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Peter Ensenberger - Focus On Composing Photos: Focus on the Fundamentals

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Peter Ensenberger Focus On Composing Photos: Focus on the Fundamentals
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As digital cameras and software packages become more advanced, seemingly by the minute, it has become easier than ever to overlook the basic elements which have always resulted in the best photographs, no matter how fancy (or primitive) the camera itself. Composition is the single most important aspect of creating great images, no matter what level of photographer you happen to be. No amount of digital wizardry can turn a badly composed image into a picture you would want to display. While many books on composition tend to overcomplicate the subject, this book breaks down everything you need to know into small, digestible chunks of information that you will actually remember once youre out and about taking pictures. Instead of plodding through long and complex pages of text, this book supplements the necessary information, such as the basics of the rule of thirds and how to get good highlights and shadows, with tons of gorgeous, full color images that actually show you what to do and how to do it, rather than just telling you what to try. Youll be amazed at the gorgeous images youll create, whether your passion is for photographing your family, pets, travel adventures, nature, or anything else.

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Table of Contents Front Matter Focus On Composing Photos The Focus On - photo 1
Table of Contents
Front Matter
Focus On Composing Photos
The Focus On Series
Photography is all about the end result your photo. The Focus On series offers books with essential information so you can get the best photos without spending thousands of hours learning techniques or software skills. Each book focuses on a specific area of knowledge within photography, cutting through the often confusing waffle of photographic jargon to focus solely on showing you what you need to do to capture beautiful and dynamic shots every time you pick up your camera.
Titles in the Focus On series:
Focus On Composing Photos Focus on the Fundamentals - photo 2Focus - photo 3Focus On Composing Photos Peter Ensenberger - photo 4
Focus On Composing Photos Focus on the Fundamentals - image 5Focus On Composing Photos Focus on the Fundamentals - image 6Focus On Composing Photos Focus on the Fundamentals - image 7
Focus On Composing Photos
Peter Ensenberger
Focus On Composing Photos Focus on the Fundamentals - image 8 AMSTERDAM BOSTON HEIDELBERG LONDON NEW YORK OXFORD PARIS SAN DIEGO SAN FRANCISCO SINGAPORE SYDNEY TOKYO Focus On Composing Photos Focus on the Fundamentals - image 9
Focal Press is an Imprint of Elsevier
Copyright
Focal Press is an imprint of Elsevier
30 Corporate Drive, Suite 400, Burlington, MA 01803, USA
The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK
2011 Peter Ensenberger. Published by Elsevier, Inc. All rights reserved.
All Photography by Peter Ensenberger.
No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publishers permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions.
This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein).

Notices
Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary.
Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility.
To the fullest extent of the law, neither the Publisher nor the authors, contributors, or editors, assume any liability for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions, or ideas contained in the material herein.
Library of Congress Cataloging-in-Publication Data
Ensenberger, Peter.
Focus on composing photos / Peter Ensenberger.
p. cm.
Includes index.
ISBN 978-0-240-81505-3
1. Composition (Photography) I. Title.
TR179.E57 2011
770.1dc22
2010048143
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library.
ISBN: 978-0-240-81505-3
For information on all Focal Press publications visit our website at www.elsevierdirect.com
Printed in China
11 12 13 14 15 5 4 3 2
Typeset by: diacriTech, Chennai, India
Dedication Peter Ensenberger To my parents who probably didnt realize when - photo 10
Dedication
Peter Ensenberger
To my parents, who probably didnt realize when they gave me my first camera that they also gave me a direction in life.
About the Author
Peter Ensenberger
Throughout his career, Peter Ensenberger has crossed photographic boundaries to explore different styles and diverse subjects. After studying fine art photography in college, he went on to win awards as a staff photojournalist for several newspapers. More recently, he served 25 years as director of photography for Arizona Highways, the award-winning nature and travel magazine. His responsibilities for the magazine covered a wide range of rolesphotographer, photo editor, writer, and project manager. Peter left Arizona Highways in 2009 to devote full time to his own photography business. Currently, he resides in Tempe, Arizona, where he is a freelance photographer for Black Star, an international photo agency based in New York. Corporate and editorial assignments make up the bulk of his work, with an emphasis on travel and lifestyle. In addition, he leads group and individual photo workshops to Arizonas most beautiful and remote locations.
Acknowledgments
Peter Ensenberger
I wish to thank Valerie Geary, Stacey Walker, Graham Smith, Laura Aberle, Kara Race-Moore, and all at Focal Press for their patience and guidance in sharpening both thought and presentation. For shedding light along the way, much appreciation goes out to Derek Von Briesen and Scott Condray. And for her loving encouragement, support, and advice in bringing this book into clearer focus, I would like to give special thanks to my wife, Kim.
Introduction
Photography is a universal language capable of communicating to a wide audience. But photography also is a very personal affair. No two of us approach it exactly the same way. You bring to bear your own personal experiences and influences every time you push the cameras shutter-release button. Each image captures a moment in time seen through your eyes, processed by your way of seeing the world.
Thats the appeal of photography as a form of self-expression. It allows each of us to artfully interpret the world around us or create our own alternative reality. For many, its our principal creative outlet, producing images that can be easily shared with others.
With the advent of digital technology, photography has grown into one of the most popular hobbies in the world today. Its the most accessible of all art forms. As a fun and affordable pastime, photography truly is the art of the masses. Those committed to improving their skills and techniques may enjoy lifelong partnerships with their cameras, producing photographs to be proud of. If youre persistent and willing to push yourself to achieve loftier goals, your images will begin to reveal a personal style all your own.
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