MacKenzie - Film Manifestos and Global Cinema Cultures
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A Critical Anthology
Scott MacKenzie
UNIVERSITY OF CALIFORNIA PRESS
Berkeley Los Angeles London
University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu.
University of California Press
Berkeley and Los Angeles, California
University of California Press, Ltd.
London, England
2014 by The Regents of the University of California
For acknowledgments of permissions, see page 635.
Library of Congress Cataloging-in-Publication Data
MacKenzie, Scott, 1967.
Film manifestos and global cinema cultures : a critical anthology / Scott MacKenzie.
p. cm.
Includes index.
ISBN 978-0-520-27674-1 (cloth : alk. paper)
eISBN 978-0-520-95741-1
1. Motion picturesPhilosophy. I. Title.
PN 1995. M 2335 2014
791.4301dc23
2013025528
Manufactured in the United States of America
23 22 21 20 19 18 17 16 15 14
10 9 8 7 6 5 4 3 2 1
The paper used in this publication meets the minimum requirements of ANSI/NISO Z 39.481992 ( R 2002) ( Permanence of Paper ).
F.T. Marinetti, Bruno Corra, et al.
Vladimir Ilyich Lenin
Blaise Cendrars
Dziga Vertov
Sergei Eisenstein
Alexei Gan
Luis Buuel
The Surrealist Group
The Editors of Experimental Film
Le Corbusier
Lszl Moholy-Nagy
Mary Ellen Bute
Guy Debord
Lettriste International
Jean-Isidore Isou, Maurice Lematre, and Gabriel Pomerand
Jim Davis
Maya Deren
New American Cinema Group
Ron Rice
Stan Brakhage
George Kuchar
Takahiko Iimura, Koichiro Ishizaki, et al.
Keewatin Dewdney
Ubu Films, Thoms
Arthur Cantrill and Corinne Cantrill
Hollis Frampton
Gregory Markopoulos
JoAnn Elam and Chuck Kleinhans
Nick Zedd
Keith Sanborn
Peggy Ahwesh, Caroline Avery, et al.
Jonas Mekas
Jan vankmajer
Philip Hoffman
Leo Longanesi
Michael Powell and Emeric Pressburger
Satyajit Ray
Octavio Paz
Serge Berna, Guy Debord, et al.
Cesare Zavattini
Franois Truffaut
Juan Antonio Bardem
Committee for Free Cinema
Alexander Kluge, Edgar Reitz, et al.
Jean-Marie Straub, Rodolf Thome, Dirk Alvermann, et al.
Joseph von Sternberg, Alexander Kluge, et al.
Manuel Revuelta, Antonio Artero, Joachin Jord, and Julin Marcos
Guy Glover
Claude Jutra
Thierry Derocles, Michel Demoule, Claude Chabrol, and Marin Karmitz
Arun Kaul and Mrinal Sen
Jean-Luc Godard
Denys Arcand, Colin Low, Don Shebib, et al.
Rainer Werner Fassbinder, Werner Herzog, Wim Wenders, et al.
Lars von Trier
Lars von Trier
Lars von Trier
R. Bruce Elder
Ola Balogun
Young DEFA Filmmakers
Colin McArthur
Lars von Trier and Thomas Vinterberg
Dimas Djayadinigrat, Enison Sinaro, et al.
El grupo nuevo cine
Fernando Birri
Glauber Rocha
Julio Garca Espinosa
Fernando Solanas and Octavio Getino
Comit de cine de la unidad popular
Mario Handler
Octavio Getino and Fernando Solanas
Carlos Alvarez
Association professionnelle des cinastes du Qubec
Jaime Humberto Hermosillo, Arturo Ripstein, Paul Leduc, et al.
Palestinian Cinema Group
Fernando Birri, Ousmane Sembne, Jorge Silva, et al.
Carlos Diegues, Glauber Rocha, et al.
Jorge Sanjins
Paul Leduc, Jorge Fons, et al.
FEPACI (Fdration panafricaine des cinastes)
Nicaraguan Institute of Cinema
Med Hondo
FEPACI (Fdration panafricaine des cinastes)
John Akomfrah
Fernando Birri
Federation of Caribbean Audiovisual Professionals
SADCC (South African Development Coordination Conference)
Sandra Pea-Sarmiento
Humberto Sols
Cin Institute
John Greyson, Naomi Klein, et al.
