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Hayden Herrera - Upper Bohemia

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Hayden Herrera Upper Bohemia
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A New Yorker Best Book of 2021
A touching, heartbreaking, and exceptional (Town & Country) coming-of-age memoir by the daughter of artistic, bohemian parentsset against a backdrop of 1950s New York, Cape Cod, and Mexico.
Hayden Herreras parents each married five times; following their desires was more important to them than looking after their children. When Herrera was only three years old, her parents separated, and she and her sister moved from Cape Cod to New York City to live with their mother and their new hard-drinking stepfather. They saw their father only during the summers on the Cape, when they and the other neighborhood children would be left to their own devices by parents who were busy painting, writing, or composing music. These adults inhabited a world that Herreras mother called upper bohemia, a milieu of people born to privilege who chose to focus on the life of the mind. Her parents friends included such literary and artistic heavyweights as artist Max Ernst, writers Edmund Wilson and Mary McCarthy, architect Marcel Breuer, and collector Peggy Guggenheim.
On the surface, Herreras childhood was idyllic and surreal. But underneath, the pain of being a parents afterthought was acute. Upper Bohemia captures the tension between a childs excitement at every new thing and her sadness at losing the comfort of a reliable family. For her parents, both painters, the thing that mattered most was beautyand so her childhood was expanded by art and by a reverence for nature. But her early years were also marred by abuse and by absent, irresponsible adults. As a result, Herrera would move from place to place, parent to parent, relative to family friend, and school to schooleventually following her mother to Mexico. The stepparents and stepsiblings kept changing too.
Intimate and honest, Upper Bohemia captures an enchanted but erratic childhood in a rarefied milieu with the critical but appreciative eye of a seasoned art historian (The Wall Street Journal). It is a celebration of a wild and pleasure-filled way of livingand a poignant reminder of the toll such narcissism takes on the children raised in its grip.

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Hayden Herrera Upper Bohemia A Memoir This is a domestic tragedy wonderfully - photo 1

Hayden Herrera

Upper Bohemia

A Memoir

This is a domestic tragedy, wonderfully written with deep insight and subtle forgiveness.

CALVIN TOMKINS, author of The Lives of Artists

Simon Schuster 1230 Avenue of the Americas New York NY 10020 - photo 2

Picture 3

Simon & Schuster

1230 Avenue of the Americas

New York, NY 10020

www.SimonandSchuster.com

Copyright 2021 by Hayden Herrera

All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information, address Simon & Schuster Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.

First Simon & Schuster hardcover edition June 2021

SIMON & SCHUSTER and colophon are registered trademarks of Simon & Schuster, Inc.

For information about special discounts for bulk purchases, please contact Simon & Schuster Special Sales at 1-866-506-1949 or .

The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event, contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com.

Interior design by Carly Loman

Jacket design by Math Monahan

Jacket photographs courtesy of the author

All photos are from the collections of Hayden Herrera and Blair Resika except for page : courtesy of Kate Manheim.

Library of Congress Cataloging-in-Publication Data has been applied for.

ISBN 978-1-9821-0528-0

ISBN 978-1-9821-0530-3 (ebook)

For Blair

Preface

O ur mother was a terrible mother, wasnt she? My sister and I share a rueful laugh. A part of each of us wants to say, No, she was wonderful. After a pause to search through memory, one of us nods. Yes, she was a terrible mother. But our terrible mother gave Blair and me a wonderful life. And, she was not the only terrible mother. Most of our friends had terrible mothers, too. When we talk with friends about childhood, we compete about whose mother was the worst. This is consoling. Our mothers terribleness becomes a joke. Its not fair: our fathers are off the hook. For all his charm and wit, Blairs and mine was an absent father. As one of his wives observed, Your father never lost a nights sleep over anybody.

