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Gene D. Phillips - Major film directors of the American and British cinema, Volume 1999

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title Major Film Directors of the American and British Cinema author - photo 1

title:Major Film Directors of the American and British Cinema
author:Phillips, Gene D.
publisher:Lehigh University Press
isbn10 | asin:0934223599
print isbn13:9780934223591
ebook isbn13:9780585189031
language:English
subjectMotion picture producers and directors--United States, Motion picture producers and directors--Great Britain.
publication date:1999
lcc:PN1998.2.P55 1999eb
ddc:791.43/0233/092273
subject:Motion picture producers and directors--United States, Motion picture producers and directors--Great Britain.
Page 5
Major Film Directors of the American and British Cinema
(Revised Edition)
Gene D. Phillips
Major film directors of the American and British cinema Volume 1999 - image 2
Bethlehem: Lehigh University Press
London and Toronto: Associated University Presses
Page 6
1999 by Associated University Presses, Inc.
All rights reserved. Authorization to photocopy items for internal or personal use, or the internal or personal use of specific clients, is granted by the copyright owner, provided that a base fee of $10.00, plus eight cents per page, per copy is paid directly to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, Massachusetts 09123. [0-934223-59-9/99 $10.00 + 8 pp, pc.]
Associated University Presses
440 Forsgate Drive
Cranbury, NJ 08512
Associated University Presses
16 Barter Street
London WC1A 2AH, England
Associated University Presses
P.O. Box 338, Port Credit
Mississauga, Ontario
Canada L5G 4L8
The paper used in this publication meets the requirements of the American National Standard for Permanence of Paper for Printed Library Materials Z39.48-1984.
Library of Congress Cataloging-in-Publication Data
Phillips, Gene D.
Major film directors of the American and British cinema / Gene D.
Phillips. Rev. ed.
p. cm.
Filmography: p.
Includes bibliographical references and index.
ISBN 0-934223-59-9 (alk. paper)
1. Motion picture producers and directorsUnited States.
2. Motion picture producers and directorsGreat Britain.
I. Title.
PN1998.2.P55 1999
791.43'0233'092273dc21 98-31914
CIP
PRINTED IN THE UNITED STATES OF AMERICA
Page 7
For Adam Reilly
Page 9
CONTENTS
Acknowledgments
10
Prologue: Artists in an Industry
11
Part One: Film Directors in America
1
Charles Chaplin: The Little Fellow in a Big World
23
2
Howard Hawks: Lonely Are the Brave
39
3
Alfred Hitchcock: Through a Glass Darkly
57
4
George Cukor: A Touch of Class
75
5
George Stevens: In Search of a Hero
95
6
Fred Zinnemann: Darkness at Noon
109
7
Stanley Kubrick: Stop the World
125
8
Francis Coppola: The Lower Depths
143
Part Two: Film Directors in Britain
9
Carol Reed: The Disenchanted
163
10
David Lean: The Undefeated
177
11
Joseph Losey: Decline and Fall
193
12
Bryan Forbes: The Kitchen Sink-Drome
209
13
John Schlesinger: Kinds of Loving
225
14
Ken Russell: The Past as Present
243
Epilogue: The State of the Artist in the Industry Today: Recent Films
260
Notes
280
Bibliography
296
Filmography
308
Index
313

Page 10
ACKNOWLEDGMENTS
First of all, I am most grateful to the film makers who cooperated with me in preparing this book, thereby helping me to interpret their work more accurately. I conducted personal interviews with the following directors, most of whom discussed their work with me more than once during the long period in which I was engaged in the preparation of the present volume: George Cukor, Fred Zinnemann, Stanley Kubrick, Carol Reed, Joseph Losey, Bryan Forbes, John Schlesinger, and Ken Russell. In addition, I watched Alfred Hitchcock shooting his next-to-last film on location in London, and talked with Howard Hawks and with George Stevens at the Chicago International Film Festival, and with Francis Coppola at the Cannes International Film Festival. Moreover, Charles Chaplin and David Lean examined a draft of the chapters on their work. I also interviewed Karel Reisz and Lindsay Anderson about British Social Realism; cinematographer James Wong Howe about working with Howard Hawks; Alec Guinness about working with Carol Reed and David Lean; Olivia de Havilland about working with George Cukor; Evelyn Griffith Kunze, D. W. Griffith's second wife, in connection with the Prologue of this book; Bryan Foy, director of the first all-talking picture, about the advent of sound; and Fred MacMurray about working with George Stevens.
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