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Claudia Nice - Drawing & Painting Trees in the Landscape

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Claudia Nice Drawing & Painting Trees in the Landscape
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Drawing & Painting Trees in the Landscape: summary, description and annotation

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Draw and Paint Realistic Trees in All Four Seaons

0p>Bestselling author and naturalist Claudia Nice is back with another studio essential for every landscape artist. Drawing & Painting Trees in the Landscape features Claudias best tips and techniques for painting trees of all kinds in their natural settings--from the majesty of mountain evergreens to the delicate pink blossoms of cherry trees in spring.With her inspiring artistic style and in-depth visual instruction, Claudia starts with the basics, showing you how to break down reference photos and open-air vistas into simple shapes, colors and textures. Follow along as she skillfully guides you through every step of creating vibrant compositions anchored by glorious trees and foliage, including:

Drawing and sketching techniques for mapping out successful compositions
A variety of basic tree shapes you can reference and copy; featuring more than 40 conifers, hardwoods and deciduous trees
Proven color mixes for painting an array of vibrant hues--from the many different greens of foliage to the soft pastels of spring blossoms--using watercolor, oil, acrylics or mixed media
Step-by-step instructions on drawing and painting important details, such as the weathered textures of bark, the sculptural shapes of bare branches in winter, aged mossy trunks and more
Techniques for working smart in any medium, such as using simple watercolor washes for distant foliage, adding details with pen & ink, and knife painting in oils for interesting dimensional effects
Whether your goal is to make accurate field sketches for your journal, paint what you see on your travels through the countryside, or just capture familiar views of your own back yard, Claudia makes the process fun, easy and satisfying. Like a walk in the woods, with every step youll relax, enjoy and learn something new.

Claudia Nice: author's other books


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Drawing Painting Trees in the Landscape - image 1

drawing & painting
trees in the landscape
Claudia nice

Drawing Painting Trees in the Landscape - image 2

Table of Contents

CHAPTER 1
beginning with pencil and pen

CHAPTER 2
foliage colors and techniques

CHAPTER 3
creating textured tree trunks

CHAPTER 4
rugged evergreen landscapes

CHAPTER 5
portraying the graceful hardwoods

CHAPTER 6
spring flowering trees

CHAPTER 7
the splendid colors of autumn

CHAPTER 8
the beauty of winter contours

Introduction

To every thing there is a season and the seasons are reflected most vividly in the branches of the deciduous trees. Spring brings swelling buds, tender leaves, and blossoms that vibrate with the hum of insects. The beauty of renewed life beckons us out of doors. Some of us are clutching cameras and sketching tools. As spring slips into summer, the deciduous trees sheathe themselves in foliage cloaks.

The variety of leafy hues is almost endless. On our painting palette, yellows, blues and flecks of red are swirled together to produce olive green, chartreuse, emerald, viridian, and most everything in between. But alas, summer is fleeting and before the oil paint is fully dry on our pastoral treescape, the fruit is ripening in the orchard and the squirrels are gathering nuts.

Autumn arrives with fire in her hair. The trees reflect the radiant hues and excite our senses with burning color. Eagerly we dab and swish into our favorite painting medium, striving valiantly to capture the splendor of the fall scene. Subtly, leaf by leaf, the glory in the crown of the trees drifts to the ground.

Winter glides in on a crystal snowflake and the deciduous trees bow before her unadorned. Each defect, twisted limb and textured length of bark is displayed for us to contemplate and set down in detail. Pencil and pen move deliberately over the paper to suggest wood grains and knotholes. When our senses weary of grays and browns, the evergreen trees come to the rescue. This is their season of grandeur. They stand like noblemen, richly-clad green boughs stretched above the sleeping earth. They add life to our drawings and paintings as we work near the warmth of the hearth, whether in home or studio, and look forward to the coming of spring.

This book is about trees and how they relate to the landscape in all seasons. Its a guide, intended to help you get better acquainted with trees artistically, so you can relax and have fun as you sketch and paint them.

