

Ligia Nobre

Julieta Gonzlez

Foreword: Out of the Box

William Morrish

Resource Extraction, Affiliated Infrastructures, Law of Indies = Oil City, Post-Oil City, Hinterland, Informationization of the Modern, Formalization of the Informal, Industrial and Artisanal Concrete, Collapse of Skin and Structure, Recycled Infill, Dynamic Protrusion, Battlefield, to Become Modern Versus to Keep Identity, Combined Vernacular Constructions with European Functionalism, Speak Architecture, Tlatelolco, Latin American Architecture = Art, Urban Genome, Automatic Beauty, Air Is Blue, Parque Vertical, Tlatelolcos Toilet, Recycling Device, Emergency Architecture, Molecular Urbanism, Nutritional Culture, Collective Economic Activation

The words modernizationand modernismare common in Latin and North American art, architecture, and city discourses, but the application of the ideas embedded in these terms builds very different urban landscapes. The opportunity offered by the premise of getting beyond the supersquare is evident in this cross section of deep historic readings and design inquiries providing a launching point for how we might better understand the critical difference in urban historic terms, and a further opportunity to get out of the box that confines todays common oppositional analysis such as urbanization versus urbanism and modernization versus modernism. The collective work in Beyond the Supersquarereveals a stunning body of hidden histories, actors, phrases, and terms upon which this work performsas well as a unique narrative, through design and experimentation, on the continual search for modern urban living in Latin America.

At the Corner

The work presented for Beyond the Supersquareis characterized from a key vantage point of urban prospectthat of looking at the built environment at the corner or at the intersection of two disciplines. This more outward-looking perspective allows one to discover how art and architecture become a system, a field, and a political landscape, not just a moment of didactic reflection. If this framework represents a lesson, it is this: the application of North American urban terms through the lens of the Latin American city experience has produced a radically different result, both historically and for future design and development. For example, in North America the word project

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