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Preston - Before the fallout : from Marie Curie to Hiroshima

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Preston Before the fallout : from Marie Curie to Hiroshima
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Before the fallout : from Marie Curie to Hiroshima: summary, description and annotation

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In 1898, Marie Curie first described a phenomenon she called radioactivity. A half-century later, two physicists would stand before dawn in the New Mexico desert, slathering themselves with sunscreen-and fearing that the imminent test detonation might ignite Earths atmosphere in a cataclysmic chain reaction and transform our planet into a burning star.
This is the epic story of Curies quest to unlock the secrets of the material world; of the scientists-Rutherford, Bohr, Einstein, Oppenheimer-who built upon her work; of the day the first weapon of mass destruction dropped on Hiroshima, bringing both sudden terror and sudden peace, and of the new era of global uncertainty that emerged in its wake. With the clarity of great science writing, the vividness of historical narrative and the insight of biography, Before the Fallout is an unforgettable and sweeping account of the scientific discovery that changed the world.

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BEFORE THE

FALLOUT

ALSO BY DIANA PRESTON

The Road to Culloden Moor:
Bonnie Prince Charlie and the '45 Rebellion


A First Rate Tragedy:
Robert Falcon Scott and the Race to the South Pole


The Boxer Rebellion:
The Dramatic Story of China'sWar on Foreigners
That Shook the World in the Summer of 1900


Lusitania:
An Epic Tragedy


A Pirate of Exquisite Mind:
Explorer, Naturalist, and Buccaneer:
The Life of William Dampier (with Michael Preston)

BEFORE THE

FALLOUT

from MARIE CURIE to HIROSHIMA

DIANA PRESTON


Copyright 2005 by Preston Writing Partnership All rights reserved No part of - photo 1

Copyright 2005 by Preston Writing Partnership

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the Publisher.

First published in the United States of America in 2005 by

Walker Publishing Company, Inc.

For information about permission to reproduce selections
from this book, write to Permissions, Walker & Company,M
104 Fifth Avenue, New York, New York 10011

Art Credits
Title page spread Children of the Manhattan Project/Joseph Paplia Collection. Science Photo Library, London. CORBIS. Musee Curie, Paris. American Institute of Physics, Emilio Segr Visual Archives. Hiroshima City Archives & Hiroshima Peace Memorial Museum. Artists' Rights Society, NY/Museo Nacional Centro De Arte Reina Sofia, Madrid. What Little I Remember, by Otto Frisch (Cambridge University Press, 1979) Sketches by Otto Frisch. Norwegian Resistance Museum, Oslo. Norwegian Industrialworkers Museum, Vemork. Cal-Tech Photo Archives. The Sports Museum of New England, Boston. Boston Herald Library/Archives. Michael Preston.

Library of Congress Cataloging-in-Publication Data
available upon request
eISBN: 978-0-802-71819-8

Book design by rlf design
Book composition by Coghill Composition Company

Visit Walker & Company's Web site at www.walkerbooks.com

Printed in the United States of America

2 4 6 8 10 9 7 5 3 1

To Michael,


my husband


and


writing partner

Our imagination is stretched to the utmost,
not, as infction, to imagine things which are not really there,
but just to comprehend those things which are there.

Richard Feynman

CONTENTS

First I should acknowledge the collaboration of my husband, Michael, in both the research and the writing of this book. Without him I could not have undertaken it.

I am also indebted to many others: Hans Bethe, Robert Christy, Bertrand Goldschmidt, Philip Morrison, and Sir Joseph Rotblat for talking to me about their personal experiences of working on the Allied bomb program; Lorna Arnold, formerly the U.K. Atomic Energy Authority's official historian, for her generous help and advice; and Arnold Kramish and Carl-Friedrich von Weizsacker for corresponding with me and answering my questions.

