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Eva Forgacs - The Bauhaus Idea and Bauhaus Politics

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In this highly original book, Hungarian art historian Eva Forgacs examines the development of the Bauhaus school of architecture and applied design by focusing on the idea of the Bauhaus, rather than on its artefacts. What gave this idea its extraordinary powers of survival? Written in 1989, the year of the revolutions, by an author who belongs to the 1968 generation, this study provides a sensitive East European overview of the 1920s--a period so similar to the 1960s, when large-scale utopias, after a few bright years, were so vehemently suppressed. The text has been extensively revised since its original publication in Hungarian in 1991, and an entirely new chapter has been added on the Bauhauss Russian analogue, VKhUTEMAS, the Moscow academy of industrial art. A unique feature of the book is the comparison of the two academies, as is the authors analytical emphasis on the history of ideas.

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title The Bauhaus Idea and Bauhaus Politics author Forgacs Eva - photo 1

title:The Bauhaus Idea and Bauhaus Politics
author:Forgacs, Eva.
publisher:Central European University Press
isbn10 | asin:1858660122
print isbn13:9781858660127
ebook isbn13:9780585340678
language:English
subjectBauhaus--History.
publication date:1995
lcc:N332.G33B44413 1995eb
ddc:707/.1/143224
subject:Bauhaus--History.
Page iii
The Bauhaus Idea and Bauhaus Politics
va Forgcs
Translated by
JOHN BTKI
Page iv First published in Hungarian as Bauhaus in 1991 by Jelenkor - photo 2
Page iv
First published in Hungarian as Bauhaus in 1991 by
Jelenkor irodalmi s Muveszeti*, Pcs
Forgcs va 1991
First published in English as The Bauhaus Idea and Bauhaus Politics in 1995
Second printing 1997
English translation copyright CEU Press 1995
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher.
British Library Cataloguing in Publication Data
A CIP catalogue record for this book is available from the British Library
ISBN 1-85866-013-0 Hardback
ISBN 1-85866-012-2 Paperback
Library of Congress Cataloging in Publication Data
A CIP catalog record for this book is available from the Library of Congress
Published by
Central European University Press
1051 Budapest
Oktber 6. utca 12.
Hungary
Distributed by
Oxford University Press, Walton Street, Oxford OX2 6DP
Oxford New York Athens Auckland Bangkok Bombay Toronto
Calcutta Cape Town Dar es Salaam Delhi Florence Hong Kong
Istanbul Karachi Kuala Lumpur Madras Madrid Melbourne
Mexico City Nairobi Paris Singapore Taipei Tokyo Toronto
and associated companies in Berlin Ibadan
Distributed in the United States
by Oxford University Press Inc., New York
Printed and bound in Hungary by Cerberus Kft., Budapest
Page v
Contents
List of Illustrations
vi
Acknowledgments
ix
Introduction
1
1. The Beauty of Progress
5
2. Time out of Joint
14
3. 'We Shall Draw Grand Designs... '
22
4. First Steps
31
5. Weimar
38
6. Breathing Exercises
46
7. Time
63
8. New Faces
81
9. If We Intend to Survive
98
10. The New Unity
104
11. Man at the Control Panel
118
12. The Part Versus the Whole
126
13. Why did Gropius Leave?
146
14. Hannes Meyer
159
15. Parallel Fates? Weimar, Dessau and Moscow
182
16. Endgame
194
Epilogue: Liberalism's Utopia
200
Notes
203
Bibliography
223
Index
231

Page vi
List of Illustrations
1
Illustration for the April 1919 handbill of the Arbeitsrat (woodcut, probably by Max Pechstein)
2
Walter Gropius in Dessau, around 1926 (anonymous photo)
3
Johannes Itten wearing a robe of his own design (anonymous photo)
4
Oskar Schlemmer and students, Dessau, 1927/8 (photo T. Lux Feininger)
5
Schlemmer's theatre: 'Black and White', detail (photo T. Lux Feininger)
6
Reconstruction of a work in paper from Josef Albers's 1927/8 Preliminary Course (photo courtesy of Bauhaus Archiv, Berlin)
7
Gropius in the company of Bla Bartk and Paul Klee in 1927 (anonymous photo, courtesy of Busch-Reisinger Museum, Cambridge, Mass.)
8
The Bauhaus as Stage, circa 1927 (photo T. Lux Feininger)
9
Hannes Meyer at the Bauhaus, circa 1928 (anonymous photo)
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