Just as the seasons change, so do the moods and colors of the trees. There is not one perfect medium or painting style with which to depict them. Therefore, within the pages of this book, youll find leaf, limb and bark techniques in a variety of mediums and styles. Choose your favorite or broaden your horizons and try them all. If finding the perfect foliage and bark hue has caused you anxiety in the past, the simplified color mixing charts included in each chapter and alongside each project will show you how to master the creation of color.

Ive heard it said that sometimes you cant see the forest for the trees, but by increasing your observation skills and simplifying what you see, you can learn to see both tree and forest clearly and paint them as well. I invite you to walk with me down the wooded path, through the seasons, and well share the adventure of drawing and painting trees.

CHAPTER 1 beginning with pencil and pen T he texture of deeply grooved - photo 3

CHAPTER 1
beginning with pencil and pen

T he texture of deeply grooved bark, the warped grain of weathered branches and the massed thickness of overlapping leaves can be eloquently described with the stroke of a pencil or pen. It can be done simply, using just a few suggestive lines and scribbles or worked in intricate detail, as illustrated by the drawings of the rugged fir tree on the facing page.

Since most pencil and pen drawings are finished in tones of gray and black, the most important factor in creating a good representation of the subject is line and tonal contrast. The mark or line made by the drawing tool is responsible for defining the edge and overall shape of the subject, its roughness or smoothness, and its stance or movement. The darkness of the mark and how close the lines are drawn together is responsible for creating contrast of valuethe relative gray and black tones in the drawing. Its the value contrast that lends the drawing a three-dimensional appearance, by describing the form shadows, cast shadows and the surface texture.

Consider the drawings of the walnut shown below. Figure 1 is a simple line drawing describing the general shape of the subject. From those few lines we can conclude that its a rounded, centered object divided into sections, with hard, smooth edges. Its identity is still rather vague. Figure 2 has a few additional lines, which tell us that the surface of the object is covered with smooth bumps. Its starting to reveal itself as a drawing of a nut. In figure 3, value contrast has been added. The inner shape of the walnut, the surface shadows and texture, are now fully defined. The cast shadow beneath the nut lets us know that its resting on a smooth surface.

This chapter is designed to get you started with the basics. It will show you how to turn a few pencil lines into the beginnings of a tree and how to add the texture and shadework that will bring it to life. So gather your sketching supplies and lets get started.

Basic supplies for pencil drawing The graphite pencil is the primary tool A - photo 4

Basic supplies for pencil drawing

The graphite pencil is the primary tool. A common no. 2 writing pencil is fine for preliminary work and light shading. Drawing pencils range from hard leads (H and HB) to soft leads (B). An HB, 2B and the darker 4B will get you started. You may also want a charcoal pencil for quick sketches and heavy lines. A white charcoal pencil is nice for adding highlights when working on gray tone papers.

Drawing surfaces range from illustration and bristol boards to drawing tablets. Look for 100 percent rag papers, which usually have the strength to withstand the repeated rubbing of pencil leads, erasers and blending stumps. For longevity, choose acid-free surfaces.

You will need some kind of sharpener to renew the pencil point. Electric or manual pencil sharpeners provide an easy way of doing this, although pen knives and razor blades also work. A sandpaper block or nail file can be used to shape the lead into a chisel point for creating broad lines.

Other useful tools include paper blending stumps and at least two erasers. Heavy-duty paper stumps, and the more delicate paper tortillions, are used to smear, lighten and blend graphite lines and patches. A block eraser is needed for removing large areas of graphite, while a kneadable eraser can be formed to work in narrow spaces.

MATERIALS LIST

PENCILS

no. 2 writing pencil

drawing pencils in HB, 2B, 4B

charcoal pencil

white charcoal pencil

DRAWING SURFACES

illustration board

bristol board

drawing tablet

OTHER SUPPLIES

electric or manual sharpener

tortillions and paper stumps

block and kneadable erasers

Pencil marks Although simple in design the pencil is a very versatile tool - photo 5

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