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Gabriel García Márquez - Im Not Here to Give a Speech

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Gabriel García Márquez Im Not Here to Give a Speech
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GABRIEL GARCA MRQUEZ Im Not Here to Give a Speech Gabriel Garca Mrquez was born - photo 1

GABRIEL GARCA MRQUEZ

Im Not Here to Give a Speech

Gabriel Garca Mrquez was born in Colombia in 1927. He was awarded the Nobel Prize in Literature in 1982. He is the author of many works of fiction and nonfiction, including One Hundred Years of Solitude, Love in the Time of Cholera, The Autumn of the Patriarch, The General in His Labyrinth, and News of a Kidnapping. He died in 2014.

ALSO BY GABRIEL GARCA MRQUEZ NOVELS One Hundred Years of Solitude The - photo 2

ALSO BY GABRIEL GARCA MRQUEZ

NOVELS

One Hundred Years of Solitude

The Autumn of the Patriarch

In Evil Hour

Chronicle of a Death Foretold

The Fragrance of Guava

Love in the Time of Cholera

The General in His Labyrinth

Of Love and Other Demons

Memories of My Melancholy Whores

COLLECTIONS

No One Writes to the Colonel and Other Stories

Leaf Storm and Other Stories

Innocent Erndira and Other Stories

Collected Stories

Collected Novellas

Strange Pilgrims

NONFICTION

Clandestine in Chile: The Adventures of Miguel Littn

The Story of a Shipwrecked Sailor

News of a Kidnapping

A Country for Children

Living to Tell the Tale

FIRST VINTAGE INTERNATIONAL EDITION JANUARY 2019 Copyright 2010 by Gabriel - photo 3
FIRST VINTAGE INTERNATIONAL EDITION JANUARY 2019 Copyright 2010 by Gabriel - photo 4

FIRST VINTAGE INTERNATIONAL EDITION, JANUARY 2019

Copyright 2010 by Gabriel Garca Mrquez

Translation copyright 2014 by Edith Grossman

All rights reserved. Published in the United States by Vintage Books, a division of Penguin Random House LLC, New York, and distributed in Canada by Random House of Canada, a division of Penguin Random House Canada Limited, Toronto. Originally published in Spanish as Yo no vengo a decir un discurso by Grijalbo Mondadori, Mexico, in 2010. This translation first published in hardcover in the United Kingdom by Viking, a division of Penguin Books Ltd, in 2014.

Vintage is a registered trademark and Vintage International and colophon are trademarks of Penguin Random House LLC.

Cataloging-in-Publication data is available from the Library of Congress.

Vintage International Trade Paperback ISBN9781101911181

Ebook ISBN9781101911211

Cover design by Megan Wilson

Photographs by The Douglas Brothers

www.vintagebooks.com

v5.4

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Contents
PREFACE TO THE ENGLISH EDITION

Gabriel Garca Mrquez (19272014) was one of the most influential figures in twentieth-century literature. Winner of a Nobel Prize in 1982, he was a formidable storyteller, essayist, critic, screenwriter, and journalist, and one of the great thinkers of our time. As a novelist, Garca Mrquez shaped the magical realism movement and paved the way for countless contemporaries and successors, creating narrative worlds rich with meaning and symbolism. His body of work includes such novels as One Hundred Years of Solitude, Love in the Time of Cholera, Memories of My Melancholy Whores, and Of Love and Other Demons, as well as non-fiction works such as News of a Kidnapping and the autobiographical Living to Tell the Tale.

During his life, Mrquez spoke publicly and passionately on the issues that interested him. Im Not Here to Give a Speech is a collection of these speeches spanning the length of his career. It offers unique insight into the extraordinary mind that created some of the worlds most beloved novels and a final chance to hear the distinctive voice of Gabriel Garca Mrquez. Most of these speeches are translated and published here for the first time in English. Notes on the background to each one are given on .

THE ACADEMY OF DUTY
Zipaquir, Colombia, November 17, 1944

Generally, at all social events like this one, a person is designated to give a speech. That person always looks for the most appropriate subject and then develops it for those in attendance. Im not here to give a speech. For today Ive chosen the noble subject of friendship. But what could I tell you about friendship? I might have filled a few pages with anecdotes and aphorisms that in the long run would not have led me to the desired goal. Each of you should analyse your own emotions, consider one by one the reasons why you feel an incomparable preference for the person in whom you have confided all your most private thoughts, and then you will know the reason behind this ceremony.

The chain of ordinary events that has joined us with unbreakable bonds to this group of boys who today will begin to make their way in life, that is friendship. And that is what I would have talked to you about today. But, I repeat, Im not here to give a speech, and I want only to appoint you the honest judges in this proceeding and invite you to share with the student body of this institution a sad moment of farewell.

Here they are, ready to leave: Henry Snchez, the appealing dArtagnan of sports, with his three musketeers, Jorge Fajardo, Augusto Londoo, and Hernando Rodrguez. Here are Rafael Cuenca and Nicols Reyes, one like the shadow of the other. Here are Ricardo Gonzlez, the great knight of test tubes, and Alfredo Garca Romero, declared a dangerous individual in the field of every dispute: together, their lives exemplify true friendship. Here are Julio Villafae and Rodrigo Restrepo, members of our parliament and our journalism. Here are Miguel ngel Lozano and Guillermo Rubio, apostles of precision. And here, Humberto Jaimes and Manuel Arenas and Samuel Huertas and Ernesto Martnez, consuls of devotion and goodwill. Here is lvaro Nivia with his good humour and intelligence. Here are Jaime Fonseca and Hctor Cullar and Alfredo Aguirre, three different people and only one true ideal: victory. Here, Carlos Aguirre and Carlos Alvarado, united by the same name and the same desire to be the pride of their nation. And here are lvaro Baquero and Ramiro Crdenas and Jaime Montoya, inseparable companions of books. And, finally, here are Julio Csar Morales and Guillermo Snchez, like two living pillars who bear on their shoulders the responsibility for my words when I say that this group of boys is destined to endure in the best daguerreotypes in Colombia. All of them are going in search of the light, impelled by the same ideal.

Now that you have heard the qualities of each, Im going to offer the verdict that you as honest judges must consider: in the name of the Liceo Nacional and of society, I declare this group of young men, in the words of Cicero, regular members of the academy of duty and citizens of intelligence.

Honourable public, the proceeding has concluded.

HOW I BEGAN TO WRITE
Caracas, Venezuela, May 3, 1970

First of all, forgive me for speaking to you seated, but the truth is that if I stand, I run the risk of collapsing with fear. Really. I always thought I was fated to spend the most terrible five minutes of my life on a plane, before twenty or thirty people, and not like this, before two hundred friends. Fortunately, what is happening to me right now allows me to begin to speak about my literature, since I was thinking that I began to be a writer in the same way I climbed up on this platform: I was coerced. I confess I did all I could not to attend this assembly: I tried to get sick, I attempted to catch pneumonia, I went to the barber, hoping hed slit my throat, and, finally, it occurred to me to come here without a jacket and tie so they wouldnt let me into a meeting as serious as this one, but I forgot I was in Venezuela, where you can go anywhere in shirtsleeves. The result: here I am, and I dont know where to start. But I can tell you, for example, how I began to write.

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