Night and Low-light Photography Photo Workshop
Alan Hess
Night and Low-Light Photography Photo Workshop
Published by
John Wiley & Sons, Inc.
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Copyright 2012 by John Wiley & Sons, Inc., Indianapolis, Indiana
Published simultaneously in Canada
ISBN: 978-1-118-13822-9
Manufactured in the United States of America
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About the Author
Alan Hess is a photographer and author based in San Diego, California where he lives with his wife and two dogs. He has written books on both photography and technology including the Exposure Digital Field Guide, Composition Digital Field Guide, iPad Fully Loaded, and the iPad 2 Fully Loaded. His concert and backstage images appear in numerous online and print publications and they have also been used for promotional purposes, including music packaging.
Alan has been a part of the Instructor Dream Team for Photoshop World where he taught classes on concert and event photography and the basics of Exposure and Composition. He has written articles on concert photography and Photoshop for Photoshop User Magazine.
His website is www.alanhessphotography.com where he writes a semiregular blog or you can find him on Twitter as ShotLivePhoto.
Credits
Acquisitions Editor
Courtney Allen
Project Editor
Cricket Krengel
Technical Editor
Haje Jan Kamps
Copy Editor
Marylouise Wiack
Editorial Director
Robyn Siesky
Business Manager
Amy Knies
Senior Marketing Manager
Sandy Smith
Vice President and Executive Group Publisher
Richard Swadley
Vice President and Executive Publisher
Barry Pruett
Senior Project Coordinator
Kristie Rees
Graphics and Production Specialists
Jennifer Henry Andrea Hornberger Jennifer Mayberry
Quality Control Technician
Melissa Cossell Lauren Mandelbaum Dwight Ramsey
Proofreading
Laura Bowman
Indexing
Potomac Indexing, LLC
Acknowledgments
I would like to thank my wife for enduring yet another book with crazy hours and weird schedules. This time at least it made sense as I was out creating the images for this book mostly at night.
Big thanks go to Courtney for all she does in getting me the right projects and to Cricket for trying her hardest to keep me on track, which is nearly impossible no matter how good my intentions are. Also, a big thanks to Haje for all his work making sure all the numbers and tech stuff are right. If you find something thats wrong, it just means I didnt fix something I should have. You can check out his work at http://kamps.org.
To the great group of photographers who helped with images, I couldnt have done this without you. A huge thanks goes out to all of you:
Kenny Kim for his help with the wedding chapter and all that goes into photographing some of the best weddings ever. You can find out more about Kenny at www.kennykim.com.
Larny Mack for his insight into photographing interiors and the use of his images to illustrate the point. Check out his work at www.larnymack.com.
Jacob Lucas for the use of his great star trails image, I cant thank you enough. His work is at www.jflphotography.com.
E. Howe-Bryne for the star trails image. It is a great shot and I am honored that you allowed me to use it here. For more on E. Howe-Bryne check out http://littleredtent.net/LRTblog.
Ken Toney who supplied the image of the flowing water and the use of the neutral density filter, its a great photograph and I thank you for its use here. Check out Kens work here: www.kentoneyphoto.com.
To everyone at Nik Software especially Laurie, Janice, and Kevin, thanks for everything. Working with you and your products is always a joy.
Dedication
For Nadra
Its easy to take photos on a bright sunny day. With plenty of light, its easy to freeze the action, and you can use low ISO settings and get virtually noise-free images. The real challenge and excitement start when the light goes down.
Digital camera technology has come a very long way since I bought my first camera. The new cameras have more advanced built-in light meters and metering modes that allow photographers to focus more on the composition. The problem is that these advances dont really help when it comes to shooting in very low light or at night. There is no way to use the light meter when photographing fireworks or when painting with light for example.
The good news is that this book deals with all those situations where the camera might not be able to capture the image correctly. This means starting at the beginning and covering the basics of light and exposure settings as well as the importance of understanding the color of light and white balance. Many types of photography can be done with any type of camera and lens, but there are certain types of low-light photographs that are made easier by using a lens with a wide aperture and the high ISO capability of the camera along with the accessories, like a tripod and cable release that make long exposures possible. All this and more are covered in Chapter 3.