In the United Kingdom the staff and archivists of many libraries and organizations gave me their help: the BBC Written Archives Centre; the Bodleian Library, Oxford; the British Library; the Cambridge University Library; the archives of Churchill College, Cambridge; Liverpool University Physics Department (and Peter Rowlands in particular); the London Library; the U.K. National Radiological Protection Board; the Royal Society; and the U.K. National Archive.

In the United States I must thank the staff of the American Institute of Physics, in particular Julie Gass, for their generosity in sending me transcripts of oral interviews; the U.S. National Archives and Records Administration; the Library of Congress; and the Bancroft Library of the University of California.

Elsewhere I am grateful to the Niels Bohr Archive in Copenhagen, and especially Finn Aaserud, for making the recently released postwar letters from Niels Bohr to Werner Heisenberg so accessible; to Aubrey Pomerance of the Judisches Museum, Berlin, for information about Fritz Strassmann's concealment in his apartment of the Jewish pianist Andrea Wolffenstein; to Yad Vashem in Jerusalem for a copy of the citation acknowledging Strassmann's courage; and to the Deutsches Museum in Munich for access to formerly secret documents about the German atom bomb project from 1938 to 1945.

I have made every effort to contact holders of copyright, but with a story covering fifty years this is not an easy task. I hope that anyone I failed to find will accept my sincere apologies.

In Japan, I was touched by the kindness and hospitality of the many people we met there: Miho Nakano for translation and research and for welcoming us to her city; Kazuhiko Takano, deputy director of the Hiroshima Peace Memorial Museum, for insights into the prewar life and history of the city; Yoko Kono for guiding us around the Hiroshima Peace Memorial Museum; Emiko Ono for sharing with us her family history; Masanori Ishimoto of the Hiroshima City Museum of History and Traditional Crafts for telling us about the city's artisans; Jun Fujita and Toshie Kawase for their childhood reminiscences; and Margaret Irwin of the Radiation Effects Research Foundation's Archive Office, Hiroshima, for information about the early history of radiology in Japan.

I must also thank family and friends: Ulrich Aldag, Rhys Bidder, St. John Brown, Clinton Leeks, Kim Lewison, Graeme Low, Neil Munro, and Oliver Strimpel for their insights on the text; Eric Hollis for the loan of books; my aunt Lily Bardi-Ullmann for newspaper research in the United States; and my mother and parents-in-law for their support.

Lastly the help of our agents, Bill Hamilton and Michael Carlisle, was invaluable, and it has been a pleasure working with Michele Hutchison and the team at Doubleday in London and with George Gibson and his colleagues at Walker & Company in New York.

BEFORE THE

FALLOUT

O N 6 AUGUST 1945, the Christian Feast of the Transfiguration, the Festival of Light, a young mother, Futaba Kitayama, looked up to see "an airplane as pretty as a silver treasure flying from East to West in the cloudless pure blue sky." Someone standing by her said, "A parachute is falling." Then the parachute exploded into "an indescribable light."

The American B-29 bomber, Enola Gay, had just dropped "Little Boy," a four-ton bomb which detonated with the explosive power of 15,000 tons of TNT over the Japanese city of Hiroshima. Pilot Paul Tibbets, who had the day before named his plane after his own mother, struggled to hold it steady as the first shock waves hit. Bathed in a bright light, he looked back and saw "a giant purple mushroom boiling upward like something terribly alive." He switched on the intercom and announced to his shaken crew: "Fellows, you have just dropped the first atomic bomb in history."

In Hiroshima, Futaba Kitayama felt her face become strangely damp: "When I wiped my face the skin peeled off." Her eyes began to mist over and close as her face swelled. "Suddenly driven by a terror that would not permit inaction," she staggered past writhing, flayed bodies as she tried to escape. To a doctor the pervasive stench of burned flesh was like "dried squid when it is grilledthe squid we like so much to eat." By December 1945, about 140,000 inhabitants of Hiroshima would be dead, either as a result of the blast and the fires that followed, or of the insidious, silent effects of nuclear radiation.

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