• Complain

Candace Ward - World War One British Poets: Brooke, Owen, Sassoon, Rosenberg and Others

Here you can read online Candace Ward - World War One British Poets: Brooke, Owen, Sassoon, Rosenberg and Others full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2012, publisher: Dover Publications, genre: Science. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Candace Ward World War One British Poets: Brooke, Owen, Sassoon, Rosenberg and Others
  • Book:
    World War One British Poets: Brooke, Owen, Sassoon, Rosenberg and Others
  • Author:
  • Publisher:
    Dover Publications
  • Genre:
  • Year:
    2012
  • Rating:
    5 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 100
    • 1
    • 2
    • 3
    • 4
    • 5

World War One British Poets: Brooke, Owen, Sassoon, Rosenberg and Others: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "World War One British Poets: Brooke, Owen, Sassoon, Rosenberg and Others" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Ironically, the horrors of World War One produced a splendid flowering of British verse as young poets, many of them combatants, confronted their own morality, the death of dear friends, the loss of innocence, the failure of civilization, and the madness of war itself.
This volume contains a rich selection of poems from that time by Rupert Brooke, Wilfred Owen, Siegfried Sassoon, Isaac Rosenberg, and others known especially for their war poetry as well as poems by such major poets as Robert Graves, Thomas Hardy, A. E. Housman, Robert Bridges, and Rudyard Kipling.
Included among a wealth of memorable verses are Rupert Brookes The Soldier, Wilfred Owens Anthem for Doomed Youth, In the Pink by Siegfried Sassoon, In Flanders Fields by Lieut. Col. McCrae, Robert Bridges To the United States of America, Thomas Hardys In Time of The Breaking of Nations, as well as works by Walter de la Mare, May Wedderburn Cannan, Ivor Gurney, Alice Meynell, and Edward Thomas.
Moving and powerful, this carefully chosen collection offers todays readers an excellent overview of the brutal range of verse produced as poets responded to the carnage on the fields of Belgium and France.

Candace Ward: author's other books


Who wrote World War One British Poets: Brooke, Owen, Sassoon, Rosenberg and Others? Find out the surname, the name of the author of the book and a list of all author's works by series.

World War One British Poets: Brooke, Owen, Sassoon, Rosenberg and Others — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "World War One British Poets: Brooke, Owen, Sassoon, Rosenberg and Others" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
Table of Contents RUPERT BROOKE 18871915 Rupert Brooke born in 1887 - photo 1
Table of Contents

RUPERT BROOKE (18871915)

Rupert Brooke, born in 1887, was educated at Rugby School and later at Kings College, Cambridge. Perhaps more than any other of the war poets, Brooke came to represent the magnitude of Englands sacrifice for what was popularly believed a just cause. Brooke was young, beautiful and gifted; that he wrote poetry justifying the war effort and that he was killed in the early years of the war contributed to his myth.

Because he died so young (he was 28 when he died of blood poisoning shortly before the Gallipoli expedition), Brookes poetry assumed a greater place in English literature than it might have had he lived longer. Prior to the war, he contributed to Edward Marshs volumes of Georgian Poetry, celebrating the English countryside and way of life. He had early on been influenced by the decadent Romanticism of the late nineteenth century, and while at Cambridge, he fell under the influence of the seventeenth-century metaphysical poets. His first volume of poems, Poems, 1911, was well received and in 1914 he published 1914 Sonnets, ensuring his reputation as one of Englands rising young poets.

Brooke enlisted shortly after England declared war against Germany on August 4, 1914, and turned his poetic efforts to his experiences as a soldier. The most famous of these was the five-sonnet group comprising The Soldier, and in particular the sonnet of the same name. Not long after Brooke wrote the poem, the Dean of St. Pauls cathedral in London read it on Easter Sunday, 1915. It was reprinted in the London Times and caused an immediate sensation. The poems initial reception was magnified by Brookes own death soon after. His words, If I should die, think only this of me:/ That theres some corner of a foreign field/ That is forever England, are some of the best remembered of the wars poetry.

I. PEACE

Now, God be thanked Who has matched us with His hour,

And caught our youth, and wakened us from sleeping,

With hand made sure, clear eye, and sharpened power,

To turn, as swimmers into cleanness leaping,

Glad from a world grown old and cold and weary,

Leave the sick hearts that honour could not move,

And half-men, and their dirty songs and dreary,

And all the little emptiness of love!

Oh! we, who have known shame, we have found release there,

Where theres no ill, no grief, but sleep has mending,

Naught broken save this body, lost but breath;

Nothing to shake the laughing hearts long peace there

But only agony, and that has ending;

And the worst friend and enemy is but Death.

