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Louise Lee - Victorian Comedy and Laughter: Conviviality, Jokes and Dissent

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Louise Lee Victorian Comedy and Laughter: Conviviality, Jokes and Dissent
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Editor Louise Lee Victorian Comedy and Laughter Conviviality Jokes and - photo 1
Editor
Louise Lee
Victorian Comedy and Laughter
Conviviality, Jokes and Dissent
1st ed. 2020
Editor Louise Lee Department of English and Creative Writing University of - photo 2
Editor
Louise Lee
Department of English and Creative Writing, University of Roehampton, London, UK
ISBN 978-1-137-57881-5 e-ISBN 978-1-137-57882-2
https://doi.org/10.1057/978-1-137-57882-2
The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988.
The Editor(s) (if applicable) and The Author(s) 2020
This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

Cover image Tom Howey

This Palgrave Macmillan imprint is published by the registered company Springer Nature Limited

The registered company address is: The Campus, 4 Crinan Street, London, N1 9XW, United Kingdom

Acknowledgements

Many thanks to Jane Darcy, who organised the Victorian Comedy Conference at University College London, from which many of these articles are drawn, and to the contributors for their enthusiasm, patience and good humour. I am greatly indebted, too, to Milena Kozic, friend and former Ph.D. student at Kings College London, who has acted as an invaluable consultant and assistant on this book, and to Alastair Sherwood, without whose help it might never have been finished. Thanks, also, to Camille Davies, Shaun Vigil and Rebecca Hinsley at Palgrave for steering it wisely and kindly to completion. The students of the third-year undergraduate course Laughing Victorians at Roehampton University, London, deserve a special mention for their many excellent ideas and insights. Much gratitude, too, to my husband Johnny Lee and daughter Georgina for their wisecracking fun and encouragement. This book is dedicated to my parents Carole and Charles Walkerboth consummately good gigglersand to the memory of my brother, Sam Walker (19662015), whose awesome puns are missed every day.

Contents
Louise Lee
Conviviality
Malcolm Y. Andrews
Jonathan Buckmaster
Peter Swaab
Jokes
Bob Nicholson
Louise Lee
Ann Featherstone
Louise Wingrove
Oliver Double
Dissent
Peter T. A. Jones
Jonathan Wild
Matthew Kaiser
List of Figures
Edward Lears Travels in Nonsense and Europe
Fig. 1 A nest in one of my own olive trees (Later Letters of Edward Lear, edited by Lady Strachey [London: T. Fisher Unwin, 1911], 122)
Fig. 2 A was an ant (Nonsense Songs, Stories, Botany, and Alphabets [London: Robert John Bush, 1871], n.p.)
Fig. 3 M was a Mouse (Edward Lear drawing for M was a Mouse from An original nonsense alphabet made for Miss Lushington, ca. 1865. MS Typ 55.3. Image courtesy of the Houghton Library, Harvard University, Cambridge, MA. Web: https://iiif.lib.harvard.edu/manifests/view/drs:51101168$14i )
Fig. 4 There was a young lady of Sweden (A Book of Nonsense [London: Frederick Warne and Co, 1846; eighteenth edition, 1866], 100)
Fig. 5 There was an old person of Ems (A Book of Nonsense [eighteenth edition, 1866], 107)
Fig. 6 There was a Young Lady whose bonnet (A Book of Nonsense [London: Frederick Warne and Co, third enlarged edition, 1861], 5)
Fig. 7 Ramphastas Toco (John Gould, A Monograph of the Ramphastidae, or Family of Toucans [1834])
Fig. 8 There was an old man whose despair (More Nonsense, Pictures, Rhymes, Botany, Etc. [London: Robert John Bush, 1872], n.p.)
Fig. 9 There was an old person of Grange (More Nonsense, Pictures, Rhymes, Botany, Etc. [London: Robert John Bush, 1872], n.p.)
Capital Company: Writing and Telling Jokes in Victorian Britain
Fig. 1 The reprinting of jokes from Punch, 4 October 1884. Shaded squares indicate the presence of a particular joke in a specific paper. The numbers inside each shaded box indicate the sequences in which jokes were printed by these papers
Notes on Contributors
Malcolm Y. Andrews

is an Emeritus Professor of Victorian and Visual Arts at the University of Kent. He is currently Editor of The Dickensian, the journal of the Dickens Fellowship, and has published on Dickens and on landscape art.

Jonathan Buckmaster

is an Honorary Research Fellow at the University of Buckingham and Associate Editor of Dickens Journals Online. He was awarded his doctorate for his thesis on Charles Dickens and the pantomime clown in February 2013. This work reinterprets Dickenss Memoirs of Joseph Grimaldi (1838) and examines a number of Dickenss comic figures in relation to the tropes of pantomime. His monograph, Dickenss Clowns: Charles Dickens, Joseph Grimaldi and the Pantomime of Life, has recently been published by Edinburgh University Press (2019).

Oliver Double

is a Reader in Drama at the University of Kent. He is the author of Stand-Up! On Being a Comedian (1997), Britain had Talent: A History of Variety Theatre (2012) and Getting the Joke: The Inner Workings of Stand-Up Comedy (2nd edition, 2014), and he is the co-editor of Popular Performance (2017). In 2013, he established the British Stand-Up Comedy Archive, and is the creator and co-presenter of a podcast based on the items it contains, A History of Comedy in Several Objects.

Ann Featherstone

is an Honorary Research Fellow in Theatre History in the Department of Drama at the University of Manchester. Her research interests have always been located in nineteenth-century popular entertainment. She has contributed chapters and articles on the Victorian portable theatre, pantomime, theatrical advertising and circus. With Professor Jacky Bratton, she co-wrote The Victorian Clown (CUP, 2006) and edited The Journals of Sydney Race 18921900

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