My father and mother in the British Virgin Islands 1935 In addition to their - photo 4

My father and mother in the British Virgin Islands, 1935

In addition to their numerous love affairs, my father and mother were each married five times. They believed in the importance of pleasure, of living life to the hilt. To follow their own desire was a moral imperative. Repression, sacrifice, and compromise were cowardly. What our parents desired was not always in the best interests of their children. If they fell in love and had to pursue a new lover, they did not hesitate to stash their children with some friend, relative, or boarding school. Children were secondary to the leading of a passionate life.

What I want to understand is how could our mother have behaved the way she did? And what made the parents of our friends be impervious to their childrens needs? Why did our father think it was acceptable to live in another country and to turn up now and again with a different wife? And why, if they ignored us, were Blair and I so captivated by our parents?

Our mother called her friends upper bohemians. Most were artists or writers living in Manhattan and the Outer Cape (Wellfleet, Truro, and Provincetown) and most were born between 1908 (the year of both my parents birth) and 1920. These so-called upper bohemians had privileged childhoods but rebelled against their parents way of life. They rejected convention and insisted upon personal liberty. Their lives were full of adventure and drama, mixed with chaos. The flush of excitement that came with a new love affair made a marriage worn down by progeny seem dull. The sense of security and continuity, of duty fulfilled, that might have come from sticking with a spouse for the sake of the children was not enough to hold them back from the thrill of the unknown.

In a way, these upper bohemians constituted a second lost generation. They did not directly experience the horror and pointlessness of World War I, but they were affected by its aftermath, the upheaval of traditional value systems, the feeling that life is cheap and death is around the corner, so you might as well live it up. Coming of age in the late twenties, my parents absorbed that decades disenchantment and the concomitant insistence on having fun. Unhampered by Prohibition, they were part of an alcohol culture. The cocktail hour was sacrosanct. It loosened inhibitions, allowed people to follow their impulses.

During Prohibition breaking laws became habitual. If one law could be broken, why not all? Women, who had not been welcome in saloons, joined the fray at speakeasies. Womens status changed in the 1920s. They were less submissive, more outspoken, freer to choose their own lives. For my mother and her friends, defying all norms of proper behavior was fashionable. Conformism was beneath contempt. When my mother spoke of family values or togetherness you could hear the disdain in her voice.

My mother c 1940 My father 1948 The Great Depression cast a pall on the - photo 5

My mother, c. 1940

My father 1948 The Great Depression cast a pall on the madcap modes of the - photo 6

My father, 1948

The Great Depression cast a pall on the madcap modes of the 1920s. When my parents family wealth was lost or diminished after the 1929 stock market crash and after the 1932 collapse of the Swedish Match company (a Ponzi scheme controlled by Swedish investor, the so-called Match King, Ivar Kreuger), my father and mother had to change their way of life. They changed their worldviews as well. Now nothing was permanent. Life was precarious and impecunious, but never boring. Since nothing could be taken for granted, life was an invention.

Because they were born into a world of privilege and they belonged to what my mother called good families (meaning upper class), they had the gift of confidence. My parents did not have to earn confidence by achievement. Self-esteem was bestowed upon them by birth. My father, John Charles Phillipss first American ancestor, Reverend George Phillips, was educated at Cambridge University in England and came to this country in 1630 aboard the Arbella, the flagship of the Winthrop fleet. His descendants founded Phillips Exeter and Phillips Andover Academies.

My mother, born Elizabeth Cornell Blair, couldnt have cared less about her forebears, but she did once tell me proudly that she had Native American blood and that she was related to King John the Bad. When she had an exhibition of her paintings in Mexico City in 1949, she told a newspaper reporter that she was descended from John Paul Jones, a Scottish-born naval officer who, after killing two subordinate seamen in two separate incidents of rage, joined the Continental Navy and became a hero of the American Revolution. That her great grandfather, Ezra Cornell, founded Cornell University did not seem important enough to tell me. (Her more class-conscious younger sister made sure that Blair and I knew.)

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