Alice Guy-Blach
Maxime Alexandre, Louis Aragon, et al.
Jack Smith
Yoko Ono
Kenneth Anger
S.E.L.F. (Sexual Egalitarianism and Libertarian Fraternity)
Claire Johnston
FECIP (Fdration europenne du cinma progressiste)
Feminists in the Media
Laura Mulvey
Vilgot Sjman
Heiny Srour, Salma Baccar, and Magda Wassef
Verband der Filmarbeiterinnen
Wimmins Fire Brigade
Yvonne Rainer
Annie Sprinkle, Veronica Vera, et al.
FEPACI (Fdration panafricaine des cinastes)
Vibeke Windelv, Lene Brglum, et al.
Icar Bollan
Ovidie
Todd Verow
Sally Potter
Mia Engberg
Motion Picture Producers and Distributors of America
William Randolph Hearst
Motion Picture Alliance for the Preservation of American Ideals
Ayn Rand
Manny Farber
Kuumba Workshop
Steven Soderbergh
Jean Vigo
John Grierson
Oswell Blakeston
Jean Painlev, Jacques-Yves Cousteau, Alain Resnais, et al.
New York Newsreel
Robert Kramer, New York Newsreel
Bohdan Kosiski, Krzysztof Kielowski, and Tomasz Zygado
Kidlat Tahimik, Stephen Teo, et al.
Werner Herzog
Lars von Trier
Jill Godmilow
Jay Ruby
Vitaly Manskiy
Albert Maysles
By several documentary filmmakers who participated and also who did not participate in the festival
Willi Mnzenberg
Archbishop John McNicholas
Joseph Goebbels
Pope Pius XI
Antnio Lopes Ribeiro
Kim Jong-il
Bolesaw Matuszewski
A. P. Hollis
Iris Barry
Joris Ivens, Henrik Scholte, Menno Ter Bbaak, et al.
Amos Vogel, Cinema 16
Ernest Lindgren
Hye Bossin
Jonas Mekas
Committee for the Defense of La Cinmathque franaise
Hollis Frampton, Ken Jacobs, and Michael Snow
P. Adams Sitney
Alan Lomax
Scott Miller Berry and Stephen Kent Jusick
Hisashi Okajima and La fdration internationale des archives du film Manifesto Working Group
Paolo Cherchi Usai
Mark Cousins
Sergei Eisenstein, Vsevolod Pudovkin, and Grigori Alexandrov
Charlie Chaplin
Basil Wright and B. Vivian Braun
Michelangelo Antonioni, Bernardo Bertolucci, Pier Paolo Pasolini, et al.
Stan VanDerBeek
Samira Makhmalbaf
Ana Kronschnabl
Khavn de la Cruz
Ricciotto Canudo
Alexandre Astruc
Raymond Williams
Ingmar Bergman
Roberto Rossellini, Bernardo Bertolucci, Tinto Brass, et al.
Jean-Luc Godard
Rob Nilsson
Jesse Richards
Jia Zhangke
This book has been a long time in the making as I have searched far, wide, and somewhat obsessively for film manifestos over the course of the last few years. I was aided in this Sisyphean task by a great many people who passed on manifestos, provided hard-to-find articles and essays on manifesto movements, helped me track down the diverse and often obscure documents I needed, and discussed in detail their own thoughts and theories on film and moving image manifestos. Many thanks, then, to those who sent materials my way, answered emails, spent time talking about niches in film history with which I was relatively unfamiliar, and all in all made this book far better as a result of their collegiality and generosity: Hata Ayumi, John Belton, Moinak Biswas, Marcel Beltrn, Paul Coates, Donald Crafton, Scott Forsyth, John Greyson, Lillah Halla, Sharon Hayashi, Jennie Holmes, Eli Horwatt, Takahiko Iimura, Stephen Kent Jusick, Ali Kazimi, David Kidman, Chuck Kleinhans, Paisley Livingston, Alan Lovell, Tadeusz Lubelski, Scott MacDonald, Nicholas Mercury, Sahar Moridani, Laura Mulvey, Zuzana M. Pick, Paula Potter, Eric Rentschler, Sarah Schulman, Elena Pinto Simon, Martin Stollery, Ava Tews, Thomas Waugh, and Brian Winston. Joseph Ditta at the New York Historical Society generously located and passed along some hard-to-find material, as did Mike Hamilton at the University of Torontos Media Commons.
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