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Paul R. Deslandes - The Culture of Male Beauty in Britain: From the First Photographs to David Beckham

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Paul R. Deslandes The Culture of Male Beauty in Britain: From the First Photographs to David Beckham
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The Culture of Male Beauty in Britain: From the First Photographs to David Beckham: summary, description and annotation

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A heavily illustrated history of two centuries of male beauty in British culture. Spanning the decades from the rise of photography to the age of the selfie, this book traces the complex visual and consumer cultures that shaped masculine beauty in Britain, examining the realms of advertising, health, pornography, psychology, sport, and celebrity culture. Paul R. Deslandes chronicles the shifting standards of male beauty in British culturefrom the rising cult of the athlete to changing views on hairlessnesswhile connecting discussions of youth, fitness, and beauty to growing concerns about race, empire, and degeneracy. From earlier beauty show contestants and youth-obsessed artists, the book moves through the decades into considerations of disfigured soldiers, physique models, body-conscious gay men, and celebrities such as David Beckham and David Gandy who populate the worlds of television and social media. Deslandes calls on historians to take beauty and gendered aesthetics seriously while recasting how we think about the place of physical appearance in historical study, the intersection of different forms of high and popular culture, and what has been at stake for men in looking good.

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The Culture of Male Beauty in Britain The Culture of Male Beauty in Britain - photo 1

The Culture of Male Beauty in Britain
The Culture of Male Beauty in Britain
From the First Photographs to David Beckham

Paul R. Deslandes

The University of Chicago Press

Chicago and London

The University of Chicago Press, Chicago 60637

The University of Chicago Press, Ltd., London

2021 by The University of Chicago

All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission, except in the case of brief quotations in critical articles and reviews. For more information, contact the University of Chicago Press, 1427 E. 60th St., Chicago, IL 60637.

Published 2021

Printed in the United States of America

30 29 28 27 26 25 24 23 22 21 1 2 3 4 5

ISBN-13: 978-0-226-77161-8 (cloth)

ISBN-13: 978-0-226-80531-3 (e-book)

DOI: https://doi.org/10.7208/chicago/9780226805313.001.0001

Library of Congress Cataloging-in-Publication Data

Names: Deslandes, Paul R., 1965 author.

Title: The culture of male beauty in Britain : from the first photographs to David Beckham / Paul R. Deslandes.

Description: Chicago : University of Chicago Press, 2021. | Includes bibliographical references and index.

Identifiers: LCCN 2021010997 | ISBN 9780226771618 (cloth) | ISBN 9780226805313 (ebook)

Subjects: LCSH: Masculine beauty (Aesthetics)England. | Beauty cultureEngland.

Classification: LCC HQ1090.27 .D485 2021 | DDC 155.3/320941dc23

LC record available at https://lccn.loc.gov/2021010997

Picture 2This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper).

For Jeff

Contents
Figures

Drawing of the Cockney from a chapter by Douglas William Jerrold, in Heads of the People or Portraits of the English, vol. 1 (London: Robert Tyas, 1840)

Drawing of the Midshipman from a chapter by Edward Howard, in Heads of the People or Portraits of the English(1840)

Illustration titled Malignity from Thomas Woolnoth, The Study of the Human Face: Illustrated by Twenty-Six Full-Page Steel Engravings(London: William Tweedie, 1865)

Physiognomic and phrenological portrait from Frank Ellis, Key to Heads, Faces, and Hands(Blackpool: Ellis Family, 1902)

Charles Keene, Artful!, Punch, or, the London Charivari42 (January 1, 1862)

Julia Margaret Camerons portrait of Henry John Stedman Cotton (1867)

Photograph of Jabez Hogg making a portrait in Richard Beards studio (1843)

To secure a pleasing Portrait is everything, a cartoon from Cuthbert Bede [Edward Bradley], Photographic Pleasures Popularly Portrayed with Pen and Pencil(London: T. McLean, 1855)

John Leech, Photographic Beauties, Punch, or, the London Charivari34 (June 19, 1858)

Photograph of the Taunt and Co. storefront, 9 and 10 Broad Street, Oxford (ca. 1870s)

Various nineteenth-century cartes de visitecontrasting age and youth

Hills and Saunders, carte de visiteof William Fleming Blaine (Cambridge, 1878) and carte de visiteof Arthur B. Sole (Cambridge, ca. 187377)

Hills and Saunders, carte de visiteof Trinity College, Cambridge Boat Club (1875) and carte de visiteof Oxford Varsity Eight (1882)

Elliott and Fry, carte de visite

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