Bill - Best of Digital Wedding Photography
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Bill Hurter is the editor of Rangefinder magazine. He is the former editor of Petersens PhotoGraphic, and is a graduate of Brooks Institute of Photography, from which he holds a BFA in professional photography and an honorary Masters of Science degree. He has been involved in professional photography for more than twenty-five years. Bill is also the author of Portrait Photographers Handbook, Group Portrait Photography Handbook, The Best of Wedding Photography, The Best of Portrait Photography, The Best of Childrens Portrait Photography, The Best of Wedding Photojournalism, and The Best of Teen and Senior Portrait Photography, all from Amherst Media.
Copyright 2004 by Bill Hurter.
All rights reserved.
Published by:
Amherst Media, Inc.
P.O. Box 586
Buffalo, N.Y. 14226
Fax: 716-874-4508
www.AmherstMedia.com
Publisher: Craig Alesse
Senior Editor/Production Manager: Michelle Perkins
Assistant Editor: Barbara A. Lynch-Johnt
ISBN: 1-58428-145-6
Library of Congress Card Catalog Number: 2004101347
Printed in Korea.
10 9 8 7 6 5 4 3 2 1
No part of this publication may be reproduced, stored, or transmitted in any form or by any means, electronic, mechanical, photocopied, recorded or otherwise, without prior written consent from the publisher.
Notice of Disclaimer: The information contained in this book is based on the authors experience and opinions. The author and publisher will not be held liable for the use or misuse of the information in this book.
L iving in these times, it is not at all hard to believe that technology could play a role in redefining a time-honored tradition like wedding photography. However, the influence of digital technology on weddings and wedding photography has been more than merely significant, it has been mind-boggling. Digital technology has literally reversed fortunes, providing prosperity and unparalleled success for a new generation of all-digital wedding photographers. Thanks to digital, wedding photography is an art-form that is virtually exploding with creativity! Despite economic ebbs and flows, wedding budgets seem to know no bounds and the horizons of wedding photography appear almost limitless.
Control. Photographers are no longer just recording images and sending them to the lab for color correction, retouching, and printing. Says Kathleen Hawkins of Jeff Hawkins Photography, We can now perfect our art to the fullest extent of our vision!
Steven Gross is a highly successful wedding photojournalist who shoots weddings in black & white only. His images reflect frozen moments unobserved by most of the wedding guests.
Joe Photo photographed a dream wedding, which included six different locations all over the world. This image of the bride was made outside of Paris. This kind of coverage is indicative of the changed face of wedding photography.
Todays wedding photographer is a keen observer of the days events. This image by award-winning photographer Regina Fleming is a study in motion and form that isolates the emotion of the wedding day.
The photographers featured in this book are digital artists who spend a great deal of time perfecting each image that goes out to a client. It is probably this aspect of contemporary wedding photography, more than any other, that has accounted for the profound increase in artistic wedding images.
This fine-art approach, in turn, raises the financial barallowing digital wedding photographers to charge premium prices for their weddings. Says photographer David Beckstead, I treat each and every image as an art piece. If you pay this much attention to the details of the final image, brides will pick up on this and often replace the word photographer with the word artist.
For Charles and Jennifer Maring, digital has opened up a wealth of creative opportunities. Their unique digital albums include an array of beautifully designed pages with graphic elements that shape each layout. Their storytelling style is as sleekly designed as the latest issue of Modern Bride. The Marings not only work each image but also design each album. Says Charles, There is a unique feeling when designing the art. I dont know what an image will look like until I am almost done with it. I also dont know where the vision comes from. I relate this to the art of photography. A higher place maybe.
This talented couple believes so totally in controlling the end product that they also own their own digital lab, named Rlab. We have been totally digital for six years now, and the challenge and precision of the change has actually made us better photographers than we were with film, says Charles. He believes the outside of the album is every bit as important to his upscale clients as each page therein, and has been known to use covers ranging from black leather, to metal, to red iguana skin. He has even found a local bookbinder with his own working bindery for finishing their digital albums.
This beautiful panoramic image for an album was made by Charles Maring and toned and softened in Photoshop. The lighting on both the couple and the car is exquisite, and the design of the image places the couple on the left-hand page of the album and the bulk of the car on the right-hand page. The panoramic was designed as a 15x10-inch page.
Joe Buissink, a master wedding photographer, likes the look of film. Therefore, his digital arsenal includes both film and digital Nikon cameras. He is the master of the subtle momentas shown here, where he captured this young wedding attendant in the midst of a self-approving moment.
Digital has allowed photographers to reach new heights in creativity, primarily because they control the processing and post-processing of the image. In this image by Jeff and Kathleen Hawkins, various effects (controlled blurring, vignetting, dodging, and burning) were performed in Adobe Photoshop, making the final image a unique work of art.
David Beckstead works in Photoshop on every single image that leaves his studio, insisting that this kind of attention to detail is the only way to preserve the art of the wedding image. The original image was made with a Nikon D1X and zoom lens at the 35mm setting at an exposure of 1/30 second at f/2.8. The motion blur was added and enhanced in Photoshop.
Digital Imaging Software. Regardless of whether a photographer shoots weddings digitally or with film (indeed, many have not yet made the investment in digital, opting to scan their film images instead), the impact of Adobe Photoshop has permanently changed the style and scope of wedding imagery. In the comfort of his home or studio, the photographer can now routinely accomplish special effects that in years past could only be achieved by an expert darkroom technician. Photoshop has made wedding photography the most creative venue in all of photographyand brides love it. Digital albums, assembled with desktop publishing software, have become the preferred album type of brides, and the style and uniqueness that these albums bring to the wedding experience make every bride and groom a celebrity.
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