• Complain

Miller - The air-conditioned nightmare

Here you can read online Miller - The air-conditioned nightmare full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: New York, USA, year: 1970, publisher: New Directions Publishing, genre: Art. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Miller The air-conditioned nightmare
  • Book:
    The air-conditioned nightmare
  • Author:
  • Publisher:
    New Directions Publishing
  • Genre:
  • Year:
    1970
  • City:
    New York, USA
  • Rating:
    3 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 60
    • 1
    • 2
    • 3
    • 4
    • 5

The air-conditioned nightmare: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "The air-conditioned nightmare" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

The air-conditioned nightmare — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "The air-conditioned nightmare" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

Dedicated to:

MARGARET AND GILBERT NEIMAN

originally of Bunker Hill (Los Angeles), now somewhere above andbeyond the Garden of the Gods (Colorado). In my memory and affection they are even alittle higher than that, above and beyond the gods themselves, because so utterlyand perfectly human.

The greatest men in the world havepassed away unknown. The Buddhas and the Christs that we know are but second-rateheroes in comparison with the greatest men of whom the world knows nothing. Hundredsof these unknown heroes have lived in every country working silently. Silently theylive and silently they pass away; and in time their thoughts find expression inBuddhas or Christs; and it is these latter that become known to us. The highest mendo not seek to get any name or fame from their knowledge. They leave their ideas tothe world; they put forth no claims for themselves and establish no schools orsystems in their name. Their whole nature shrinks from such a thing. They are thepure Sattvikas, who can never make any stir but onlymelt down in love.

In the life of Gautama Buddha wenotice him constantly saying that he is the twenty-fifth Buddha. The twenty-fourbefore him are unknown to history, although the Buddha known to history must havebuilt upon foundations laid by them. The highest men are calm, silent andunknown.They are the men who really know thepower of thought; they are sure that even if they go into a cave and close the doorand simply think five true thoughts and then pass away, these five thoughts oftheirs will live throughout eternity. Indeed such thoughts of theirs will penetratethrough the mountains, cross the oceans and travel through the world. They willenter deep into human hearts and brains and raise up men and women who will givethem practical expression in the workings of human life The Buddhas and theChrists will go from place to place preaching these truths. These Sattvika menare too near the Lord to be active and to fight, to be working, struggling,preaching and doing good, as they say, here on earth to humanity.

Swami Vivekananda

THE ILLUSTRATIONS

The portraits of Henry Miller, AbeRattner, Edgar Varse and Alfred Stieglitz were photographed by WilliamCandlewood, Alfredo Valente, Robin Carson and Dorothy Norman respectively. The shotsof a milltown and the Chicago slums are from the archives of the Farm SecurityAdministration in the Library of Congress, taken by Arthur Rothstcin and RussellLee. Abe Rattner photographed Henry Miller in Jacksonville, and Weeks Hall suppliedthe picture of his home. Marins painting Maine Islands is in ThePhillips Memorial Gallery, Washington. Hilaire Hiler and Dr. Marion Souchon sent thepublisher the photographs of their paintings, photographers not known.

Henry Miller at Big Sur CaliforniaSpring 1944 PREFACE T HE THOUGHT of writing - photo 1

Henry Miller at Big Sur, CaliforniaSpring, 1944

PREFACE

T HE THOUGHT of writing a book on America came to me in Paris some years ago. Atthat time the possibility of realizing my dream seemed rather remote, for in orderto write the book I would have to visit America, travel leisurely, have money in mypocket, and so on. I hadnt the slightest notion when such a day would dawn.

Not having the means to undertake the trip, the next best thing wasto live it imaginatively, which I proceeded to do at odd moments. This preliminaryjourney began, I recall, with the inheritance of a huge scrap-book which oncebelonged to Walter Lowenfels who, on the eve of his departure from France, invitedme to assist at the burning of a huge pile of manuscripts which he had spentyears in producing.

Often, on returning to my studio at midnight, I would stand at thetable and register in this celestial sort of ledger the innumerable little itemswhich constitute a writers bookkeeping: dreams, plans of attack and defense,remembrances, titles of books I intended to write, names and addresses of potentialcreditors, obsessive phrases, editors to harry, battlefields, monuments, monasticretreats, and so on. I remember distinctly the thrill I had when putting down suchwords as Mobile, Suwanee River, Navajos, Painted Desert, the lynching bee, theelectric chair.

It seems a pity now that I didnt write an account of that imaginaryjourney which began in Paris. What a different book it would have been!

There was a reason, however, for making the physical journey,fruitless though it proved to be. I felt the need to effect a reconciliation with mynative land. It was an urgent need because, unlike most prodigal sons, I wasreturning not with the intention of remaining in the bosom of the family but ofwandering forth again, perhaps never to return. I wanted to have a last look at mycountry and leave it with a good taste in my mouth. I didnt want to run away fromit, as I had originally. I wanted to embrace it, to feel that the old wounds werereally healed, and set out for the unknown with a blessing on my lips.

On leaving Greece I was in a serene mood. If any one on earth werefree of hatred, prejudice, bitterness, I thought it was myself. I was confident thatfor the first time in my life I would look upon New York and what lay beyond itwithout a trace of loathing or disgust.

It turned out that the boat was stopping at Boston first. That wasunfortunate perhaps, but it was an excellent test. I had never been to Boston and Iwas rather pleased that Fate had played a trick on me. I was prepared to likeBoston.

When I came up on deck to catch my first glimpse of the shore line Iwas immediately disappointed. Not only disappointed, I might say, but actuallysaddened. The American coast looked bleak and uninviting to me. I didnt like thelook of the American house; there is something cold, austere, something barren andchill, about the architecture of the American home. It was home,with all the ugly, evil, sinister connotations which the wordcontains for a restless soul. There was a frigid, moral aspect to it which chilledme to the bone.

It was a wintry day and a gale was blowing. I went ashore with oneof the passengers. I cant remember any more who he was or what he looked like,which is significant of the state of mind I was in. For some unknown reason westrolled through the railway station, a lugubrious place which filled me with dread,and which instantly revived the remembrance of similar stations in similar cities,all painful, harrowing recollections. What I remember most vividly about this Bostonrailway station were the enormous piles of books and magazines, looking just ascheap, vulgar, trashy as of yore. And the womb-like warmth of the placesoAmerican, so unforgettably so.

It was a Sunday and the mob was out, reinforced by groups of rowdystudents. The spectacle nauseated me. I wanted to get back to the ship as fast aspossible. In an hour or so I had seen all I wanted to see of Boston. It seemedhideous to me.

Returning to the boat we passed bridges, railroad tracks,warehouses, factories, wharves and what not. It was like following in the wake of ademented giant who had sown the earth with crazy dreams. If I could only have seen ahorse or a cow, or just a cantankerous goat chewing tin cans, it would have been atremendous relief. But there was nothing of the animal, vegetable or human kingdomin sight. It was a vast jumbled waste created by pre-human or sub-human monsters ina delirium of greed. It was something negative, some not-ness of some kind or other.It was a bad dream and towards the end I broke into a trot, what with disgust andnausea, what with the howling icy gale which was whipping everything in sight into afrozen pie crust. When I got back to the boat I was praying that by some miracle thecaptain would decide to alter his course and return to Piraeus.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «The air-conditioned nightmare»

Look at similar books to The air-conditioned nightmare. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «The air-conditioned nightmare»

Discussion, reviews of the book The air-conditioned nightmare and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.