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Hess - Night and Low-Light Photography Photo Workshop

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Hess Night and Low-Light Photography Photo Workshop
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Finally! A resource that sheds light on the unique challenges of night and low-light photography

With their unique sets of challenges, night and low-light photography are often touted as some of the most difficult and frustrating genres of digital photography. This much-needed guide demystifies any murky topics provides you with all the information you need to know from choosing the right gear and camera settings to how to best edit your photos in post-production. Renowned photographer Alan Hess shares techniques and indispensable tips that he has garnered from years of experience.

Helpful projects and full-color stunning photos in each chapter serve to educate and inspire, while assignments at the end of every chapter encourage you to practice your skills and upload your photos to a website so you can share and receive critiques.

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Night and Low-light Photography Photo Workshop Alan Hess Night and Low-Light - photo 1

Night and Low-light Photography Photo Workshop

Alan Hess

Night and Low-Light Photography Photo Workshop Published by John Wiley Sons - photo 2

Night and Low-Light Photography Photo Workshop

Published by
John Wiley & Sons, Inc.
10475 Crosspoint Boulevard
Indianapolis, IN 46256
www.wiley.com

Copyright 2012 by John Wiley & Sons, Inc., Indianapolis, Indiana

Published simultaneously in Canada

ISBN: 978-1-118-13822-9

Manufactured in the United States of America

10 9 8 7 6 5 4 3 2 1

No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, 201-748-6011, fax 201-748-6008, or online at http://www.wiley.com/go/permissions.

Limit of Liability/Disclaimer of Warranty: The publisher and the author make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation warranties of fitness for a particular purpose. No warranty may be created or extended by sales or promotional materials. The advice and strategies contained herein may not be suitable for every situation. This work is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional services. If professional assistance is required, the services of a competent professional person should be sought. Neither the publisher nor the author shall be liable for damages arising herefrom. The fact that an organization or Web site is referred to in this work as a citation and/or a potential source of further information does not mean that the author or the publisher endorses the information the organization or Web site may provide or recommendations it may make. Further, readers should be aware that Internet Web sites listed in this work may have changed or disappeared between when this work was written and when it is read.

For general information on our other products and services or to obtain technical support, please contact our Customer Care Department within the U.S. at (877) 762-2974, outside the U.S. at (317) 572-3993 or fax (317) 572-4002.

Wiley also publishes its books in a variety of electronic formats and by print-on-demand. Some content that appears in standard print versions of this book may not be available in other formats. For more information about Wiley products, visit us at www.wiley.com.

Library of Congress Control Number: 2011940395

Trademarks: Wiley and the John Wiley & Sons, Inc. logo are trademarks or registered trademarks of John Wiley & Sons, Inc. and/or its affiliates. All other trademarks are the property of their respective owners. John Wiley & Sons, Inc. is not associated with any product or vendor mentioned in this book.

About the Author

Alan Hess is a photographer and author based in San Diego, California where he lives with his wife and two dogs. He has written books on both photography and technology including the Exposure Digital Field Guide, Composition Digital Field Guide, iPad Fully Loaded, and the iPad 2 Fully Loaded. His concert and backstage images appear in numerous online and print publications and they have also been used for promotional purposes, including music packaging.

Alan has been a part of the Instructor Dream Team for Photoshop World where he taught classes on concert and event photography and the basics of Exposure and Composition. He has written articles on concert photography and Photoshop for Photoshop User Magazine.

His website is www.alanhessphotography.com where he writes a semiregular blog or you can find him on Twitter as ShotLivePhoto.

Credits

Acquisitions Editor

Courtney Allen

Project Editor

Cricket Krengel

Technical Editor

Haje Jan Kamps

Copy Editor

Marylouise Wiack

Editorial Director

Robyn Siesky

Business Manager

Amy Knies

Senior Marketing Manager

Sandy Smith

Vice President and Executive Group Publisher

Richard Swadley

Vice President and Executive Publisher

Barry Pruett

Senior Project Coordinator

Kristie Rees

Graphics and Production Specialists

Jennifer Henry Andrea Hornberger Jennifer Mayberry

Quality Control Technician

Melissa Cossell Lauren Mandelbaum Dwight Ramsey

Proofreading

Laura Bowman

Indexing

Potomac Indexing, LLC

Acknowledgments

I would like to thank my wife for enduring yet another book with crazy hours and weird schedules. This time at least it made sense as I was out creating the images for this book mostly at night.

Big thanks go to Courtney for all she does in getting me the right projects and to Cricket for trying her hardest to keep me on track, which is nearly impossible no matter how good my intentions are. Also, a big thanks to Haje for all his work making sure all the numbers and tech stuff are right. If you find something thats wrong, it just means I didnt fix something I should have. You can check out his work at http://kamps.org.

To the great group of photographers who helped with images, I couldnt have done this without you. A huge thanks goes out to all of you:

Kenny Kim for his help with the wedding chapter and all that goes into photographing some of the best weddings ever. You can find out more about Kenny at www.kennykim.com.

Larny Mack for his insight into photographing interiors and the use of his images to illustrate the point. Check out his work at www.larnymack.com.

Jacob Lucas for the use of his great star trails image, I cant thank you enough. His work is at www.jflphotography.com.

E. Howe-Bryne for the star trails image. It is a great shot and I am honored that you allowed me to use it here. For more on E. Howe-Bryne check out http://littleredtent.net/LRTblog.

Ken Toney who supplied the image of the flowing water and the use of the neutral density filter, its a great photograph and I thank you for its use here. Check out Kens work here: www.kentoneyphoto.com.

To everyone at Nik Software especially Laurie, Janice, and Kevin, thanks for everything. Working with you and your products is always a joy.

Dedication

For Nadra

Introduction

Its easy to take photos on a bright sunny day. With plenty of light, its easy to freeze the action, and you can use low ISO settings and get virtually noise-free images. The real challenge and excitement start when the light goes down.

Digital camera technology has come a very long way since I bought my first camera. The new cameras have more advanced built-in light meters and metering modes that allow photographers to focus more on the composition. The problem is that these advances dont really help when it comes to shooting in very low light or at night. There is no way to use the light meter when photographing fireworks or when painting with light for example.

The good news is that this book deals with all those situations where the camera might not be able to capture the image correctly. This means starting at the beginning and covering the basics of light and exposure settings as well as the importance of understanding the color of light and white balance. Many types of photography can be done with any type of camera and lens, but there are certain types of low-light photographs that are made easier by using a lens with a wide aperture and the high ISO capability of the camera along with the accessories, like a tripod and cable release that make long exposures possible. All this and more are covered in Chapter 3.

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