II. SAFETY

Dear! of all happy in the hour, most blest

He who has found our hid security,

Assured in the dark tides of the world that rest,

And heard our word, Who is so safe as we?

We have found safety with all things undying,

The winds, and morning, tears of men and mirth,

The deep night, and birds singing, and clouds flying,

And sleep, and freedom, and the autumnal earth.

We have built a house that is not for Times throwing.

We have gained a peace unshaken by pain for ever.

War knows no power. Safe shall be my going,

Secretly armed against all deaths endeavour;

Safe though all safetys lost; safe where men fall;

And if these poor limbs die, safest of all.

III. THE DEAD

Blow out, you bugles, over the rich Dead!

Theres none of these so lonely and poor of old,

But, dying, has made us rarer gifts than gold.

These laid the world away; poured out the red

Sweet wine of youth; gave up the years to be

Of work and joy, and that unhoped serene,

That men call age; and those who would have been,

Their sons, they gave, their immortality.

Blow, bugles, blow! They brought us, for our dearth,

Holiness, lacked so long, and Love, and Pain.

Honour has come back, as a king, to earth,
And paid his subjects with a royal wage;
And Nobleness walks in our ways again;
And we have come into our heritage.

IV. THE DEAD

These hearts were woven of human joys and cares,

Washed marvellously with sorrow, swift to mirth.

The years had given them kindness. Dawn was theirs,

And sunset, and the colours of the earth.

These had seen movement, and heard music; known

Slumber and waking; loved; gone proudly friended;

Felt the quick stir of wonder; sat alone;

Touched flowers and furs and cheeks. All this is ended.

There are waters blown by changing winds to laughter

And lit by the rich skies, all day. And after,

Frost, with a gesture, stays the waves that dance

And wandering loveliness. He leaves a white

Unbroken glory, a gathered radiance,

A width, a shining peace, under the night.

V. THE SOLDIER

If I should die, think only this of me:

That theres some corner of a foreign field

That is for ever England. There shall be

In that rich earth a richer dust concealed;

A dust whom England bore, shaped, made aware,

Gave, once, her flowers to love, her ways to roam,

A body of Englands, breathing English air,

Washed by the rivers, blest by suns of home.

And think, this heart, all evil shed away,

A pulse in the eternal mind, no less

Gives somewhere back the thoughts by England given;

Her sights and sounds; dreams happy as her day;

And laughter, learnt of friends; and gentleness,

In hearts at peace, under an English heaven.

THE TREASURE

When colour goes home into the eyes,

And lights that shine are shut again

With dancing girls and sweet birds cries

Behind the gateways of the brain;

And that no-place which gave them birth, shall close

The rainbow and the rose:

Still may Time hold some golden space

Where Ill unpack that scented store

Of song and flower and sky and face,

And count, and touch, and turn them oer,

Musing upon them; as a mother, who

Has watched her children all the rich day through

Sits, quiet-handed, in the fading light,

When children sleep, ere night.

CHARLES HAMILTON SORLEY (18951915)

Another poet writing in the early years of the war was Charles Hamilton Sorley. Sorley, the son of middle-class, intellectual parents, attended Marlborough College at Cambridge. From January to July 1914, Sorley traveled in Germany; he had intended to go to Oxford in the autumn of that year, but on August 6, two days after England declared war, he applied for a commission. Despite his early involvement in the war effort, Sorleys was not an unquestioning patriotism, nor did he experience the intense anti-German sentiment pervading England. Indeed, his letters reveal an early and deep skepticism about the war effort, and he was critical of the kind of attitude expressed in Brookes sonnets. Writing to a friend about The Soldier, Sorley criticized the self-important stance he read there:

[Brooke] is far too obsessed with his own sacrifice, regarding the going to war of himself (and others) by the turn of circumstances, where non-compliance with this demand would have made life intolerable. It was not that they gave up anything ... but that the essence of these things had been endangered by circumstances over which he had no control, and he must fight to recapture them. He has clothed his attitude in fine words: but he has taken the sentimental attitude.

The attitude that Sorley exhibited in his own poetry was unsentimental and tragically ironic. Killed at the age of twenty at the Battle of Loos, Sorley saw more actual combat than Brooke, and experienced the horror of the first poison-gas attacks.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «World War One British Poets: Brooke, Owen, Sassoon, Rosenberg and Others»

Look at similar books to World War One British Poets: Brooke, Owen, Sassoon, Rosenberg and Others. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «World War One British Poets: Brooke, Owen, Sassoon, Rosenberg and Others»

Discussion, reviews of the book World War One British Poets: Brooke, Owen, Sassoon, Rosenberg and Others and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.