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Mitchell Rose. - Maps - Their Untold Stories

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Mitchell Rose. Maps - Their Untold Stories

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London: Thomas Reed, 2014. 182 p. ISBN 9781408189696.A map is a snapshot of a place, a city, a nation or even the world at a given point in time-fascinating for what they tell us about the way our ancestors saw themselves, their neighbours and their place in the world. This magnificent collection, drawn from seven centuries of maps held in the National Archives at Kew, looks at a variety of maps, from those found in 14th Century manuscripts, through early estate maps, to sea charts, maps used in military campaigns, and maps from treaties.The text explores who the mapmakers were, the purposes for which the maps were made, and what it tells us about the politics of the time. Great images are accompanied by compelling stories. Featured is a woodcut map of 16th Century London, a map of where the bombs fell during the Second World War, and a map the first American settlers drew when they were attempting to establish a new empire on Roanoke Island, off the coast of what is now North Carolina.Richly illustrated with large scale reproductions of the maps, the book also includes some of the more amusing or esoteric maps from the National Archives, such as the map of the Great Exhibition in 1851 that was presented on a ladys glove, a London Underground map in the form of a cucumber, and a Treasure Island map used to advertise National Savings.This is a fascinating and unusual journey through the world of maps and mapmakers.

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This electronic edition published in 2014 by Bloomsbury Publishing Plc - photo 1

This electronic edition published in 2014 by Bloomsbury Publishing Plc - photo 2

This electronic edition published in 2014 by Bloomsbury Publishing Plc

Published 2014 by Bloomsbury Publishing Plc,

50 Bedford Square, London WC1B 3DP

www.bloomsbury.com

Bloomsbury is a trademark of Bloomsbury Publishing Plc

The National Archives logo Crown Copyright 2014

The National Archives logo device is a trade mark of The National Archives and is used under licence.

Text and maps Crown Copyright 2014

The right of Rose Mitchell and Andrew Janes to be identified as the authors of this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988.

ISBN 978-1408-1-8967-2

All rights reserved You may not copy, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (including without limitation electronic, digital, optical, mechanical, photocopying, printing, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

This book is produced using paper that is made from wood grown in managed sustainable forests. It is natural, renewable and recyclable. The logging and manufacturing processes conform to the environmental regulations of the country of origin.

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PREFACE

MAPS OUT OF THE ARCHIVES

Our aim in writing this book was to share more widely some of the remarkable maps here at The National Archives, and also to relate some of the fascinating tales that lie behind them. We have selected 100 maps from among the many possibilities, with a broad range of dates, places and contexts. These maps are not a representative sample but chosen to convey something of the diversity of maps in the archives. We have arranged them into eight themed chapters, although many of our choices could have fitted more than one theme and there are many overlaps in subject matter between maps in different chapters.

We have then placed the maps in their historical and documentary context, as part of the official government archives of the United Kingdom. However, this is to some extent our personal view of them, and we hope that you will perceive some of them differently from us. Above all, we hope that you will enjoy looking at and reading about our maps as much as we have enjoyed writing about them.

Rose Mitchell and Andrew Janes

Map archivists

Kew, London, April 2014

For further information about maps in The National Archives, please visit www.nationalarchives.gov.uk/maps

Contents

CHAPTER ONE

EARLY MAPS

Maps from earlier times are different from the kind of maps we are familiar with today. In this chapter we explore a selection that illustrates the diversity of maps from the 15th century to the 17th century, and some of the reasons why they were made. Most of these maps were manuscript, drawn before more standardised printed maps became common. They are of ten colourful and provide highly individual views of places, buildings, plant life and coastlines, before the genre of British landscape painting had begun. Sometimes mapmakers tried to show hypothetical places such as a posited southern continent of the same size as the Arctic, and the map even shows the outer edges of the heavens.

Maps gradually became accepted as a useful and attractive way to present viewpoints, knowledge and information. The oldest maps in the archives date from the 14th century, but maps were relatively rare until the 16th century. The archives holds seven maps and one chart dated before 1500. Two of these maps are included in this chapter, showing medieval landscapes in Surrey and Yorkshire. The number of maps produced increases to about 75 for 1500 1550, doubled for 1550 1580, and with perhaps 200 further maps for 1580 1600 when mapmaking became more widespread.

Why did people start making and using maps? From the early 16th century maps began to be increasingly appreciated and used for diplomacy, defence and government administration. Map use in law courts was encouraged after a map affected the verdict in a case in 1515. Influential individuals such as the statesman Lord Burghley saw the importance of maps and helped to make them common currency at the court of Elizabeth I. The visual nature of maps was especially helpful in conveying information about far-off places, when planning military campaigns abroad, colonising, and for an over view of foreign states, especially those which were likely to be a threat to England. See, for instance, the French administrative map , used for military intelligence.

Early maps were usually made for a specific purpose, by hand, when needed. They dealt with a particular issue where multiple copies were not required, or with secret matters such as defence where they were for the eyes of the ruling elite alone. What is shown is selective, chosen to reflect a maps purpose. The Knaresborough Castle plan () could show more of the nearby palace. Maps drawn for opposing par ties in a legal case may show very different views of the same land. This limited focus on the matter in hand resulted in maps of small places such as remote moorlands but fewer of towns, regions or the whole country.

WOLVES RABBITS AND WILD MEN A scene in the hills above Portrush peninsula - photo 3

WOLVES, RABBITS AND WILD MEN: A scene in the hills above Portrush peninsula, County Antrim, Ireland in 1580.

CASTLE IN THE SAND Camber Castle near Rye Sussex see LAKELAND FELLS - photo 4

CASTLE IN THE SAND: Camber Castle near Rye, Sussex (see ).

LAKELAND FELLS Dynamic depiction of hills surrounding the river valley and - photo 5

LAKELAND FELLS: Dynamic depiction of hills surrounding the river valley and hamlet of Sadgill, Westmorland, drawn for a court case in 1578.

The success of early maps was measured by the extent to which they achieved their purpose, rather than their accuracy in the modern sense. They may not be drawn to scale, and the mapmaker might even emphasise important features by portraying them disproportionately larger than their true size. Some maps are rough sketches, others in pictorial style. They might be drawn to make best use of the piece of parchment or paper and so north may not be at the top. We may need to look at related documents to interpret a map, to tell us who made it, when, why, and what happened to it next, questions which early maps of ten do not answer in themselves.

If reading early maps requires skill and a fresh mind, it also offers us a window on the world of centuries past. It can be fascinating to glimpse lost palaces and castles, long-fallen ancient crosses and deserted villages, in a landscape of ten vastly changed from the one we see now. Until the last quarter of the 16th century mapmaking was an activity to which any educated man might turn his hand, with no particular training in cartography but a knowledge of the place that he drew. Mapmakers used their creativity to express the point of the map, and added embellishments in the form of animals, monsters and ships. Their maps were made in a profusion of styles, shapes and colours.

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